Top Ten – B-Sides
The B-side is every music geek/fan’s favourite thing to debate over. It’s the one place where an artist is allowed to record whatever they see fit, and the one place where a fan can expect
Liquid Liquid – Slip In and Out of the Phenomenon
Domino Records, 2008 [6/10] Post punk, new funk, even if its old junk, it's still rock and roll to me. Call it what you want, but history shows that Manhattan's Liquid Liquid were essentially a
Jonneine Zapata – Cast The Demons Out
Sounding like a counter-revolutionary, singer-songwriter Jonneine Zapata's task at hand is presciently hinted at in the title.
Who The Hell Are… Bleeding Knees Club?
There's not much point in asking where Bleeding Knees Club got their name. It's the kind of degenerate tag that you'd expect from a couple of Australian garage surf-punks, but for the innocent and curious alike the band spell it out below. If they happen to ask if you want to join their particular club, ladies just say 'no'. Hailing from Brisbane, where every home has its own swimming pool thanks to last year's insane floods, Alex and Jordan of Bleeding Knees Club have "won hearts and minds through a reckless live reputation and with a swag of super-catchy tunes on their debut EP Virginity".
Jacob Golden – Revenge Songs
Echo, 2007 [rating:9/10] Those lucky enough to catch Jacob Golden's live know just how extraordinary he can be armed with only an acoustic guitar and his angelic voice. His self titled debut EP in 2001
Pixies – Brisbane – 31 July 2010
Although the Pixies had visited Brisbane only back in March this time the set list was uninhibited by the myopic focus on Doolittle. Thus we got the full spectrum of the Pixies’ canon.
Coco Electrik – Interview (2007)
Former Brisbanite Anne Booty is the leading force behind genre defying Brighton-London based act Coco Electrik. We grill Anne about debut LP Army Behind the Sun, performing live and receive an answer to the question: Are Friends Electrik?
Twin Sister – London – 25 November 2010
Latching hold of our ears earlier in the year with their double EP release Colour Your Life/Vampires With Dreaming Kids, Long Island’s Twin Sister had secured a place on our date card long before their they announced their first UK tour. Sneaking across the pond in October, we’d caught the band supporting rising stars, The Morning Benders at the Music Box in Los Angeles (apologies boys, I owe you one live review) and were suitably impressed. Jaded beyond jaded as the years drag on and the revolving floorshow of new bands yawn in our faces with old ideas, it was refreshing to witness a band breathe colour and life into their music.
Miss Li – Late Night Heartbroken Blues
National, 2006 [8/10] With three albums within a twelve months period and a best of album summarising her first year released, Miss Li may be the most productive artist in Scandinavia today, if not ever.
All Tomorrow’s Parties – Brisbane – 2009
The much lauded ATP festival reaches Australia and we give you the rundown on the Brisbane leg including reviews of Robert Forster, Spiritualized, The Saints and Nick Cave and the Bad Seeds.
Stars – Interview with Evan Cranley on The Five Ghosts (2010)
The new Stars album The Five Ghosts is a focused and streamlined record that in some ways harks back to their synth-pop roots of their first album, albeit being much darker in tone and theme. While Stars' diminutive front-man Torquil Campbell, and its glamorous front-woman Amy Millan, may get the most of the star light we recently had words with the quiet achiever of the band, Evan Cranley. Evan reveals to us details about the process and direction that the new album took, the decision behind the Séance EP, his jack of all trades role in the band, the novel approach to touring the new songs and how to create a fantastic remix.
Who The Hell Are… Janus 4-14?
Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.
Who The Hell Are… Silk Flowers?
Dial back to the summer of 2010 having spent the afternoon hanging out with electro-be-spectacle Amanda Warner aka MNDR, we get a tweet from her inviting us to come down to Camp Basement in Old Street to watch synth experimentalists Silk Flowers, a Brooklyn three-piece that she’d recently produced an album for. Standing facing each other in a semi-circle surrounded by banks of synths, the band were undoubtedly not of this planet, but one Krautrock based in nature, appearing wholly entranced in their own music which veered from instrumental collages to deadpan delivered pop.
Jay Reatard – Australian Interview (Static, 2009)
Capping off an incredibly busy year with a singles compilation for 2008, Nashville native Jay Reatard has been relentlessly touring the globe and still hasn't stopped to catch his breath. Recently blowing away audiences in
Taken by Trees – Open Field
Rough Trade, 2007 [7/10] Fill up a glass of red wine, put on Open Field, take a seat down in a comfy chair and enjoy the debut of Taken By Trees, a delicate album that
Windmill – Epcot Starfields
Windmill embark on a musical trip through the Epcot Space Center to give us the futuristic feel of Epcot Starfields.















