The Thermals – Now We Can See
Portland's The Thermals return with warm power-pop, tempered by decidedly cooler lyrical themes on Now We Can See.
Portland's The Thermals return with warm power-pop, tempered by decidedly cooler lyrical themes on Now We Can See.
The two fingered salute is vigorously given by Scottish anti-folk hero King Creosote on new album Flick the Vs.
Variety Playhouse Atlanta, GA 17th April 2009 The black-clad kids were out in force as the rolling The Faint/Ladytron sideshow pulled into Atlanta, Georgia, offloading what could be unkindly dubbed an ‘electroclash revival’ as both bands came into sharp focus during the height of this abortive musical fad and were adopted into it, yet never
While we love pop, Sweden's El Perro Del Mar remind us that pop is not love.
From the ashes of the almighty Urusei Yatsura come Projekt A-KO, and the great guitar-led fuzzpop revolution begins anew.
The Sisters of Mercy The Forum, London 9th April 2009 For a band who have refused to release records since 1994 and now only operate as a touring act, The Sisters of Mercy must have the most dedicated fanbase on the planet. Goths, like Heavy Metal fans, mate for life with their chosen bands and
Canadian/American synth-rockers Metric return with their fourth (or third) album. Fantasies. Will it be yours though?
Fourth album in from these Mancunian maestros, offering a slight return to their electro/house days as Sub Sub.
Get your Kicks on route 1990. Jackie McKeown and the boys return with their second album of more of the same pop-punk.
Karin Dreijer Andersson one half of The Knife now gives us Fever Ray, in the morning and fever ray all through the (Swedish) night.
We took at poll at Webcuts, and PJ Harvey is most definitely not a woman one of us would walk by.
A star-studded cast pay tribute on this anniversary compilation, but who invited Times New Viking?
Diminutive guitar goddess Kaki King gets caught up with the wrong crowd on Mexican Teenagers.
How does Anni Rossi rock? Does she rock well? Well, no, not so much actually.
Who are the Condo Fucks? What is a Fuckbook and is it any good? So many questions, but are you prepared for the answers?
New No Wave or Narco-Electro? Whatever the case, Marry Me Tonight is well worth making an engagement with...
HTRK Lexington, London 9th March 2009 I first witnessed Melbourne/Berlin noise-makers HTRK in action at a time where any favourable impression would not come forthwith. This was in a dingy low ceilinged East London venue that should've had 'CONDEMNED BUILDING' written all over it. It was as if someone had kicked open the doors, installed
There's no hiding Hatcham Social. "You Dig The Tunnel" kicks the dirt long and high in a dazzling display of pop sensibility.
of Montreal The Zoo, Brisbane 4 March 2009 It's just before the encore that things start getting really weird: Two guys in animal masks start playing -- Mr Fish is on drums while Mr Lion roars into the microphone, garnering the requisite response from the crowd necessary in encore type situations -- leading me to
Detektivbyrån Lille Vega, Copenhagen 13 February 2009 The other day a friend of mine came by and flicked through my records and asked "Don't you have any music that is not depressing?". I replied "I do! Detektivbyrån". Few bands can put smile on my face like Detektivbyrån. So it was with great expectation I ventured
Erlend Øye and company break some rules but also unwittingly create them on their second album entitled, you guessed it, Rules.
Brooklyn twee-punksters the Vivian Girls hit the reverb heights in a hail of cartoon tattoos and converse on their debut album.
Mr. Maps may not be the territory but this Brisbane instrumental rock band are a pretty amazing act to get lost in.
As Conor Oberst once proclaimed, "M. Ward for President". As far-fetched as it sounds, Oberst may have a point.
It's the future of pop... or is it? Featuring The Cardigans, Faker, The Ting Tings, The Presets, Ladytron, MGMT et al.
North America's finest show their charitable side with this awe-inspiring collection. Just call it "No Alternative Part 2".
