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Who The Hell Are… Seize The Chair?

By |August 24th, 2011|Categories: Features, Who the Hell Are|Tags: , , , , |

You have to question the motives behind a band who put a picture of two gurning band members on the front cover of their debut 7", or when asking the record company for a promo photo being offered 'the one where they're all dressed up in drag', or 'the one where they're chewing grass' (we passed on both). Sheffield's Seize The Chair have the air of a band who clearly and delightfully just don't give a fuck. In fact they probably just want to make music and have a laugh. Which, if you've seen that record sleeve, you'll be laughing too.

Webcuts Top 20 of 2010 – Part 1

By |January 1st, 2011|Categories: Features|Tags: , , , , , , , , , , |

So that was 2010. What does Webcuts remember most about it? It's hard to say, really. The landscapes shift, the memories flickr and 365 days blur into one long unending soundtrack. One thing our favourite tracks of 2010 all had in common was that they appeared like one night stands that lingered a little longer than usual, almost all of them attached to a singular memory of the song being performed, either from a distance or elbows resting on the stage in mute admiration, or maybe just there emanating from a speaker aimed direct into our inner consciousness, refusing to budge.

Ripe – Moondriven

By |February 2nd, 2010|Categories: Features, Secret History of Australian Music|Tags: , , , , |

..with a rejuvenated reappraisal of the career of Melbourne psyche-drone-pop quartet Ripe and their space-rock epic "Moondriven", now with 33 1/3% more added insight courtesy of an exclusive interview with guitarist and vocalist Peter Moran who talks about the making of their landmark Australian debut The Plastic Hassle. Fans of Sonic Youth, Swervedriver and Dinosaur Jr take note.

Who The Hell Are… The Volcano Diary?

By |January 14th, 2011|Categories: Features, Who the Hell Are|Tags: , , , |

Sometimes a mood, feeling or memory can be condensed into a single album or song. It can be due to overexposure to that certain piece of music at the time of a memory being made, like, let's say, Christmas, or it can be the result of new music that already sounds familiar hitting on certain emotional chords, no pun intended. And new music that feels old, strange tunes that feel like a lifelong pal, is not necessarily an indictment of inherent quality, but it is certainly a step in the right direction. So goes with The Volcano Diary, a very new band that feels like they've been making music for decades.

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