Chris Thile – Los Angeles – 26 April 2010
"You must be the most attentive audience, ever" joked Chris Thile, during his performance at LA's gem Largo at the Coronet, "It's not often that you can hear the performer's water bottle snap back into place." And it was true -- in this intimate setting of about 75 people (including fan Minnie Driver), Mr. Thile was the center of everyone's attention. There was no heckling or chatter between songs, just enthusiastic, almost rapturous applause for this mandolin virtuoso.
Laneway Festival – Brisbane – 4 February 2011
In complete contrast to a month ago when it was "precipitation nation" Brisbane’s fourth St. Jerome’s Laneway festival could've been subtitled "Boiling Brisvegas". Unlike many festivals Laneway 2011 had a remarkably consistent quality throughout the entire day, so regardless of the weather it was always destined to be a scorcher. We braved the extreme ultra violet index to report on Australia's Rat Vs Possum, Cloud Control and Cut Copy. While sampling UK's Foals and America's best of the best with Beach House, The Antlers, Warpaint, Blonde Redhead, Ariel Pink, Holy Fuck. Oh and LES SAVY FAV!.
Shearwater – London – 22 November 2008
"I don't know. I feel a bit naughty playing here", confides Jonathan Meiburg, singer with the Austin, Texas outfit Shearwater, sitting in front of a grand piano in St. Giles in the Fields, an 17th
Layabouts – Savage Behaviour
Homeless Records, 2011 To call Layabouts chest-beating/car-loving/girl-banging rock n' roll as being derivative is to say rock n’ roll is derivative of rock n’ roll. If you stay true to
Who The Hell Are… Sisterland?
The best way to make a record company uncomfortable? -- choose a highly litiguous band name and then sit back and watch them sweat. Once upon a time there was a Leicester-based three-piece called Dysneyland who existed for a few months and released one independent single "Walking Wounded" before seeing the error of their short-sighted ways, or perhaps the pointed finger of 'The Man' who said "no change-y, no release-y" and thus Sisterland was born. With their debut single "Tomorrow" released this week as part of the Too Pure Singles Club, we play the getting-to-know-you game with Sisterland.
Smith Westerns – Dye It Blonde
There are some records that forever remain at the bottom of the review pile, and boy do Smith Westerns make us regret it.
Mental As Anything – Essential As Anything / Tents Up
Both mental and essential, Sydney's pop legends Mental as Anything return with a career-encompassing collection and a brand new studio album.
Pavement – Quarantine The Past
The smell of reunion is in the air as Pavement's back catalogue is harvested for the new-comers in this career-spanning collection.
Blue Roses – Blue Roses
Blue Roses may not exist in nature but there's nothing artificial about Yorkshire songsmith Laura Groves.
Twin Shadow – London – 11 May 2011
Having to write a live review on the fly, almost two weeks after it happened, from notes hastily scribbled, while packing to go to a festival will show us this is not the way to be. There's no time to go into great detail, to labour the point, to draw comparisons between George Lewis Jr's physical appearance (a little bit Prince, a little bit Morrissey), or the sound (a little bit Prince, a little bit Morrissey, albeit on a synth-sprung landscape). Twin Shadow, at least from this writer's perspective, has adequately filled the gap that LCD Soundsystem left by their absence, in making music that moves and is moving, that is confident without being arrogant, and is just too perfect for words.
Factory Records – Communications 1978-1992
Long-overdue retrospective from the label that brought you the Happy Mondays, but don't hold that against them...
Neon Indian – Pills, Chills and Genre Ache (2010)
Astute music fans have probably heard of the genre chillwave – a blend of 80s synths, psychedelic pop and liberal amounts of distortion – put upon acts like Memory Tapes, Toro Y Moi and Nite Jewel. The band most closely associated with that word is Neon Indian whose main man Alan Palomo, who also has a solo project VEGA, had a chat to Chris Berkley recently in London about the c-word, the beginnings of Psychic Chasms, the Yacht remix, his collaborations with Australian dance merchants Miami Horror, how he loves to make music that messes with people’s heads and the forthcoming Australian tour for the Texan group.
Vivian Girls – Everything Goes Wrong
The title may be Everything Goes Wrong, but to our ears, everything goes right for the Vivian Girls on their sophomore release.
Twin Sister – London – 25 November 2010
Latching hold of our ears earlier in the year with their double EP release Colour Your Life/Vampires With Dreaming Kids, Long Island’s Twin Sister had secured a place on our date card long before their they announced their first UK tour. Sneaking across the pond in October, we’d caught the band supporting rising stars, The Morning Benders at the Music Box in Los Angeles (apologies boys, I owe you one live review) and were suitably impressed. Jaded beyond jaded as the years drag on and the revolving floorshow of new bands yawn in our faces with old ideas, it was refreshing to witness a band breathe colour and life into their music.
Rat vs Possum – Interview (2010)
I'd heard murmurings of a Melbourne band who subscribed to the "let's give them a real show" theory of concert performance - glitter, paint bombs and bubble wrap - along with a huge wall of
She & Him – A Very She & Him Christmas
It's October. Why are we reviewing Christmas albums in October? Why She & Him? Why?