The Walkmen Scala, London 20th February 2009 While they are most certainly welcomed, perhaps even loved, as a band, The Walkmen are quickly becoming as anachronistic as their name. Coming onstage to an enthusiastic response, The Walkmen began the set as if they were trying on a new suit. They didn’t tear into it with
A timely assault on the looming spectre of the Britpop revival, Luke Haines unleashes his arsenal and takes aim. Camden, look out.
How did we lose this CD? Never mind, we finally give Austin's other post-rock band's eighth album a run through.
Many a rock band have experimented with electronica but can Scotland's most successful export since kilts and haggis pull it off?
Primal Scream make their once a decade journey to Australia which we catch at the Tivoli in Brisbane along with Adelaide upstarts Wolf & Cub.
Andrew Bird takes flight with his latest album Noble Beast. Thankfully it's nothing at all like a Flock of Seagulls.
Grand who? Just call them Mr. and Mrs. Frank Black and everything will be peachy, or desserty...
In the final Australian festival wrap up for the Summer we brave the laneways of Brisbane to report on No Age, Jay Reatard, The Hold Steady, Cut Off Your Hands, The Drones, Stereolab, Spiral Stairs, Augie March and more.
Long-overdue retrospective from the label that brought you the Happy Mondays, but don't hold that against them...
Animal Collective shake the sand from their fur as they take Merriweather Post Pavillion down to the Beach, Boys.
EMI/Rough Trade, 2009 [7/10] Where once The Decemberists were a modest modern rock band, albeit outsiders with literate leanings that rarely leaned toward rock's excesses, they have gradually extended their artistic aspirations into the musical stratosphere with band leader Colin Meloy seemingly unable to find satisfaction as a storyteller within the 4 minute realm, thus
Ladies and gentlemen, the envelope please! Webcuts favourite albums of 2008 as argued and fought over by us, including star-studded appearances from Beach House, My Morning Jacket, Fleet Foxes, Nick Cave, Santogold, Okkervil River and many more...
Expanded and remastered fourth album tour de force from Stockton, CA quintet. High-ho silver ride!
The much lauded ATP festival reaches Australia and we give you the rundown on the Brisbane leg including reviews of Robert Forster, Spiritualized, The Saints and Nick Cave and the Bad Seeds.
We review Brisbane's inaugural Sunset Sounds Festival and see how the likes of The Hives, Santogold, The Kooks, Franz Ferdinand, Faker, The Grates, Tegan and Sara, I Heart Hiroshima and more measure up in the sweltering heat.
Beach House Cargo, London 2nd December 2008 Roughly a year since their last headline show at the Water Rat in Kings Cross, Baltimore’s Beach House have doubled their output and returned to London on the tail end of a European tour, promoting Devotion, their second album released earlier in the year. Having played support on recent tours by Cat
The Stills channel an environmental apocalypse with Oceans Will Rise. Will anyone be left to hear it?
The ever durable Lucksmiths get up before dawn on their latest album. Don't forget your mittens, boys!
"I don't know. I feel a bit naughty playing here", confides Jonathan Meiburg, singer with the Austin, Texas outfit Shearwater, sitting in front of a grand piano in St. Giles in the Fields, an 17th century church in London's West End. As a packed audience crammed pews to watch in rapt appreciation, Shearwater settled in
A christmas gift from Chan Marshall aka Cat Power. You might want to keep the receipt...
Melbourne's The Fauves prove to be remarkably prophetic with their ninth serve of twisted rock.
Australian alternative legend's [strong]You Am I[/strong] make a glorious return to form with Dilettantes -- "You Am I have turned around their most impressive release in recent years that succeeds without having to rehash the same old moves. "
Fortuna Pop!, 2008 [7/10] Fortuna Pop! is the pre-eminent label for those special acts that can't find a home anywhere else. Think of it as a shelter for the abandoned, misunderstood band either bursting with unrecognised talent or just looking for a place to crash. The sticker on the CD says "25 SMASH HITS from
4AD, 2008 [10/10] It's refreshing to listen to a band riding on a wave of no hype. No Myspace campaigns, no sycophantic hipsters attempting to crystal ball the next Vampire Weekend. Bradford Cox could probably walk into a bar anywhere and not get a second glance, and even then only for his rakish frame and