Beach House – Australian Interview about Teen Dream (Static, 2011)
Baltimore's Beach House first appeared in 2006 with their self-titled debut, a gorgeous collection of dizzying songs built around Victoria Legrand's awash-with-reverb harmonies, church-style organ and Alex Scally's languidly strummed guitar. It was their style and approach, reminiscent of Mazzy Star, Yo La Tengo and This Mortal Coil, that found favour with a like-minded audience. Recently touring Australia and appearing as part of the travelling Laneway Festival, Chris Berkley caught up with Victoria and Alex of Beach House to talk about their gradual rise and amongst other things, how to keep cheese out of the live set.
Castanets – Texas Rose Thaw & The Beasts
Every rose has a thorn and so too does the fifth album by Raymond Raposa's folk-beat one man band Castanets.
Robert Lurie – No Certainty Attached – Steve Kilbey and The Church
Slighty less than groundbreaking, but no less worthy, biography of Australian poet, musician and icon, Steve Kilbey of The Church.
Who The Hell Are… The Rassle?
When it comes to the mythical it-factor, New York's The Rassle by their own admission are “just rock and roll”. They understand that thousands of people have been there, done that. They're here to enjoy whatever the moment is right now, and it feels pretty damn great. Listen to The Rassle's first single, “Wild Ones” and you'll hear what they're talking about. It's a sound that's been done before. A little synthy, a little danceable. But by the time that kick drum chorus comes bellowing forward, it doesn't matter. You're bobbing your head like this is the first time you've heard indie rock before. It's fantastic.
Drop Nineteens – Delaware
Welcome reissue of Boston shoegazers debut effort from 1992 complete with bonus tracks. It's wicked pissa!
Smith Westerns – Dye It Blonde
There are some records that forever remain at the bottom of the review pile, and boy do Smith Westerns make us regret it.
Who The Hell Are… Pris?
Uh-oh, here comes trouble. Pris are a four piece from London featuring Cat on vocals, Agatha on guitar, Mary on bass and Sam on drums. Imagine Blondie with an attitude problem, Manics before the middle life spread and Kenickie without the big bones.
Elliott Smith – An Introduction To…
It's hard to believe that he's been gone 7 years now. This collection attempts to define one of last great songwriters of the 20th Century.
Future of the Left – Travels With Myself and Another
To hell with good intentions - Future of the Left's second album blows everything else out of the water.
Jay Reatard – Matador Singles ’08
Matador, 2008[rating:7/10] Memphis native Jay Reatard (Jay Lindsey) has been making a name for himself since the late 90s, in bands like The Reatards and Lost Sounds, mixing up garage rock and synth punk. Recently
Sunset Sounds Festival – Brisbane – 2009
We review Brisbane's inaugural Sunset Sounds Festival and see how the likes of The Hives, Santogold, The Kooks, Franz Ferdinand, Faker, The Grates, Tegan and Sara, I Heart Hiroshima and more measure up in the sweltering heat.
The Kills – Alison Mosshart talks Midnight Boom (2009)
Arriving on the scene way back in 2002 with the gritty Black Rooster EP, The Kills took the garage rock aesthetic and beat it down, creating a skin and bones strut that stank of sex
PJ Harvey & John Parish – A Woman A Man Walked By
We took at poll at Webcuts, and PJ Harvey is most definitely not a woman one of us would walk by.
Suckers – Wild Smile
Brooklyn's Suckers channel a little ADHD indie rock throughout their debut album, defying hype and maintaining interest.
Andrew Bird – Noble Beast
Andrew Bird takes flight with his latest album Noble Beast. Thankfully it's nothing at all like a Flock of Seagulls.
The Decemberists – The Hazards of Love
EMI/Rough Trade, 2009 [7/10] Where once The Decemberists were a modest modern rock band, albeit outsiders with literate leanings that rarely leaned toward rock's excesses, they have gradually extended their artistic aspirations into the musical