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The Honeys – Interview with Bruce Begley about Star Baby (2008)

By |April 3rd, 2008|Categories: Interviews|Tags: , , , , , , |

All my favourite bands break up too soon. Some dissolve and leave no trace they ever existed, others leave behind a body of work, be it that beguiling debut or just one crucial single that

Black Cab – Brisbane Interview (2010)

By |September 29th, 2010|Categories: Interviews|Tags: , , , , |

Sometimes the best music is just under your nose, as in literally right under your nose on your desk hiding in a spindle of CDs. That’s what happened with Melbourne's Black Cab as after receiving a promo of their third album Call Signs mid last year it was put on said spindle and largely forgotten about until the video for the first single, the chugging rock epic “Church of Berlin” was seen, which quickly made me hunt out the promo disc and give it my full, rapt attention. With Calls Signs recently being given an European release we talked to Andrew and Steve about their visit to the sunshine state, the sexiness of “Sexy Polizei”, the allure of Germany as a source for lyrics, covering alternative classics and new recordings.

Who The Hell Are… Seize The Chair?

By |August 24th, 2011|Categories: Features, Who the Hell Are|Tags: , , , , |

You have to question the motives behind a band who put a picture of two gurning band members on the front cover of their debut 7", or when asking the record company for a promo photo being offered 'the one where they're all dressed up in drag', or 'the one where they're chewing grass' (we passed on both). Sheffield's Seize The Chair have the air of a band who clearly and delightfully just don't give a fuck. In fact they probably just want to make music and have a laugh. Which, if you've seen that record sleeve, you'll be laughing too.

Cloud Control – Interview (Static, 2010)

By |June 24th, 2010|Categories: Interviews|Tags: , , , , , |

A Tale of Two Cities? Not bloody likely. While both appear on the forthcoming Laneway bill Cloud Control and Rat vs Possum are worlds apart and aren't harbingers of any Sydney or Melbourne scene. Although there are groups of like-minded musical acts in all Australian cities and towns they're is no discernible Sydney sound or Melbourne sound. Cloud Control's indie-folk rubs shoulders with Parades' and Jonathan Boulet's dense polyglot pop while Rat vs Possum's tribal skewed pop sounds share the same general geography as Love Connection's murky shoegaze and Super Wild Horses girl fronted garage. It's not where you come from, it's where you're at.

Luke Haines – London – 19 January 2011

By |February 2nd, 2011|Categories: Live Reviews|Tags: , , , , |

This was to be the debut and sole performance of Outsider Music, Luke Haines' most successful solo album to date. An album of some notoriety in that it was individually recorded 50 times and released last September for £75 a throw. An artistic experiment and a gamble of sorts, it was an undeniable success for Haines, the old adage about fools and their money standing true -- all 50 volumes of Outsider Music disappearing quicker than anticipated. With each volume a unique item on its own, buyers have been reticent on sharing and as of yet, no copies have surfaced. So Haines - 1, Rich Fans - 1, Poor Fans - go eat a shit sandwich.

Girls – Talking Father, Son, Holy Ghost (2011)

By |October 19th, 2011|Categories: Interviews|Tags: , , |

San Francisco's Girls self-titled debut of 2009 garnered widespread acclaim based on its fancy-free and free-love attitude that offered irresistible pop gems bathed in x-rated video clips ("Lust for Life" anyone?). Sex and pop, what more do you want out of music these days? For their sophomore album Father, Son, Holy Ghost, the Girls duo of Christopher Owen and Chet "JR" White have upped the songwriter stakes to put together an album that's impressive straight out of the blocks. Static's Chris Berkley spoke with Girl's JR over the phone in the midst of a very suspect (if you're to believe what he says) video shoot.

Mumford & Sons – Copenhagen – 11 April 2010

By |April 15th, 2010|Categories: Live Reviews|Tags: , , , , |

A great band once sang “I’m beginning to like country music. They say that’s the first sign of age” and during the last few years I have seen more and more friends go over to the side of banjos, boots and beards. Maybe age is catching up with us but it could also be that country has sneaked its way into the indie scene more and more, being mixed with folk, rock and pop.

Austra – London – 6 September 2011

By |September 8th, 2011|Categories: Live Reviews|Tags: , , , , |

Having changed careers mid-stream from a piano-based singer-songwriter with a touch of the Regina Spectors to a Nico-esque bleach-blonde gothic siren, in Austra Katie Stelmanis has found the form to match the function. With a handful of impressive singles released either side of their Kate Bush meets Nine Inch Nails debut album Feel It Break, Stelmanis may have found her creative niche but she still has much to prove. On record, Austra cloak themselves in a throbbing monochrome blanket, but on stage their live show is more telling, more vibrant and commanding, as Stelmanis, flanked by a pair of interpretive dancers/backing vocalists, add any absent colour.

Vivian Girls – Australian Interview (Static, 2009)

By |September 29th, 2009|Categories: Interviews|Tags: , , , , , , , , , |

Cassie, Katy and Ali aka Vivian Girls are back again with their sophomore album Everything Goes Wrong and we caught up with them in a place where nothing ever goes wrong, unless you have a show scheduled at the Hopetoun Hotel this week (fyi girls - it's closed).

Various Artists – Dark Was The Night

By |February 24th, 2009|Categories: Album Reviews|Tags: , , , , , , , , , , , , , , , , , , , , |

North America's finest show their charitable side with this awe-inspiring collection. Just call it "No Alternative Part 2".

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