Who The Hell Are… The Fierce & The Dead?
With their debut album If It Carries On Like This We're Moving to Morecombe, London post-rock quartet The Fierce & The Dead left an indelible impression at Webcuts HQ. It was an album that defied categorisation and challenged perceptions of the post-rock genre, not only from the exceptionally long-winded and unselfconscious title, but in the way it fused elements of post-rock with hardcore, ambient soundscapes and jazz/funk experimentation. It was as if The Fierce & The Dead wanted to sound like all bands, and none, which intrigued us enough to want to find out more.
The Fall – Your Future, Our Clutter
The Northern white crap that talks back are... back. Smith and Co. hit the 21st Century in style with album number 277 or thereabouts.
Bad Lieutenant – Never Cry Another Tear
If New Order and Doves made a record, how would it sound? Something like this, we think...
Colin Meloy – Colin Meloy Sings Live!
Rough Trade, 2008 [6/10] Colin Meloy. You either love him or you hate him. At times I've found myself wanting to do both. He's the perennial literate geek come celebrated indie star. He's charming and
Adem – Takes
Domino, 2008 [8/10] Home recorded, folk-tinged, somewhat sullen but with equal parts warmth and optimism, South London's Adem Illhan lives a Nick Drake-ian life in a Brian Eno world. Having paid his dues with the
The Long Blondes – Couples
Rough Trade, 2008 [8/10] "Couples" by name and couples by nature, Sheffield's indie darlings, The Long Blondes, were once discreetly paired up (drummer with bassist, obviously, and guitarist with keyboardist) leaving them looking like the
The Walkmen – London – 25 August 2010
“You’re one of us, or you’re one of them“. Hamilton Leithauser, fist wrapped tight around the microphone as if he's trying to strangle it, is howling those words. The rest of The Walkmen, heads bowed (as they remain throughout most of the set) play complicit and provide the carnival-esque roar to ram Leithauser’s words home. It’s not so much a question or a suggestion but a statement. For better or for worse, for way back when the band were selling their own white label records at the Middle East in Boston in 2001, I’ve been one of "us".
Braids – Native Speaker
Debut album from Montreal's Braids. Like a Canadian Animal Collective with female vocals? Read on and find out...
Jay Reatard – Watch Me Fall
The ever-prolific Jay Reatard is back with his most potent pop record to date. Watch Me Fall trades sharp licks with cheap tricks.
…And You Will Know Us by the Trail of Dead – The Century of Self
Texas' Trail of Dead increase their shelf life with their sixth album, Century of Self.
Cut Copy – Zonoscope
Melbourne Modular boys gone global return for their third album with mixed results. Just what the hell is a Zonoscope anyway?
Dirty Projectors – Bitte Orca
"Bitte Orca is an album for the background of a high concept coffee shop on your hipster street". I'm getting that Reality Bites feeling...
Bob Mould – Silver Age
Merge, 2012 Alterna-rock statesman hot from bringing a little 90's Sugar to the 10's masses returns with shit-hot album. If that's all the convincing you need, you might as well stop reading now
The Raveonettes – London – 7 September 2009
Pretty in black and pretty and back, The Raveonettes rolled into London this week to play a one-off gig showcasing their forthcoming album In and Out of Control. It wasn't all rape, guns, suicide and stealing cars, but it was near enough.
School of Seven Bells – Australian Interview (Static, 2009)
A collaboration between Benjamin Curtis of Secret Machines and twin sisters Alejandra and Claudia Deheza of On-Air Library, the School of Seven Bells (founded in name from a mythical South American pickpocket academy) that surprised
Factory Floor – Interview (Static, 2010)
Part extreme noise terror, part euphoria, East London’s Factory Floor have made a name for themselves as being loud and uncompromising, or as they stress in the interview below "brutal". Having walked half-way in during their set supporting American synth act Cold Cave earlier this year, Factory Floor's performance was very much a "what the fuck?" moment, unsure as to either quickly vacate the room or take stock of the diffused electronic/industrial free-form concotions they were composing. We stayed, with reservations... Chris Berkley of Static caught up with Gabriel Gurnsey and Nik Colk from Factory Floor shortly after their appearance at the Offset Festival in London in September to find out more.