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The Scare – Interview (2007)

By |January 8th, 2008|Categories: Interviews|Tags: , , , , , , |

Craig Smith takes us on a journey from Brisbane to Birmingham with Wade Keighran bass player for punk rockers The Scare. Taking in emotional break downs and playing the UK festivals, to the booze soaked recording of Chivalry and being wide eyed in L.A. -- this is the definitive account of The Scare's rags to musical riches tale.

Who The Hell Are… Villa Cola?

By |April 13th, 2011|Categories: Features, Who the Hell Are|Tags: , , , |

Having lived through the 80's, witnessed the birth of Wham!, the ascension of Kylie from Neighbours mechanic to pop princess and the rise and fall of the Stock, Aitken and Waterman (s)hit factory, intelligent, well-crafted synth-pop has had a tough (but not impossible) road to climb to redeem itself. It's easier done now for those with little memory of the 80's, who can mine the decade of its untapped wealth and pull influences from The Human League or Gary Numan or even further back without being mocked, all the while creating something new and exciting. Having a rough guess at their ages, London's Villa Cola could surely fill these shoes.

The Besnard Lakes – On the Sydney Shores (2011)

By |March 17th, 2011|Categories: Interviews|Tags: , , , , , , |

The Besnard Lakes Are The Dark Horses. A fitting album title for these Montreal, Quebec, Canadians, as much as it was a challenge for a band who've skirted success but in turn garnered acclaim for their lush and psychedelic sound. Their most recent album The Besnard Lakes Are The Roaring Night appeared in early 2010, and once again it was that intimate and expansive sound, coupled with vocalist/guitarist Jace Lacek's Beach Boys-like falsetto that saw the band release their most definitive collection of songs yet. Touring Australia for the very first time, Chris Berkley of Static caught up with Lacek and drummer Kevin Laing of The Besnard Lakes to talk about the slow rise of the band and their move into film scores.

The Morning Benders – Interview with Chris Chu (Static, 2010)

By |July 22nd, 2010|Categories: Interviews|Tags: , , , , , , , , |

For The Morning Benders, a big echo doesn't necessarily mean a big noise, but the latter is certainly what these Californian boys encountered following the release of their sophomore album Big Echo earlier this year, easily giving Webcuts one of our favourite albums of 2010. Perfectly formed and lavishly constructed, Big Echo stretched its influences across the decades, from the lush '60s doo-wop harmonies of "Excuses", the '70s Californian pop-rock of "All Day Day Light" to the peer rivaling, stark echoes (which the album lives up to its name) of "Hand Me Downs".

Webcuts Top 25 Albums of 2008

By |January 22nd, 2009|Categories: Features|Tags: , , , , , , , , , , , , , , , , , , , , , , , |

Ladies and gentlemen, the envelope please! Webcuts favourite albums of 2008 as argued and fought over by us, including star-studded appearances from Beach House, My Morning Jacket, Fleet Foxes, Nick Cave, Santogold, Okkervil River and many more...

Who The Hell Are… The Fierce & The Dead?

By |September 13th, 2011|Categories: Features, Who the Hell Are|Tags: , , |

With their debut album If It Carries On Like This We're Moving to Morecombe, London post-rock quartet The Fierce & The Dead left an indelible impression at Webcuts HQ. It was an album that defied categorisation and challenged perceptions of the post-rock genre, not only from the exceptionally long-winded and unselfconscious title, but in the way it fused elements of post-rock with hardcore, ambient soundscapes and jazz/funk experimentation. It was as if The Fierce & The Dead wanted to sound like all bands, and none, which intrigued us enough to want to find out more.

Rowland S. Howard – The Final Interview (Static, 2009)

By |March 1st, 2010|Categories: Interviews|Tags: , , , , , , |

Forever known as Nick Cave's red right hand in the Birthday Party, Rowland was the purveyor of that skeletal, metallic guitar style that along with the bass growl of Tracey Pew, defined the sound of the band. Speaking to Static's Chris Berkley, only a few weeks before his passing, Rowland S. Howard recounts his extensive career and his brief return to music with Pop Crimes.

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