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Who The Hell Are… Lion Island?

By |December 29th, 2010|Categories: Features, Who the Hell Are|Tags: , , , , , |

Lion Island were first encounted playing a free show in Brisbane's King George Square. Their ability to fill a large stage with eight members and the cavernous square full of wondrous music bolstered my mood and had casual passerby's on their way to the train, stop and listen. When seen again three months later at The Hi-Fi Bar a liking for the band was affirmed and proved that Lion Island are one of the city's most ambitious and talented acts. Here are a band able to switch from solo singer-songwriter folk, then become a Brisbane Beirut by adding brass and violin to the acoustic guitar and drums to full out orchestral rock, as if Finn Andrews was fronting The National.

Destroyer – London – 28 June 2011

By |July 7th, 2011|Categories: Live Reviews|Tags: , , , , |

How strange to be more than fifteen years into a career and to finally achieve growing, and now glowing, recognition for the music you make. Bands today, the inverse applies, they learn to walk before they can crawl, record a debut they'll never repeat and disappear as if they never existed. Real artists will maintain and nurture their craft regardless of an audience, which more or less, is the story of Dan Bejar. Better known as the wild-card songwriter in Canadian power-pop supergroup The New Pornographers, Bejar's work as Destroyer is like mainlining into Bejar's psyche, which prior to you only got the briefest taste of.

Who The Hell Are… Civil Civic?

By |November 16th, 2010|Categories: Features, Who the Hell Are|Tags: , , , |

There aren't that many great instrumental duos in the history of rock and roll. I've thought about this for about 20 seconds or so and bored already. To arrive at that musical decision, and to arrive at that musical decision when your bandmate doesn't even live in the same country, is as perverse as it is stupid. Being as they are Australian, perverse stupidity is our calling, and it's why Civil Civic succeed where others have just gone "Dude, we need another member". With the title still up for grabs (or until some smart-ass avant-garde freak shoots me down), Civil Civic could turn out to be the greatest instrumental duo in the history of rock and roll. Wouldn't that be just dandy?

Belle & Sebastian – Los Angeles – 8 October 2010

By |October 21st, 2010|Categories: Live Reviews|Tags: , , |

On an odd rainy night in downtown Hollywood, weather befit more for their homeland than ours, Belle and Sebastian, Glaswegian art school rockers of yore, played to a sold out crowd of mostly thirty-somethings, brave enough to stand outside...in not just any ordinary venue. Instead, they stylishly bowed and plucked their instruments amongst the mausoleums and graves of some of Los Angeles’ elite. Adding to the macabre setting was the screening of Danny Boyle’s Trainspotting that preceded the show. Taking the stage, B&S lead singer Stuart Murdoch asked “Did you see me? I was in the bar scene!”.

The Feelies – Glenn Mercer talks about Here Before (Static, 2011)

By |May 12th, 2011|Categories: Interviews|Tags: , , , , |

An act that many have been holding their breath for the return of for as long as they've been absent from the stage are Haledon, New Jersey's The Feelies. Arriving in the late 70's, and releasing one of the first great new wave/post-punk albums of the early 80's (truly. no hyperbole here) in Crazy Rhythms, The Feelies were the Velvet Underground and Television's geeky Jersey cousins. An enthralling percussive ride, full of jerky rhythms and wild, melodic guitar interplay, the sound of The Feelies would evolve over the years, drifitng away from the arty CBGB crowd toward a more refined pastoral 'college rock' sound that typified an era when bands like R.E.M. and Camper Van Beethoven loomed large.

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