The Heavy – The House That Dirt Built
UK retro-funk n' soul act The Heavy roll out the grooves and ask the question "How you like me now?". Our answer awaits.
Jay Reatard – London – 13 November 2009
Musicians die. Sometimes quite unexpectedly, most before their time, but not often enough for your brain to idle between song, between string changes or tunings to wonder “will this be the last time?”. You don’t, because you’re too busy enjoying the moment. Having witnessed Jay Reatard play what would be his last ever show in London, he was anything but the vision of a man kicking out the last of his jams.
HTRK, Ipso Facto, ROMANCE – London – 24 July 2009
Ipso Facto recently trimmed the fat, excising keyboardist Cherish Kaya in favour of the perfect rock triangle. The sound is now suitably streamlined, focussed and finessed -- the girls now move a like well-oiled, well-coiled machine.
Dum Dum Girls – London – 28 September 2010
California girls. Beach Boys praised them, Katy Perry revived them, but Los Angeles' Dum Dum Girls are the kind of girls that either Brian Wilson or Katy Perry had in mind. Palm trees, bikinis and suntans aren’t their domain, in fact, it would be surprising if daylight ever graced their chalk-white skin, looking as they do Josie and The Pussycats meets Tim Burton. Making a return visit to London in the newly opened (and un-divey) East London venue XOYO, Dum Dum Girls are Dee Dee. The all-girl band she's assembled acts as both an extension of her psyche, and a mirror to how she dresses.
Jacob Golden – Interview circa Revenge Songs (2008)
If success was awarded by the amount of struggle and heartbreak an artist had endured, and took into account the innate talent the artist had, Jacob Golden would be multi-platinum and headlining London's Royal
Jay Reatard – Watch Me Fall
The ever-prolific Jay Reatard is back with his most potent pop record to date. Watch Me Fall trades sharp licks with cheap tricks.
Animal Collective – Interview with David Portner (Static, 2009)
Having just released the second single "Summertime Clothes" from their acclaimed eighth album, Merriweather Post Pavilion, Chris Berkley from Static spoke to David Portner from Baltimore, Maryland's favourite sons, Animal Collective and asked, among other
Art Brut – Art Brut vs. Satan
Eddie and the bruisers return with their third long player of songs about love and hate. And comic books and chocolate milkshakes.
Yo La Tengo – Popular Songs
More Pop(ular) Songs from New Jersey's finest. No condo screwing around here, just Yo La Tengo's consistent quality.
The Boo Radleys – Giant Steps / Wake Up!
One of these albums is pure genius. The other went straight to #1. Bow down to The Boo Radleys, Britpop's forgotten heroes.
My Morning Jacket – Circuital
Album number six for these free-wheeling long-haired holdin' on to black metal giants of Southern Rock.
Dark Mean – Dark Mean
Canadian folk-sters Dark Mean deliver a "must-listen album with staying power, and one of the year’s best" on their self-released debut.
Suckers – Wild Smile
Brooklyn's Suckers channel a little ADHD indie rock throughout their debut album, defying hype and maintaining interest.
fun. – Aim and Ignite
We take aim at the confusingly labelled American trio fun.'s first offering and find it's a fun album, period.
Who The Hell Are… Bleeding Knees Club?
There's not much point in asking where Bleeding Knees Club got their name. It's the kind of degenerate tag that you'd expect from a couple of Australian garage surf-punks, but for the innocent and curious alike the band spell it out below. If they happen to ask if you want to join their particular club, ladies just say 'no'. Hailing from Brisbane, where every home has its own swimming pool thanks to last year's insane floods, Alex and Jordan of Bleeding Knees Club have "won hearts and minds through a reckless live reputation and with a swag of super-catchy tunes on their debut EP Virginity".
R.E.M. – Collapse Into Now
With appearances from Peaches and Patti Smith, R.E.M. show no signs of wear and tear in their fourth decade of making music.















