Noah and the Whale – Last Night on Earth
A surprising record or a record full of surprises from this indie-pop quartet? Note reviewer in "I loathed it now I like it" situation.
The Stills – Interview with Tim Fletcher (2009)
Having released one of Webcuts favourite albums of 2008, the tsunamically stunning Oceans Will Rise, we caught up with vocalist/guitarist Tim Fletcher from Montreal's The Stills whilst in the middle of a brief European tour late last year.
The Veils – Finn Andrews talks about Troubles of the Brain (Static, 2011)
Barely eighteen months since the release of one of 2009's dark delights, the epic Sun Gangs, Finn Andrews the New Zealand bred, England based leader of The Veils has released possibly one the highlights of 2011 with Troubles of the Brain. Over the course seven songs Finn and his band mates explore less grandiose and orchestral avenues than those on Sun Gangs favouring instead acoustic guitars, simpler arrangements and a lighter air in general. Chris Berkley tracked down Mr Andrews just before the release of Troubles of the Brain to talk about the differences in recording at home, going out on his own label and having a feverent fanbase to help that transition.
Otouto – Pip
Melbourne four piece Otouto prove that art pop is not a dirty word on their impressive debut album Pip.
Tender Trap – Dansette Dansette
It's summertime twee pop hour and who better to soundtrack but ex-Heavenly and Talullah Gosh popsters back with their third album.
Jay Reatard – Watch Me Fall
The ever-prolific Jay Reatard is back with his most potent pop record to date. Watch Me Fall trades sharp licks with cheap tricks.
Who The Hell Are… The Fierce & The Dead?
With their debut album If It Carries On Like This We're Moving to Morecombe, London post-rock quartet The Fierce & The Dead left an indelible impression at Webcuts HQ. It was an album that defied categorisation and challenged perceptions of the post-rock genre, not only from the exceptionally long-winded and unselfconscious title, but in the way it fused elements of post-rock with hardcore, ambient soundscapes and jazz/funk experimentation. It was as if The Fierce & The Dead wanted to sound like all bands, and none, which intrigued us enough to want to find out more.
Shearwater – The Golden Archipelago
Shearwater seem to have run aground on The Golden Archipelago. Not quite paradise, nor a place you'll likely return to soon.
The Scare – Oozevoodoo
If you've been with The Scare lately, you'll be lucky if it's only voodoo you're oozing, otherwise you better see a doctor.
Various Artists – Dark Was The Night
North America's finest show their charitable side with this awe-inspiring collection. Just call it "No Alternative Part 2".
Who The Hell Are… We//Are//Animal?
The arrival of their four digit debut single "1268" caused seismic speaker-blowing waves in the Webcuts offices in 2010. It truly was, and still is, a "What the fuck was that?" moment. It was in essence, Gang of Four meets LCD Soundsystem in an abandoned factory in North Wales. An electro pulse and surging beat, sheet metal guitars, inimitable Welsh vocals, it had 'post-punk dancefloor smash' writ large all over it, and had We//Are//Animal been from London instead of Wales, everybody would've been knocking down their door, kneeling to kiss their cossetted behinds (cough The Vaccines).
The Cave Singers – Welcome Joy
No, not Nick Cave's new backing band, Seattle's The Cave Singers have crafted a rich and rewarding second album.
Animal Collective – Merriweather Post Pavilion
Animal Collective shake the sand from their fur as they take Merriweather Post Pavillion down to the Beach, Boys.
Deerhunter – Rainwater Cassette Exchange
Hot on the heels of Microcastle comes this warmly welcomed five track EP from Webcuts' band de jour.
Adalita Srsen – Interview and Live Review, Bulli, Australia (2009)
Having first dipped her toes in the solo waters for the soundtrack to the movie Suburban Mayhem in 2006, Adalita Srsen has remained steadfast fronting Melbourne's mothers of sonic invention, Magic Dirt. Webcuts catches up with Adalita to discuss her transition into the solo arena.
Lisa Mitchell – Wonder
Avoiding the solo artist's temptation of self-indulgence, Lisa Mitchell imparts some wide-eyed optimism on Wonder.