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Who The Hell Are… Silk Flowers?

By |March 4th, 2011|Categories: Features, Who the Hell Are|Tags: , , , |

Dial back to the summer of 2010 having spent the afternoon hanging out with electro-be-spectacle Amanda Warner aka MNDR, we get a tweet from her inviting us to come down to Camp Basement in Old Street to watch synth experimentalists Silk Flowers, a Brooklyn three-piece that she’d recently produced an album for. Standing facing each other in a semi-circle surrounded by banks of synths, the band were undoubtedly not of this planet, but one Krautrock based in nature, appearing wholly entranced in their own music which veered from instrumental collages to deadpan delivered pop.

Beach House – Australian Interview about Teen Dream (Static, 2011)

By |March 10th, 2011|Categories: Interviews|Tags: , , , , |

Baltimore's Beach House first appeared in 2006 with their self-titled debut, a gorgeous collection of dizzying songs built around Victoria Legrand's awash-with-reverb harmonies, church-style organ and Alex Scally's languidly strummed guitar. It was their style and approach, reminiscent of Mazzy Star, Yo La Tengo and This Mortal Coil, that found favour with a like-minded audience. Recently touring Australia and appearing as part of the travelling Laneway Festival, Chris Berkley caught up with Victoria and Alex of Beach House to talk about their gradual rise and amongst other things, how to keep cheese out of the live set.

Black Cab – Brisbane – 17 July 2010

By |July 29th, 2010|Categories: Live Reviews|Tags: , , , , , , , |

It took eleven years, three albums and a European tour for Melbourne space rockers Black Cab to broach Brisbane but they did and yes, it was worth the wait. Even the prospect of a half empty venue, an OCD stricken punter and the one colour Hi-Fi lights were not enough to dissuade Black Cab in performing anything less than a mesmerising set of original material and two stunning encores that paid homage to the whole space/drone/shoegaze rock genre. Able support was provided by Brisbane alt.rock kings Grand Atlantic.

The Dead Weather – Interview with Jack Lawrence, Alison Mosshart, Dean Fertita (Static, 2010)

By |April 13th, 2010|Categories: Interviews|Tags: , , , , |

The Dead Weather are a band that more than live up to their name. Dark and bluesy, malevolent and loud. Given the rock credentials brought by each of the musicians attached, you expect nothing less. A multi-headed musical beast comprised of Alison Mosshart, the chain-smoking siren from The Kills, Jack White, leader of the status: in hiatus White Stripes, Dean Fertita of Queens of The Stone Age and Jack Lawrence of The Raconteurs. With a new album Sea of Cowards about to be released, we speak to Alison, Jack, and Dean.

Ramona – London – 17 April 2011

By |April 28th, 2011|Categories: Live Reviews|Tags: , , , |

It's easy to love Ramona, even though everything about them is so flawless and en pointe, unheard for a scruffy bunch of Brighton by-way-of-New-York rockers. Picks in hand, they transform a handful of chords into polished punk perfection, fronted by the coquettish bleach-blonde tomboy Karen Anne, a second generation Edie and Debbie who knows how to hang from a mic stand like she was hanging from your shoulder. Absent from the stage this year so far, they cycle through their set in a brisk half hour, including encore, and you're crying out for a flubbed note, an unrehearsed run through a song they just wrote in the van, or general indifference to whether anybody is listening.

Okkervil River – Brisbane – 3 May 2009

By |May 3rd, 2009|Categories: Live Reviews|Tags: , , , , , , , |

The highlights of the night are rightly saved for the encore; “Blue Tulip” combines both delicate folk and heavier rock modes with an acoustic beginning slowly building to a layered, cathartic second half that envelopes the Zoo in a thick haze of distorted bliss.

Who The Hell Are… Seize The Chair?

By |August 24th, 2011|Categories: Features, Who the Hell Are|Tags: , , , , |

You have to question the motives behind a band who put a picture of two gurning band members on the front cover of their debut 7", or when asking the record company for a promo photo being offered 'the one where they're all dressed up in drag', or 'the one where they're chewing grass' (we passed on both). Sheffield's Seize The Chair have the air of a band who clearly and delightfully just don't give a fuck. In fact they probably just want to make music and have a laugh. Which, if you've seen that record sleeve, you'll be laughing too.

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