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All Tomorrow’s Parties – Brisbane – 2009

By |January 15th, 2009|Categories: Live Reviews|Tags: , , , , , , , , , , , , |

The much lauded ATP festival reaches Australia and we give you the rundown on the Brisbane leg including reviews of Robert Forster, Spiritualized, The Saints and Nick Cave and the Bad Seeds.

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Darren Hayman and Jack Hayter – London – 13 June 2008

By |July 4th, 2008|Categories: Live Reviews|Tags: , , , |

Darren Hayman and Jack Hayter Luminaire, London 13th June 2008 What do you call a Hefner revival without two of it's original members? Halfner. Hayman has recognised that it would be something of an indignity

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Destroyer – London – 28 June 2011

By |July 7th, 2011|Categories: Live Reviews|Tags: , , , , , |

How strange to be more than fifteen years into a career and to finally achieve growing, and now glowing, recognition for the music you make. Bands today, the inverse applies, they learn to walk before they can crawl, record a debut they'll never repeat and disappear as if they never existed. Real artists will maintain and nurture their craft regardless of an audience, which more or less, is the story of Dan Bejar. Better known as the wild-card songwriter in Canadian power-pop supergroup The New Pornographers, Bejar's work as Destroyer is like mainlining into Bejar's psyche, which prior to you only got the briefest taste of.

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Who The Hell Are… The Capitalist Youth?

By |October 12th, 2010|Categories: Features, Who the Hell Are|Tags: , , , |

Consider The Capitalist Youth, a trio of former high school classmates who play “acoustic indie rock combining a living room full of misfit instruments with lyrically driven songs about summer camp, existential crises and gubernatorial indiscretions”. They don’t write and play the kind of music that will leave listeners dumbstruck over their redefinition of a genre, but they’re able to adeptly inject something into their music that only a handful of others have done well: humanity, with a laid back sense of humor, and without any of the awkward pauses that come from other bands who get lucky on a song or two and can’t maintain things the rest of the way.

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