Wendy James – London – 9 June 2011
Why hello, Wendy James. It’s been a while. Almost 20 years since I saw Transvision Vamp play at the Hordern Pavilion in Sydney. A mostly unremarkable show except for the amount of intimidating drunks in attendance and the fact they played their current ‘hit‘ twice. Australia loved Transvision Vamp, almost in the same way it loved Blondie, decades before. Stick a blonde wig on a mop, put it in front of a bunch of guys in leather jackets and you're set. Transvision Vamp at that time were in their career descent with Little Magnets Versus The Bubble of Babble (my head still shudders at the idiocy of this title) and this was their last roll of the dice.
Castanets – Texas Rose Thaw & The Beasts
Every rose has a thorn and so too does the fifth album by Raymond Raposa's folk-beat one man band Castanets.
The Walkmen – London – 25 August 2010
“You’re one of us, or you’re one of them“. Hamilton Leithauser, fist wrapped tight around the microphone as if he's trying to strangle it, is howling those words. The rest of The Walkmen, heads bowed (as they remain throughout most of the set) play complicit and provide the carnival-esque roar to ram Leithauser’s words home. It’s not so much a question or a suggestion but a statement. For better or for worse, for way back when the band were selling their own white label records at the Middle East in Boston in 2001, I’ve been one of "us".
Beth Jeans Houghton – London – 26 September 2012
Beth Jeans Houghton & The Hooves of Destiny Kings College, London September 26, 2012 A little face paint and a rummage through the fancy dress chest has the potential to turn even the dreariest of
Bughouse – V For Vendetta
2018 Update: Bughouse released "V for Vendetta / Tax Stamp" on Bandcamp in 2017 with their second album from 2014 Fink Tank the following year: bughouse1.bandcamp.com Bughouse's classic debut single
Hoodoo Gurus – London – 4 July 2008
Hoodoo Gurus The Forum, London 4th July, 2008 Photo by Craig Smith. "I can still recall the time" began Dave Faulkner, as he stood in front of 1500 Australians (and some locals) at London's
The Gaslight Anthem – American Slang
More emotional missives from angry, intense, young American men. What steady diet do they feed you on?
Harlem – Hippies
Of Harlem, this brief explanation should suffice -- "those who don’t sicken quickly of energetic, repetitive three-chord rock will have a lot to love".
M.Ward – Hold Time
As Conor Oberst once proclaimed, "M. Ward for President". As far-fetched as it sounds, Oberst may have a point.
Kaki King – Dreaming of Revenge
Cooking Vinyl, 2008 [rating:6.5/10] Having scored a Golden Globe nominated film soundtrack with Eddie Vedder, appeared on recent albums for Tegan and Sara and the Foo Fighters, and being named by Rolling Stone magazine as
Who The Hell Are… Deaf Club?
Heavy on atmosphere with a melodic depth that harnesses Banshees-like percussion against rippling guitar-work and bears more than a passing resemblance to the rhythmic whirl of Warpaint and the siren song of Esben and the
The Earthmen – Whoever’s Been Using This Bed
It was the Johnny Marr guitar flourishes at the start that first sucked me in. Here is the moment when a band who've been doggedly plying their guitar pop trade since the early 90s
Sonic Youth – The Eternal
The Enternal is Sonic Youth's celebration of newfround freedom. I guess that mean's no more working for the man.
Dum Dum Girls – Only In Dreams
Dum Dum Girls add an extra coat of polish and put on a brave garage-pop face for album number 2.
Foals – Australian Interview with Walter Gervers (Static, 2011)
To say expectations were high for Foals' second album Total Life Forever would be stating the exceedingly obvious but from the grandeur and exquisite melancholy of “Spanish Sahara” to the frenetic indie-pop of “This Orient” to the dance funk of “Miami” it met and exceeded them with uncommon ease. Total Life Forever elevated Foals further from their peers and into the rare league of artists who maintain credibility with a more accessible sound and thus gaining a larger listening base whilst still remaining true to their experimental pop principles. We spoke to bassist Walter Gervers while the band was in Australia for the St. Jerome’s Laneway festivals and some recording on the sly.
The Thermals – Now We Can See
Portland's The Thermals return with warm power-pop, tempered by decidedly cooler lyrical themes on Now We Can See.