The Gaslight Anthem – American Slang
More emotional missives from angry, intense, young American men. What steady diet do they feed you on?
Destroyer – Trouble In Dreams
Rough Trade, 2008 [8/10] Daniel Bejar is the Woody Allen of pop music. His idiosyncratic, poetic touch opens up another world, planting himself square in the middle around a revolving cast of characters (mostly women),
Adorable – Footnotes 92-94
Cherry Red, 2008 [rating:8/10] How does a band become a "favourite?" Some acts are found and then loved via recommendations from press, blogs, radio or friends. Some have an extensive back catalogue ready to be
Fruit Bats – The Ruminant Band
Eric D. Johnson’s Fruit Bats sink their teeth in a third album of sweet pop with The Ruminant Band.
Foals – Australian Interview with Walter Gervers (Static, 2011)
To say expectations were high for Foals' second album Total Life Forever would be stating the exceedingly obvious but from the grandeur and exquisite melancholy of “Spanish Sahara” to the frenetic indie-pop of “This Orient” to the dance funk of “Miami” it met and exceeded them with uncommon ease. Total Life Forever elevated Foals further from their peers and into the rare league of artists who maintain credibility with a more accessible sound and thus gaining a larger listening base whilst still remaining true to their experimental pop principles. We spoke to bassist Walter Gervers while the band was in Australia for the St. Jerome’s Laneway festivals and some recording on the sly.
Slowdive – Just For A Day / Souvlaki / Pygmalion
Champion Shoegazers Slowdive get the back catalogue reissue treatment. We'll have the Souvlaki to go.