Interpol – Interpol
The Lights are on but the tunes aren't home on Interpol's disappointing fourth otherwise known as #4.
Blur – Midlife: A Beginner’s Guide To Blur
The predictable commercial foibles of a greatest hits compilation are largely avoided here; each of the tracks have been carefully selected by the band and many of them are touched-up or alternative versions.
Braids – Native Speaker
Debut album from Montreal's Braids. Like a Canadian Animal Collective with female vocals? Read on and find out...
Who The Hell Are… Pris?
Uh-oh, here comes trouble. Pris are a four piece from London featuring Cat on vocals, Agatha on guitar, Mary on bass and Sam on drums. Imagine Blondie with an attitude problem, Manics before the middle life spread and Kenickie without the big bones.
Howler – This One’s Different
From the label that gave you The Libertines and The Strokes, here's another young and disaffected indie guitar band.
HTRK – London – 24 October 2011
HTRK The Garage, London October 24, 2011 HTRK have always been a difficult band to love. Once you got used to their narco-minimalism and faceless anonymity that pervaded their artwork, you realised they weren't a
Hoodoo Gurus – Interview with Dave Faulkner (2008)
Living proof that great bands and great songs endure all, Sydney's Hoodoo Gurus are the epitome of the walking jukebox, with a back catalogue of classic singles and albums that have become as much part
The Pains of Being Pure at Heart – Australian Interview (Static, 2010)
A firm favourite last year with those of a pop persuasion was the debut album of Brooklyn four-piece, The Pains of Being Pure at Heart. An example of youthful exuberance and melodic indulgences, The Pains (is it ok to call them that?) were as easy to swallow as a chocolate sundae with all the toppings -- and just as addictive and in no way fattening. Recently on tour in Australia, we spoke with guitarist Kip Berman.
The Soft Pack – Interview (2010)
Originally they were The Muslims but now they have a less volatile name, The Soft Pack, and a more polished repertoire as heard on their self titled debut. Touring that album in Australia they spent some quality time with Static's Chris Berkley who got to the beginnings of how the band formed, that name change, the San Diego and LA rock scenes, surfing, the prestigious honour of being covered by Nada Surf and the possibility of covering some Australian indie classics.
The Welcome Mat – Gram
In the annals of Australian music history, The Welcome Mat only succeeded in living up to their name, laid down at the gates of opportunity to watch in dismay as their more fated friends were
Jay Reatard – Australian Interview (Static, 2009)
Capping off an incredibly busy year with a singles compilation for 2008, Nashville native Jay Reatard has been relentlessly touring the globe and still hasn't stopped to catch his breath. Recently blowing away audiences in
Helado Negro – Awe Owe
Will you be in awe of Helado Negro's Latin American infused mix of folk and sampled beats? It's very tasty.
Bibio – Ambivalence Avenue
Turn left off Apathy Street, hang a right on Take It or Leave It road and there you'll find Ambivalence Avenue the new offering from Bibio.
Anni Rossi – Rockwell
How does Anni Rossi rock? Does she rock well? Well, no, not so much actually.
The Dead Weather – Interview with Jack Lawrence, Alison Mosshart, Dean Fertita (Static, 2010)
The Dead Weather are a band that more than live up to their name. Dark and bluesy, malevolent and loud. Given the rock credentials brought by each of the musicians attached, you expect nothing less. A multi-headed musical beast comprised of Alison Mosshart, the chain-smoking siren from The Kills, Jack White, leader of the status: in hiatus White Stripes, Dean Fertita of Queens of The Stone Age and Jack Lawrence of The Raconteurs. With a new album Sea of Cowards about to be released, we speak to Alison, Jack, and Dean.
Who The Hell Are… COOLRUNNINGS?
How Webcuts first encountered Knoxville, Tennessee's Coolrunnings could be best described as a lucky accident. And it's no surprise that the best way to get someone's attention is to slap a photo of some naked chicks skateboarding on the cover of your EP and let them sell it for you. The appropriately titled (and NSFW) Babes Forever was clearly the product of talented and warped minds. The creepy, schizoid mayhem of "Trippin' Balls at Der Wienerschnitzel" and the inspired, almost unabashed, synth-pop of "When I Got High With You" sounded like they were made by some slacker Bill & Teds who'd already embarked on their own excellent adventure.