Miss Li – Best Of 061122-071122
National, 2007 [rating:7/10] The twelve month period denoted by the title of this compilation (that's how the logical Swedes write the date) was an ultra productive period for Stockholm's Linda Carlsson otherwise known as Miss
Idlewild – Post Electric Blues
Idlewild return with their fan-funded sixth album, offering much talk of Warnings (and Promises). But do they deliver?
Windsor for the Derby – How We Lost
How did we lose this CD? Never mind, we finally give Austin's other post-rock band's eighth album a run through.
The National – High Violet
Riding high on the charts, The National have found a resounding voice where "High Violet’s loneliest, weightiest moments feel like shared sorrow."
The Dum Dum Girls – Interview with Dee Dee (Static, 2010)
New York has definitely handed over its crown as being home to earthshaking epicentre of what's hot, hip, and happening. These days all eyes are firmly focused on the eclectic sounds of the West Coast -- as it seems that every single band we talk right now calls the place home. With Katy Perry (of all people) singing the praises of California Girls, just like the Beach Boys did in the 60's, so are we with Los Angeles' Dum Dum Girls.
Wet Illustrated – 1x1x1
Sizzling psyche-pop debut from San Francisco three-piece Wet Illustrated. A little Feelies, a little Sonic Youth.
Arcade Fire – Los Angeles – 8 October 2010
You know you've had a good day when you wake up in a resort in Palm Springs and end up almost 24 hours later face down, literally face down, in a plate of tacos in downtown LA, head throbbing and ears ringing. There’s no way to rationalise it, nor the fact that between such decadent highs and lows, Webcuts was in attendance to witness the second night of Arcade Fire’s two night stand at the Shrine Auditorium in Los Angeles. On a night where the streets (well, one street) were filled with yellow NYC cabs and fake snow, Arcade Fire required no illusory set-dressing to impress Tinseltown.
Luke Haines – Bad Vibes
A timely assault on the looming spectre of the Britpop revival, Luke Haines unleashes his arsenal and takes aim. Camden, look out.
Dean & Britta – London – 30 July 2010
Releasing their soundtrack to 13 of Andy Warhol's screen tests was an opportune moment for ex-Galaxie 500/Luna star Dean Wareham to fully express his love for Velvet Underground and the stars of Andy Warhol's Factory. The screen tests alone, wavering between the visually arresting and the arrestingly mundane, were elevated into a new realm with the musical accompaniment provided by Wareham and partner Britta Phillips. Bringing the 13 Most Beautiful show to London (having frustratingly been given its UK premiere in Dunfermline last year) was a long-anticipated occasion.
Julian Plenti – Julian Plenti is… Skyscraper
Paul Banks discovers that the best path to seduction lies in reduction on his first solo outing as the mysterious Julian Plenti.
Cloud Control – Interview (Static, 2010)
A Tale of Two Cities? Not bloody likely. While both appear on the forthcoming Laneway bill Cloud Control and Rat vs Possum are worlds apart and aren't harbingers of any Sydney or Melbourne scene. Although there are groups of like-minded musical acts in all Australian cities and towns they're is no discernible Sydney sound or Melbourne sound. Cloud Control's indie-folk rubs shoulders with Parades' and Jonathan Boulet's dense polyglot pop while Rat vs Possum's tribal skewed pop sounds share the same general geography as Love Connection's murky shoegaze and Super Wild Horses girl fronted garage. It's not where you come from, it's where you're at.
El Perro del Mar – Love Is Not Pop
While we love pop, Sweden's El Perro Del Mar remind us that pop is not love.
Otouto – Pip
Melbourne four piece Otouto prove that art pop is not a dirty word on their impressive debut album Pip.
Moonface – Organ Music Not Vibraphone Like I’d Hoped
...says Wolf Parade's Spencer Krug of his solo off-shoot project Moonface. Not as good as we'd hoped, either.
The Scare – On Tour With The Scare in Australia (2009)
A first (and probably last) for Webcuts as we jump in the back of a tour van and hit the road with ex-Brisbane trouble makers, now Sydney's problem, The Scare, as they attempt to corrupt the people of Melbourne with their new 'voodoo, and nothing, not even the death of Michael Jackson, was going to get in their way.
Helvelln – Interview with Jeremy Gronow – Part 1
It's ok for you to think "who? never heard of 'em". Honestly, you'd have to be aged 35+, Australian, and a regular listener of Triple J or Triple R. Maybe you watched Neighbours. In the finicky annals of Australian music history, and with no disrespect to Helvelln, they barely warrant a mention. To briefly summarise, Helvelln were an inspired pop/rock 3-piece formed in Melbourne in the late 80's, released two singles and one album and then broke up in the early 90's. Google them and you'll get pictures of mountains. Impressive and rocky, but hardly rock n' roll.