Black Cab – Brisbane Interview (2010)
Sometimes the best music is just under your nose, as in literally right under your nose on your desk hiding in a spindle of CDs. That’s what happened with Melbourne's Black Cab as after receiving a promo of their third album Call Signs mid last year it was put on said spindle and largely forgotten about until the video for the first single, the chugging rock epic “Church of Berlin” was seen, which quickly made me hunt out the promo disc and give it my full, rapt attention. With Calls Signs recently being given an European release we talked to Andrew and Steve about their visit to the sunshine state, the sexiness of “Sexy Polizei”, the allure of Germany as a source for lyrics, covering alternative classics and new recordings.
Nick Cave & The Bad Seeds – Dig, Lazarus, Dig!!!
Mute/EMI, 2008 [rating:8/10] The passing of time has done nothing to dampen Nick Cave's spirit or soften his tongue. In the preceding decade spent mostly strapped to the piano like a bible-addicted lothario, it gave
Exlovers – London – 28 February 2011
There really is something enthralling about watching a band not just perform music but energetically project themselves into it. It's akin to standing against a gale who's presence is to overpower you and anything in its way. That would in part, sum up the appeal of Exlovers -- they cut a forceful, harmony-fuelled rug. The other part is they're the most attractive bunch of tattooed scruffs that you'll ever encounter. Put all this in the context of their latest single "Blowing Kisses", a song that transcends simple indie guitar music and that gale hits like a perfumed fist that still makes you want to stand up and take more.
Otouto – Pip
Melbourne four piece Otouto prove that art pop is not a dirty word on their impressive debut album Pip.
Who The Hell Are… The Fierce & The Dead?
With their debut album If It Carries On Like This We're Moving to Morecombe, London post-rock quartet The Fierce & The Dead left an indelible impression at Webcuts HQ. It was an album that defied categorisation and challenged perceptions of the post-rock genre, not only from the exceptionally long-winded and unselfconscious title, but in the way it fused elements of post-rock with hardcore, ambient soundscapes and jazz/funk experimentation. It was as if The Fierce & The Dead wanted to sound like all bands, and none, which intrigued us enough to want to find out more.
Beach House – Bloom
Bella Union, 2012 Since their self-titled debut in 2006, Portland duo Beach House have become a band synonymous with the 'dream-pop' side of contemporary music, a tag that suitably sums
Vivian Girls – Australian Interview (Static, 2009)
Cassie, Katy and Ali aka Vivian Girls are back again with their sophomore album Everything Goes Wrong and we caught up with them in a place where nothing ever goes wrong, unless you have a show scheduled at the Hopetoun Hotel this week (fyi girls - it's closed).
The Decemberists – The Hazards of Love
EMI/Rough Trade, 2009 [7/10] Where once The Decemberists were a modest modern rock band, albeit outsiders with literate leanings that rarely leaned toward rock's excesses, they have gradually extended their artistic aspirations into the musical
Centro-Matic / South San Gabriel – Dual Hawks
Cooking Vinyl, 2008 [5/10] (Centro-Matic) [7/10] (South San Gabriel) Will Johnson can seemingly do anything. A prolific songwriter, Johnson has spent over a decade playing indie rock in Denton, Texas' Centro-Matic, putting out a succession
Arcade Fire – Los Angeles – 8 October 2010
You know you've had a good day when you wake up in a resort in Palm Springs and end up almost 24 hours later face down, literally face down, in a plate of tacos in downtown LA, head throbbing and ears ringing. There’s no way to rationalise it, nor the fact that between such decadent highs and lows, Webcuts was in attendance to witness the second night of Arcade Fire’s two night stand at the Shrine Auditorium in Los Angeles. On a night where the streets (well, one street) were filled with yellow NYC cabs and fake snow, Arcade Fire required no illusory set-dressing to impress Tinseltown.
Faker – Be the Twilight
Capitol/EMI, 2007 [9/10] There is a litany of bands that make the decision to pack their bags and move to Los Angeles to try and catch a spark of what makes the town such a
The Drones – London – 8 June 2009
Watching Gareth Liddiard sing is like witnessing a drunk arguing with his own reflection. His posture is one of vexed irritation, his face is strained, the tendons on his neck bulge, his entire frame in spasm.
The Cult – London – 21 January 2011
When you add up the years, you realise Ian Astbury and Billy Dully have been making music as The Cult for a long-ass time. Sitting in the rafters of the Hammersmith Apollo ("Hammersmith Odeon", Astbury demurs, referring to the venue's previous appellation), the debt paid to the excesses of rock n’ roll have more-or-less treated both kindly. Astbury, the once flower-child/wolf-child looks a little rough round the edges, but when you style yourself on Jim Morrisson and then suddenly become him, what can you expect. Duffy on the other hand, is ageless, looking more like David Beckham‘s older brother than a well-tooled guitar god.
Fink – Sort of Revolution
You say you want a revolution? Well, Fink's folk-tinged Sort of Revolution falls sort of... short.
The Grates – Brisbane – 1 May 2009
The Grates/Children Collide Hi-Fi Bar, Brisbane 1 May 2009 It's not often that you have moments like this -- where you have to take a step back from your surroundings and fathom what is the hell