Cat Power – Sun
Matador, 2012 Time and distance, be it geographical or emotional, have always been great assets to a songwriter. The ability to cease all activity, to step off the treadmill and get
Decoder Ring, Bridezilla – Brisbane – 22 August 2009
Two of Sydney's finest: Bridezilla's dark brand of baroque folk and Decoder Ring's post-rock electronica, strut their wares in Brisbane.
Tune-yards – Bird-brains
One of the top records of the year that you never want to hear again? Merrill Garbus is Tune-yards and experimental lo-fi folk is the order of the day.
Dirty Projectors – Bitte Orca
"Bitte Orca is an album for the background of a high concept coffee shop on your hipster street". I'm getting that Reality Bites feeling...
The Scare – On Tour With The Scare in Australia (2009)
A first (and probably last) for Webcuts as we jump in the back of a tour van and hit the road with ex-Brisbane trouble makers, now Sydney's problem, The Scare, as they attempt to corrupt the people of Melbourne with their new 'voodoo, and nothing, not even the death of Michael Jackson, was going to get in their way.
No Age – Everything In Between
No Age push the 'mature album' button while still managing to shred and transcend on their third release.
The Soft Pack – The Soft Pack
No hard hits from San Diego's The Soft Pack, just bland indie rock with some scant memorable moments.
Girls – Australian Interview (Static, 2009)
You've probably seen the x-rated video clip for "Lust for Life". The 'penis as microphone' image is something you really don't recall seeing in pop videos these days, either then or now (and feel free to correct me if I'm wrong). As vague and internet-search challenging as calling your band Girls is, Christopher Owens and Chet "JR" White are both neither, and are, so to speak.
Austra – London – 6 September 2011
Having changed careers mid-stream from a piano-based singer-songwriter with a touch of the Regina Spectors to a Nico-esque bleach-blonde gothic siren, in Austra Katie Stelmanis has found the form to match the function. With a handful of impressive singles released either side of their Kate Bush meets Nine Inch Nails debut album Feel It Break, Stelmanis may have found her creative niche but she still has much to prove. On record, Austra cloak themselves in a throbbing monochrome blanket, but on stage their live show is more telling, more vibrant and commanding, as Stelmanis, flanked by a pair of interpretive dancers/backing vocalists, add any absent colour.
Too Pure Singles Club – Interview with Paul Riddlesworth (2011)
For the last three years the Too Pure Singles Club has been releasing monthly 7" singles to subscribers featuring a selection of rising UK and international alternative acts, many of whom are unknown outside their own country (their own town even). The appeal of a singles club is more than just a piece of vinyl every month by a band you're unlikely to have ever heard of. Actually, that is the appeal. Hit or miss as they can be, you never know which one of these limited run singles will turn out to be your next favourite band.
The Whitest Boy Alive – Rules
Erlend Øye and company break some rules but also unwittingly create them on their second album entitled, you guessed it, Rules.
Bughouse – V For Vendetta
2018 Update: Bughouse released "V for Vendetta / Tax Stamp" on Bandcamp in 2017 with their second album from 2014 Fink Tank the following year: bughouse1.bandcamp.com Bughouse's classic debut single
Cloud Control – Interview (Static, 2010)
A Tale of Two Cities? Not bloody likely. While both appear on the forthcoming Laneway bill Cloud Control and Rat vs Possum are worlds apart and aren't harbingers of any Sydney or Melbourne scene. Although there are groups of like-minded musical acts in all Australian cities and towns they're is no discernible Sydney sound or Melbourne sound. Cloud Control's indie-folk rubs shoulders with Parades' and Jonathan Boulet's dense polyglot pop while Rat vs Possum's tribal skewed pop sounds share the same general geography as Love Connection's murky shoegaze and Super Wild Horses girl fronted garage. It's not where you come from, it's where you're at.
Zola Jesus – Her Dark Materials (2011)
From her isolated upbringing in rural Wisconsin, combined with a passion for opera, philosophy and industrial music, Nika Rosa Danilova aka Zola Jesus has created a name for herself as being a successor to the
Shearwater – London – 22 November 2008
"I don't know. I feel a bit naughty playing here", confides Jonathan Meiburg, singer with the Austin, Texas outfit Shearwater, sitting in front of a grand piano in St. Giles in the Fields, an 17th
Layabouts – Savage Behaviour
Homeless Records, 2011 To call Layabouts chest-beating/car-loving/girl-banging rock n' roll as being derivative is to say rock n’ roll is derivative of rock n’ roll. If you stay true to