Stuart Murdoch – God Help the Girl
Stuart Murdoch and a cast of thousands get by with some divine intervention in the long awaited God Help the Girl.
The xx – xx
XX marks the spot for mixed treasures on the much lauded London foursome's debut LP, an album for the post-sunset hours.
The Organ – Thieves
Mint Records, 2008 [9/10] Vancouver's The Organ shared that same shadowy intellectual existence that made them sound like a darker version of The Smiths, without Johnny Marr's trademark flair and Morrissey's veiled humour. Helmed by
Phoenix – Wolfgang Amadeus Phoenix
Amadeus, Amadeus, rock me Amadeus! Phoenix's fourth album is a show stopper without a Salieri in sight.
Stephen Malkmus and The Jicks – Mirror Traffic
Pavement reunion done and dusted, Stephen Malkmus and Co. get back to making adult indie rock on album number five.
Tegan and Sara – The Con
Vapor/Sire, 2007 [rating:8.5/10] Although always writing separately, the initial blueprints for The Con, saw the twins geographically distanced -- Tegan in Vancouver, Sara in Montreal. Reunited and with demos in hand the pair moved to
The Radio Dept. – Freddie and the Trojan Horse
Labrador, 2008 [8/10] It was not the lyrics that got me hooked on The Radio Dept but rather their gentle, dreamy melodies. The vocals of Johan Duncanson are an integral part of the band's sound
Who The Hell Are… COOLRUNNINGS?
How Webcuts first encountered Knoxville, Tennessee's Coolrunnings could be best described as a lucky accident. And it's no surprise that the best way to get someone's attention is to slap a photo of some naked chicks skateboarding on the cover of your EP and let them sell it for you. The appropriately titled (and NSFW) Babes Forever was clearly the product of talented and warped minds. The creepy, schizoid mayhem of "Trippin' Balls at Der Wienerschnitzel" and the inspired, almost unabashed, synth-pop of "When I Got High With You" sounded like they were made by some slacker Bill & Teds who'd already embarked on their own excellent adventure.
Rowland S. Howard – The Final Interview (Static, 2009)
Forever known as Nick Cave's red right hand in the Birthday Party, Rowland was the purveyor of that skeletal, metallic guitar style that along with the bass growl of Tracey Pew, defined the sound of the band. Speaking to Static's Chris Berkley, only a few weeks before his passing, Rowland S. Howard recounts his extensive career and his brief return to music with Pop Crimes.
Belle & Sebastian – Los Angeles – 8 October 2010
On an odd rainy night in downtown Hollywood, weather befit more for their homeland than ours, Belle and Sebastian, Glaswegian art school rockers of yore, played to a sold out crowd of mostly thirty-somethings, brave enough to stand outside...in not just any ordinary venue. Instead, they stylishly bowed and plucked their instruments amongst the mausoleums and graves of some of Los Angeles’ elite. Adding to the macabre setting was the screening of Danny Boyle’s Trainspotting that preceded the show. Taking the stage, B&S lead singer Stuart Murdoch asked “Did you see me? I was in the bar scene!”.
Gemma Ray – We’ve Got a Crush on You (2010)
In the cockney rhyming slang lexicon there really should be an entry marked "Gemma Ray" that translates to "The Hard Way" for the sultry Essex singer's career is one filled with false starts, battles with illness and sheer bloody mindedness. Barely finished from touring her last album Ray has just released an album of covers It's a Shame About Ray which draws its song pool from the likes of Buddy Holly, Lee Hazelwood, Etta Fitzgerald, Sonic Youth, Mudhoney, Gallon Drunk and The Gun Club. Webcuts catches up with the brunette with the beehive during a tour in South Africa to talk knives, the new album, Rosemary's Baby, illness affecting songwriting and the recording of new material.
Dappled Cities – Interview with Dave Rennick (Static, 2009)
Sydney art-pop quintet Dappled Cities have steadily grown in status in the last ten years with 2006’s Granddance and their most recent psyche-pop opus Zounds. Last year, we spoke to Dave Rennick, guitarist and vocalist of Dappled Cities about birthing and touring the album.
The Decemberists – The King Is Dead
The Decemberists discard the costumes and dispense with the theatre slipping into more familiar musical threads on album number 6.
The National – High Violet
Riding high on the charts, The National have found a resounding voice where "High Violet’s loneliest, weightiest moments feel like shared sorrow."
The Stills – Oceans Will Rise
The Stills channel an environmental apocalypse with Oceans Will Rise. Will anyone be left to hear it?
The Heavy – The House That Dirt Built
UK retro-funk n' soul act The Heavy roll out the grooves and ask the question "How you like me now?". Our answer awaits.