Constantines – Kensington Heights
Arts & Crafts, 2008 [8/10] Toronto's Constantines have tirelessly flown under the radar for many years now. Fiercely independent and untied to any particular scene or movement, their sound is punishing blend of brittle punk
Who The Hell Are… Janus 4-14?
Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.
The Hold Steady – Heaven Is Whenever
Heaven is here, and if the album is half as great as this review, then The Hold Steady should be counting their lucky stars.
Lick – A Bitter Taste of Britpop – Interview with Gary Cosby (2007)
Lick were one of Britpop's great forgotten bands. Forming in Camden in 1994 they made a splash with glam anthems, penchant for eyeliner and sexually charged lyrics. But the dream was all over two years later on the cusp of releasing their debut album. We feature an in-depth Q&A with lead singer Gary Cosby about the band and the their unreleased album Turbulence.
Who The Hell Are… Lion Island?
Lion Island were first encounted playing a free show in Brisbane's King George Square. Their ability to fill a large stage with eight members and the cavernous square full of wondrous music bolstered my mood and had casual passerby's on their way to the train, stop and listen. When seen again three months later at The Hi-Fi Bar a liking for the band was affirmed and proved that Lion Island are one of the city's most ambitious and talented acts. Here are a band able to switch from solo singer-songwriter folk, then become a Brisbane Beirut by adding brass and violin to the acoustic guitar and drums to full out orchestral rock, as if Finn Andrews was fronting The National.
Pastels/Tenniscoats – Two Sunsets
East meets West in a twee wonderland as Glasgow's The Pastels collaborate with Japan's Tenniscoats on Two Sunsets.
Splendour in the Grass 2009 (Day 1)
We give an in-depth rundown on 2009's Splendour in the Grass festival including the good - The Flaming Lips, Happy Mondays, Bloc Party, Doves, Sarah Blasko, Specials, You Am I, MGMT and the frankly rather appalling - Kram, Grinspoon.
The Stills – Snakecharm the Masses in Australia (2009)
Having pulled up a chair with the The Stills in London to have a drink and talk about their most recent album Oceans Will Rise late last year, we continue to follow their adventures as
William Fitzsimmons – The Sparrow and the Crow
William Fitzsimmons goes through the gamut of emotions on his new album - forgiveness, loss, optimism - but it still cannot save the effort from a terminal dullness.
Cut Copy – Zonoscope
Melbourne Modular boys gone global return for their third album with mixed results. Just what the hell is a Zonoscope anyway?
Ramona – London – 17 April 2011
It's easy to love Ramona, even though everything about them is so flawless and en pointe, unheard for a scruffy bunch of Brighton by-way-of-New-York rockers. Picks in hand, they transform a handful of chords into polished punk perfection, fronted by the coquettish bleach-blonde tomboy Karen Anne, a second generation Edie and Debbie who knows how to hang from a mic stand like she was hanging from your shoulder. Absent from the stage this year so far, they cycle through their set in a brisk half hour, including encore, and you're crying out for a flubbed note, an unrehearsed run through a song they just wrote in the van, or general indifference to whether anybody is listening.
Cold Cave – Of Dark Days and Light Years (2011)
Cold Cave's debut album of 2009 Love Comes Close was a unique display of synth-oriented mood disorder, venturing out from the bedroom to the dancefloor, filled with idealistic tales of romance and disillusionment. Band leader Wes Eisold’s spin on the world appeared to share a voice (in both dour baritone and content) with Magnetic Fields Stephin Merritt, if he'd spent his adolescence listening to The Cure and Depeche Mode instead of showtunes. On their second album, Eisold moved beyond the testing of the waters that was Love Comes Close and turned its successor, Cherish The Light Years into his dark dream made manifold.
Broken Bells – Broken Bells
In an era dominated by unexpected musical collaborations, Broken Bells (James Mercer of The Shins and Brian Burton aka Danger Mouse) triumphs.
Wilco – Wilco (The Album)
Apparently Tweedy had been saving up his impetuousness for this, Wilco's seventh album, as his tongue has never been buried so deeply in his cheek.
Deerhunter – Rainwater Cassette Exchange
Hot on the heels of Microcastle comes this warmly welcomed five track EP from Webcuts' band de jour.
Who The Hell Are… Zoo Animal?
Picture the scene... in a dark Minneapolis jazz club, three anonymous musicians take the stage. The usual rituals of tuning and testing, smiling and carrying on, and then the lead singer steps up to the microphone. It only takes a few songs to appreciate the underestimated prowess of the band; the churning bass, the precision in the drumming, and a fiesty singer whose melancholy adroitness shines through her toned-down Joplin-esque voice and ferocious, half-prostrated guitar solos. This is Holly Newsom and Zoo Animal, a band marked by a soulful yet minimal electrofolk sound and introspective, sometimes spiritual lyrics.