Peaches – I Feel Cream
The always fruity Peaches is back with fourth album I Feel Cream which finds her giving the past a slip and whipping it real good.
Twin Sister – London – 25 November 2010
Latching hold of our ears earlier in the year with their double EP release Colour Your Life/Vampires With Dreaming Kids, Long Island’s Twin Sister had secured a place on our date card long before their they announced their first UK tour. Sneaking across the pond in October, we’d caught the band supporting rising stars, The Morning Benders at the Music Box in Los Angeles (apologies boys, I owe you one live review) and were suitably impressed. Jaded beyond jaded as the years drag on and the revolving floorshow of new bands yawn in our faces with old ideas, it was refreshing to witness a band breathe colour and life into their music.
The Minus 5 – Killingsworth
No longer young bucks American supergroup The Minus 5 release their eighth album of beautiful stories, pretty melodies and career-defining songs.
Twin Shadow – London – 11 May 2011
Having to write a live review on the fly, almost two weeks after it happened, from notes hastily scribbled, while packing to go to a festival will show us this is not the way to be. There's no time to go into great detail, to labour the point, to draw comparisons between George Lewis Jr's physical appearance (a little bit Prince, a little bit Morrissey), or the sound (a little bit Prince, a little bit Morrissey, albeit on a synth-sprung landscape). Twin Shadow, at least from this writer's perspective, has adequately filled the gap that LCD Soundsystem left by their absence, in making music that moves and is moving, that is confident without being arrogant, and is just too perfect for words.
Blue Roses – Blue Roses
Blue Roses may not exist in nature but there's nothing artificial about Yorkshire songsmith Laura Groves.
The Scare – Oozevoodoo
If you've been with The Scare lately, you'll be lucky if it's only voodoo you're oozing, otherwise you better see a doctor.
The Lemonheads – Varshons
Evan Dando and a cast of several come together to make the ultimate Lemonheads record so far. With an album featuring songs by Wire and Christina Aguilera, it's both "Strange" and "Beautiful".
Constantines – Kensington Heights
Arts & Crafts, 2008 [8/10] Toronto's Constantines have tirelessly flown under the radar for many years now. Fiercely independent and untied to any particular scene or movement, their sound is punishing blend of brittle punk
Okkervil River – The Stand Ins
Jagjaguwar, 2008 The Austin boys in Okkervil River are back with another album and like always it's filled with surprising stories, dense lyrics and great tunes that stick with you. The
The Big Pink – Interview with Robbie Furze (Static, 2009)
Recently setting the stereo at Webcuts HQ on fire with their debut release A Brief History of Love, we speak to Robbie Furze of The Big Pink as he explains the power of love and offers us a brief history of this incredible electronic/shoegaze duo.
Who The Hell Are… Civil Civic?
There aren't that many great instrumental duos in the history of rock and roll. I've thought about this for about 20 seconds or so and bored already. To arrive at that musical decision, and to arrive at that musical decision when your bandmate doesn't even live in the same country, is as perverse as it is stupid. Being as they are Australian, perverse stupidity is our calling, and it's why Civil Civic succeed where others have just gone "Dude, we need another member". With the title still up for grabs (or until some smart-ass avant-garde freak shoots me down), Civil Civic could turn out to be the greatest instrumental duo in the history of rock and roll. Wouldn't that be just dandy?
Webcuts Top 11 Of 2011
It hasn’t been an amazing year for music, but surely an entertaining one. Lots of new acts jockeying for position amongst the wily veterans, and plenty of debate even as early as June over love ‘em-or hate ‘em titles such as King of Limbs and James Blake’s eponymous debut and where they belong in the year’s final canonization of greats. Honestly, I can’t remember a year in recent memory when I’ve found so many hyped records I’ve disliked or been entirely disinterested in. Cults? Pass. Tyler, The Creator? Garbage. The saviors from musical banality have consistently been experienced groups who know what they’re doing and get praised for their music and not being arrested in LA and starting riots.
The Dears – Murry Lightburn Interview (Static, 2009)
Murray from The Dears lays it all out - "I didn’t sign up for any of this shit. I just write songs and try to work with people to facilitate those songs and get them out to people to hear them."
The Welcome Mat – Gram
In the annals of Australian music history, The Welcome Mat only succeeded in living up to their name, laid down at the gates of opportunity to watch in dismay as their more fated friends were
Webcuts Top 25 Albums of 2008
Ladies and gentlemen, the envelope please! Webcuts favourite albums of 2008 as argued and fought over by us, including star-studded appearances from Beach House, My Morning Jacket, Fleet Foxes, Nick Cave, Santogold, Okkervil River and many more...
Foals – Australian Interview with Walter Gervers (Static, 2011)
To say expectations were high for Foals' second album Total Life Forever would be stating the exceedingly obvious but from the grandeur and exquisite melancholy of “Spanish Sahara” to the frenetic indie-pop of “This Orient” to the dance funk of “Miami” it met and exceeded them with uncommon ease. Total Life Forever elevated Foals further from their peers and into the rare league of artists who maintain credibility with a more accessible sound and thus gaining a larger listening base whilst still remaining true to their experimental pop principles. We spoke to bassist Walter Gervers while the band was in Australia for the St. Jerome’s Laneway festivals and some recording on the sly.