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A Place to Bury Strangers – Interviw with Oliver, Jason, Jonathan (Static, 2010)

By |April 20th, 2010|Categories: Interviews|Tags: , , , , |

We trap the loudest band the land - A Place to Bury Strangers - in the Static studios to talk the good talk about their beginnings, effects pedals and not being labeled shoegaze, but are disappointed to learn that they aren't in fact the loudest band from New York -- "Jono: It was Time Out New York, they came to our rehearsal studio and had a decibel meter while we were rehearsing, but then they went to Music Hall of Williamsburg, which is this huge 500-capacity venue and then they recorded Black Dice and they were louder than us."

Helvelln – Interview with Jeremy Gronow – Part 1

By |September 10th, 2011|Categories: Features, Secret History of Australian Music|Tags: , , , |

It's ok for you to think "who? never heard of 'em". Honestly, you'd have to be aged 35+, Australian, and a regular listener of Triple J or Triple R. Maybe you watched Neighbours. In the finicky annals of Australian music history, and with no disrespect to Helvelln, they barely warrant a mention. To briefly summarise, Helvelln were an inspired pop/rock 3-piece formed in Melbourne in the late 80's, released two singles and one album and then broke up in the early 90's. Google them and you'll get pictures of mountains. Impressive and rocky, but hardly rock n' roll.

School of Seven Bells – Australian Interview (Static, 2009)

By |May 5th, 2009|Categories: Interviews|Tags: , , , , |

A collaboration between Benjamin Curtis of Secret Machines and twin sisters Alejandra and Claudia Deheza of On-Air Library, the School of Seven Bells (founded in name from a mythical South American pickpocket academy) that surprised

The Scare – Interview (2007)

By |January 8th, 2008|Categories: Interviews|Tags: , , , , , , |

Craig Smith takes us on a journey from Brisbane to Birmingham with Wade Keighran bass player for punk rockers The Scare. Taking in emotional break downs and playing the UK festivals, to the booze soaked recording of Chivalry and being wide eyed in L.A. -- this is the definitive account of The Scare's rags to musical riches tale.

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