Who The Hell Are… Lion Island?
Lion Island were first encounted playing a free show in Brisbane's King George Square. Their ability to fill a large stage with eight members and the cavernous square full of wondrous music bolstered my mood and had casual passerby's on their way to the train, stop and listen. When seen again three months later at The Hi-Fi Bar a liking for the band was affirmed and proved that Lion Island are one of the city's most ambitious and talented acts. Here are a band able to switch from solo singer-songwriter folk, then become a Brisbane Beirut by adding brass and violin to the acoustic guitar and drums to full out orchestral rock, as if Finn Andrews was fronting The National.
Jacob Golden – Revenge Songs
Echo, 2007 [rating:9/10] Those lucky enough to catch Jacob Golden's live know just how extraordinary he can be armed with only an acoustic guitar and his angelic voice. His self titled debut EP in 2001
Mélanie Pain – My Name
Pain by name and by nature? Leaving the confines of Nouvelle Vague, French singer Mélanie Pain releases her debut album sung in both English and French.
Blitzen Trapper – American Goldwing
Blitzen Trapper brings to mind somebody hunting down reindeer. This has nothing to do with the music.
Broken Records – Until the Earth Begins to Part
If the news makes you sad, don't watch it, rather listen to Broken Records' dazzling debut.
Beach House – Teen Dream
Makers of mood music for moderns, Baltimore's daydream duo return with their sweet and sombre third album, Teen Dream.
Helvelln – Interview with Jeremy Gronow – Part 1
It's ok for you to think "who? never heard of 'em". Honestly, you'd have to be aged 35+, Australian, and a regular listener of Triple J or Triple R. Maybe you watched Neighbours. In the finicky annals of Australian music history, and with no disrespect to Helvelln, they barely warrant a mention. To briefly summarise, Helvelln were an inspired pop/rock 3-piece formed in Melbourne in the late 80's, released two singles and one album and then broke up in the early 90's. Google them and you'll get pictures of mountains. Impressive and rocky, but hardly rock n' roll.
Who The Hell Are… The Volcano Diary?
Sometimes a mood, feeling or memory can be condensed into a single album or song. It can be due to overexposure to that certain piece of music at the time of a memory being made, like, let's say, Christmas, or it can be the result of new music that already sounds familiar hitting on certain emotional chords, no pun intended. And new music that feels old, strange tunes that feel like a lifelong pal, is not necessarily an indictment of inherent quality, but it is certainly a step in the right direction. So goes with The Volcano Diary, a very new band that feels like they've been making music for decades.
Mercury Rev – Australian Interview (Static, 2009)
Touring Australia on the bequest of the all-conquering Coldplay, Mercury Rev stopped into visit Static's Chris Berkley to talk about their latest album Snowflake Midnight and an impressive career that cannot be reigned in by simple film analogies.
Rowland S. Howard – The Final Interview (Static, 2009)
Forever known as Nick Cave's red right hand in the Birthday Party, Rowland was the purveyor of that skeletal, metallic guitar style that along with the bass growl of Tracey Pew, defined the sound of the band. Speaking to Static's Chris Berkley, only a few weeks before his passing, Rowland S. Howard recounts his extensive career and his brief return to music with Pop Crimes.
The Scare – On Tour With The Scare in Australia (2009)
A first (and probably last) for Webcuts as we jump in the back of a tour van and hit the road with ex-Brisbane trouble makers, now Sydney's problem, The Scare, as they attempt to corrupt the people of Melbourne with their new 'voodoo, and nothing, not even the death of Michael Jackson, was going to get in their way.
Jonneine Zapata – Cast The Demons Out
Sounding like a counter-revolutionary, singer-songwriter Jonneine Zapata's task at hand is presciently hinted at in the title.
Grizzly Bear – Veckatimest
How much can a grizzly bear? We're not sure but this Brooklyn four piece's third album gets a perfect 10/10.
Gemma Ray – We’ve Got a Crush on You (2010)
In the cockney rhyming slang lexicon there really should be an entry marked "Gemma Ray" that translates to "The Hard Way" for the sultry Essex singer's career is one filled with false starts, battles with illness and sheer bloody mindedness. Barely finished from touring her last album Ray has just released an album of covers It's a Shame About Ray which draws its song pool from the likes of Buddy Holly, Lee Hazelwood, Etta Fitzgerald, Sonic Youth, Mudhoney, Gallon Drunk and The Gun Club. Webcuts catches up with the brunette with the beehive during a tour in South Africa to talk knives, the new album, Rosemary's Baby, illness affecting songwriting and the recording of new material.
The Morning Benders – Interview with Chris Chu (Static, 2010)
For The Morning Benders, a big echo doesn't necessarily mean a big noise, but the latter is certainly what these Californian boys encountered following the release of their sophomore album Big Echo earlier this year, easily giving Webcuts one of our favourite albums of 2010. Perfectly formed and lavishly constructed, Big Echo stretched its influences across the decades, from the lush '60s doo-wop harmonies of "Excuses", the '70s Californian pop-rock of "All Day Day Light" to the peer rivaling, stark echoes (which the album lives up to its name) of "Hand Me Downs".
My Morning Jacket – Evil Urges
Rough Trade, 2008 [7.5/10] Never has a record so wrong-footed me like Evil Urges has. Louisville's My Morning Jacket were always a band with broad influences in their sound. 2005's Z was the strongest indication