The Hold Steady – Interview about Heaven Is Whenever (2010)
“Listening again to everything The Hold Steady recorded. Is this the greatest American band now? They just got me through a rough month.” Bret Easton Ellis, Twitter Nov 2009. Lauded by fans, critics and other creative minds for the scope, depth, truth and heart that they bring to chronicling the American rock myth, Craig Finn and Tad Kubler of The Hold Steady hold court to discuss (via impersonal record label Q&A) their forthcoming blue collar opus Heaven is Whenever, due for release on May 3.
Webcuts Top 20 of 2010 – Part 1
So that was 2010. What does Webcuts remember most about it? It's hard to say, really. The landscapes shift, the memories flickr and 365 days blur into one long unending soundtrack. One thing our favourite tracks of 2010 all had in common was that they appeared like one night stands that lingered a little longer than usual, almost all of them attached to a singular memory of the song being performed, either from a distance or elbows resting on the stage in mute admiration, or maybe just there emanating from a speaker aimed direct into our inner consciousness, refusing to budge.
Gorillaz – Plastic Beach
More of a mixtape than a record? Gorillaz latest adds Lou Reed and Mark E. Smith to their line-up for a day down the (plastic) beach.
Austra – London – 6 September 2011
Having changed careers mid-stream from a piano-based singer-songwriter with a touch of the Regina Spectors to a Nico-esque bleach-blonde gothic siren, in Austra Katie Stelmanis has found the form to match the function. With a handful of impressive singles released either side of their Kate Bush meets Nine Inch Nails debut album Feel It Break, Stelmanis may have found her creative niche but she still has much to prove. On record, Austra cloak themselves in a throbbing monochrome blanket, but on stage their live show is more telling, more vibrant and commanding, as Stelmanis, flanked by a pair of interpretive dancers/backing vocalists, add any absent colour.
Destroyer – Kaputt
Lyrically and musically, simply one of the best records you'll hear all year. Dan Bejar -- Genius. Kaputt -- Divine.
Dean & Britta – London – 30 July 2010
Releasing their soundtrack to 13 of Andy Warhol's screen tests was an opportune moment for ex-Galaxie 500/Luna star Dean Wareham to fully express his love for Velvet Underground and the stars of Andy Warhol's Factory. The screen tests alone, wavering between the visually arresting and the arrestingly mundane, were elevated into a new realm with the musical accompaniment provided by Wareham and partner Britta Phillips. Bringing the 13 Most Beautiful show to London (having frustratingly been given its UK premiere in Dunfermline last year) was a long-anticipated occasion.
Truck Festival – Steventon – 22-24 July 2011
Quietly, unassumingly, Truck Festival has become an annual celebration of all that is so very right about music. When the Bennett brothers witnessed the exploitative attitude of industrial sized events they didn’t just get mad they got even. Truck Festival was their baby and now in its fourteenth year it has blossomed into a rather lovely adolescent. Webcuts birthday boy Don Blandford was at Truck all weekend to report on the action, featuring appearances by: Graham Coxon, Lanterns On The Lake, Cashier No.9, Sarah Cracknell, Johnny Flynn, Edwyn Collins, Caitlin Rose, Mechanical Bride and Sea Of Bees.
Smith Westerns – Dye It Blonde
There are some records that forever remain at the bottom of the review pile, and boy do Smith Westerns make us regret it.
Miss Li – Late Night Heartbroken Blues
National, 2006 [8/10] With three albums within a twelve months period and a best of album summarising her first year released, Miss Li may be the most productive artist in Scandinavia today, if not ever.
Who The Hell Were… Naomi Hates Humans?
This is a first for Webcuts, in the sense that between asking a band to appear in a future 'Who The Hell Are...?' and publishing said feature, the band broke up. Our recent hiatus, which
M.Ward – Hold Time
As Conor Oberst once proclaimed, "M. Ward for President". As far-fetched as it sounds, Oberst may have a point.
The Gaslight Anthem – American Slang
More emotional missives from angry, intense, young American men. What steady diet do they feed you on?
Lisa Mitchell – Wonder
Avoiding the solo artist's temptation of self-indulgence, Lisa Mitchell imparts some wide-eyed optimism on Wonder.
Stars – The Five Ghosts
Critic proof Canadian indie-poppers release their fifth disc of tunes but like its subject matter we find it lacks substance.
Arctic Monkeys – Humbug
Bah, it's the third Artic Monkeys album Humbug - which actually doesn't turn out to be half bad.
The Drums – Interview with Johnny Pierce, Jacob Graham, Connor Hanwick (Static, 2010)
The cross overs. Every year has them; bands that get touched by the hand of hype and go from being blogged about to actually selling significant quantities of records/MP3s along with world wide tour schedules and high billed festival slots. This year one of those bands is Brooklyn’s The Drums who have certainly enjoyed a lot of column pixels and radio play on the strength of their back to basics c86 indie-pop as imagined by Phil Spector self titled debut album and its omnipresent lead single “Let’s Go Surfing”. Static’s Chris Berkley has a drink with three quarters of the band for a lesson in how to avoid being drowned by the waves of success.