Bad Lieutenant – London – 18 March 2010
As a teenage music fan, one of my prized possessions was a bootleg LP of Joy Division recorded on the same stage Bad Lieutenant are playing tonight, 30 years later. You think Bernard Sumner, guitarist in both bands, would mention the significance, or perhaps the memory has left him, like his own introduction to an Electronic song later in the set "This is called "Tighten Up", I've no fucking clue what it's about".
All Tomorrow’s Parties – Brisbane – 2009
The much lauded ATP festival reaches Australia and we give you the rundown on the Brisbane leg including reviews of Robert Forster, Spiritualized, The Saints and Nick Cave and the Bad Seeds.
No Age – Everything In Between
No Age push the 'mature album' button while still managing to shred and transcend on their third release.
Eleanor Friedberger – Last Summer
One half of the hyper-productive quirk-pop outfit Fiery Furnaces takes her first solo steps on Last Summer.
The Dead Weather – Interview with Jack Lawrence, Alison Mosshart, Dean Fertita (Static, 2010)
The Dead Weather are a band that more than live up to their name. Dark and bluesy, malevolent and loud. Given the rock credentials brought by each of the musicians attached, you expect nothing less. A multi-headed musical beast comprised of Alison Mosshart, the chain-smoking siren from The Kills, Jack White, leader of the status: in hiatus White Stripes, Dean Fertita of Queens of The Stone Age and Jack Lawrence of The Raconteurs. With a new album Sea of Cowards about to be released, we speak to Alison, Jack, and Dean.
Destroyer – London – 28 June 2011
How strange to be more than fifteen years into a career and to finally achieve growing, and now glowing, recognition for the music you make. Bands today, the inverse applies, they learn to walk before they can crawl, record a debut they'll never repeat and disappear as if they never existed. Real artists will maintain and nurture their craft regardless of an audience, which more or less, is the story of Dan Bejar. Better known as the wild-card songwriter in Canadian power-pop supergroup The New Pornographers, Bejar's work as Destroyer is like mainlining into Bejar's psyche, which prior to you only got the briefest taste of.
Wild Beasts – London – 8 October 2009
Having given us one of the most lurid and arresting albums all year in Two Dancers, the Leeds-based Wild Beasts are let loose on London and give us such a performance that we (as they say) still got the taste dancin' on our tongues.
Pernice Brothers – Goodbye, Killer
All killer, no filler, Joe Pernice and Co. turn up the volume and turn in one of their most enjoyable records to date.
Suzanne Vega – Close Up Vol. 1 Love Songs
A thematic collection of stripped down tracks from Suzanne Vega's songbook, beginning with the love song.
We Were Promised Jetpacks – These Four Walls
We were promised great things from Scottish act We Were Promised Jetpacks including epic, emotional rock songs and whad'ya know? We got 'em.
Caribou – Australian Interview with Dan Snaith (Static, 2010)
Caribou (aka Dan Snaith) is not an artist prone to repeating himself. His second album, 2007's Andorra took '60s psychedelic pop and merged it with complex rhythm patterns, while his LP from last year Swim saw Snaith heading into a denser electronic direction while still retaining a fair amount of pop smarts. Caribou with long time friend Kieran Hebden better known as Four Tet will soon be the Antipodes for a series of shows but late last year Chris Berkley caught up with Snaith whilst on the seemingly never ending tour for Swim where Dan took time out to talk about the art of Caribou live versus recording, his electric friends, how some people perceive Swim to be his dark album and how to win over the doom metal crowd.
The Veils – Finn Andrews talks about Troubles of the Brain (Static, 2011)
Barely eighteen months since the release of one of 2009's dark delights, the epic Sun Gangs, Finn Andrews the New Zealand bred, England based leader of The Veils has released possibly one the highlights of 2011 with Troubles of the Brain. Over the course seven songs Finn and his band mates explore less grandiose and orchestral avenues than those on Sun Gangs favouring instead acoustic guitars, simpler arrangements and a lighter air in general. Chris Berkley tracked down Mr Andrews just before the release of Troubles of the Brain to talk about the differences in recording at home, going out on his own label and having a feverent fanbase to help that transition.
The Kills – Alison Mosshart talks Midnight Boom (2009)
Arriving on the scene way back in 2002 with the gritty Black Rooster EP, The Kills took the garage rock aesthetic and beat it down, creating a skin and bones strut that stank of sex
Stephen Malkmus and The Jicks – Mirror Traffic
Pavement reunion done and dusted, Stephen Malkmus and Co. get back to making adult indie rock on album number five.
The Boo Radleys – Giant Steps / Wake Up!
One of these albums is pure genius. The other went straight to #1. Bow down to The Boo Radleys, Britpop's forgotten heroes.
The Fall – London – 7 May 2010
I’m a band purist at heart. You can cut off all your fingers, but you’ve still got a hand. If you cut off all your band members and keep cutting and cutting and cutting, you can't expect your audience to comply with your decision or to even recognise the music you make. What was it John Peel said about The Fall? "always different, always the same". Well, yes, but... no. Mark E. Smith is The Fall, but The Fall isn't just Mark E. Smith.