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ROOT! – Interview with DC Root (Damien Cowell) (2008)

By |April 27th, 2008|Categories: Interviews|Tags: , , , , |

In Webcuts' short history we've had the pleasure of publishing many enjoyable and informative interviews, but few have matched the humour and insight pervasive in this feature with DC from Melbourne's ROOT!. The band's history, debunking the misconception that having good lyrics equates to bad music, the sycophantic cult of Nick Cave, politics and much, much more are covered.

Various Artists – futurePOP 2.0

By |February 27th, 2009|Categories: Album Reviews|Tags: , , , , , , , , , , , , , , , , , , , , , |

It's the future of pop... or is it? Featuring The Cardigans, Faker, The Ting Tings, The Presets, Ladytron, MGMT et al.

Vivian Girls – Australian Interview (Static, 2009)

By |September 29th, 2009|Categories: Interviews|Tags: , , , , , , , , , |

Cassie, Katy and Ali aka Vivian Girls are back again with their sophomore album Everything Goes Wrong and we caught up with them in a place where nothing ever goes wrong, unless you have a show scheduled at the Hopetoun Hotel this week (fyi girls - it's closed).

Destroyer – London – 28 June 2011

By |July 7th, 2011|Categories: Live Reviews|Tags: , , , , , |

How strange to be more than fifteen years into a career and to finally achieve growing, and now glowing, recognition for the music you make. Bands today, the inverse applies, they learn to walk before they can crawl, record a debut they'll never repeat and disappear as if they never existed. Real artists will maintain and nurture their craft regardless of an audience, which more or less, is the story of Dan Bejar. Better known as the wild-card songwriter in Canadian power-pop supergroup The New Pornographers, Bejar's work as Destroyer is like mainlining into Bejar's psyche, which prior to you only got the briefest taste of.

Atlas Sound – Sydney – 19 June 2009

By |June 19th, 2009|Categories: Live Reviews|Tags: , , , , , , , , , |

I'd be surprised if the majority in attendance were familiar at all with Atlas Sound, but the crammed in masses of which Webcuts was one of the last to make the cut, were calling out requests that even Cox felt too obscure and unplayable.

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