Atlas Sound – Logos
Bradford Cox of Deerhunter makes us seem like we're slavishly supportive of everything his hand touches, but we mean every word. Honest.
Mark E. Smith – Renegade: The Lives and Tales of Mark E. Smith
Viking, 2008 [rating:6/10] It begins at the end, or the supposed end, where having retired the old guard for a succession of young guns, Mark E. Smith faces up to a musician mutiny on The
Ramona – London – 17 April 2011
It's easy to love Ramona, even though everything about them is so flawless and en pointe, unheard for a scruffy bunch of Brighton by-way-of-New-York rockers. Picks in hand, they transform a handful of chords into polished punk perfection, fronted by the coquettish bleach-blonde tomboy Karen Anne, a second generation Edie and Debbie who knows how to hang from a mic stand like she was hanging from your shoulder. Absent from the stage this year so far, they cycle through their set in a brisk half hour, including encore, and you're crying out for a flubbed note, an unrehearsed run through a song they just wrote in the van, or general indifference to whether anybody is listening.
El Perro del Mar – Love Is Not Pop
While we love pop, Sweden's El Perro Del Mar remind us that pop is not love.
My Morning Jacket – Evil Urges
Rough Trade, 2008 [7.5/10] Never has a record so wrong-footed me like Evil Urges has. Louisville's My Morning Jacket were always a band with broad influences in their sound. 2005's Z was the strongest indication
The Fall – The Wonderful And Frightening World Of… / This Nation’s Saving Grace
Two classic, career defining Fall albums get the deluxe box set treatment.
Otouto – Pip
Melbourne four piece Otouto prove that art pop is not a dirty word on their impressive debut album Pip.
Who The Hell Are… The Capitalist Youth?
Consider The Capitalist Youth, a trio of former high school classmates who play “acoustic indie rock combining a living room full of misfit instruments with lyrically driven songs about summer camp, existential crises and gubernatorial indiscretions”. They don’t write and play the kind of music that will leave listeners dumbstruck over their redefinition of a genre, but they’re able to adeptly inject something into their music that only a handful of others have done well: humanity, with a laid back sense of humor, and without any of the awkward pauses that come from other bands who get lucky on a song or two and can’t maintain things the rest of the way.
Pavement – Quarantine The Past
The smell of reunion is in the air as Pavement's back catalogue is harvested for the new-comers in this career-spanning collection.
Grouplove – Never Trust A Happy Song
Energetic indie-rock from LA's Grouplove but watch out for "the boring half of the record". Whoops.
Top 10 – Australian Music Videos
The early days of music video in Australia bore some shoddy, shoddy home-produced efforts. Essentially labours of love from minimal means designed to get the message across. The big budget video clip was not the
The Veils – Interview with Finn Andrews about Sun Gangs (Static, 2009)
Chris Berkley from Static talks to the rather talented Veiled one about the new album, the band's love for The Wire and possible antipodean tours.
Stars – Interview with Amy Millan & Evan Cranley (Static, 2008)
It may've taken eight long years but Canadian indie pop quintet Stars made their way to Australia for the first time recently on the back of their fourth LP and one of 2007's best releases,
Kaki King – Mexican Teenagers EP
Diminutive guitar goddess Kaki King gets caught up with the wrong crowd on Mexican Teenagers.
A Hawk and a Hacksaw – Délivrance
Business as usual for New Mexico's A Hawk And A Hacksaw? Just ask "The Man Who Sold His Beard".
Hoodoo Gurus – Interview with Dave Faulkner (2008)
Living proof that great bands and great songs endure all, Sydney's Hoodoo Gurus are the epitome of the walking jukebox, with a back catalogue of classic singles and albums that have become as much part