Chromatics – London – 6 November 2012
Chromatics Heaven, London 6th November 2012 On a night when everyone is locked in an US election day trance, American synth-noir act Chromatics were the alternative for those choosing pop over politics.
Webcuts Top 25 Albums of 2008
Ladies and gentlemen, the envelope please! Webcuts favourite albums of 2008 as argued and fought over by us, including star-studded appearances from Beach House, My Morning Jacket, Fleet Foxes, Nick Cave, Santogold, Okkervil River and many more...
Tame Impala – Interview about Alonerism (2012)
It's a reassuring sight to see an Australian band successfully take on the world in the way Tame Impala have over the last few years. Their lush, psyche-pop sound feels like it was born between
The Scare – The Final Interview, Sydney (2010)
Is there anything more cliched than the rock and roll break-up? Secret meetings in dark alleys. The guitarist that suddenly pops up on other people's records. The singer who doesn't return their calls. You either see it coming a mile away, or it creeps up on you like old age. It happens to the best and it happens to the worst, and eventually it will happen to them all. Piss and moan about it all you like, but what's done is done. The latest induction to the rock and roll hall of "fuck this shit for a laugh" are Webcuts' favourite punk sons, The Scare.
Fruit Bats – Tripper
Chicago's Fruit Bats return to their familiar "effortless and sweet" indie folk ways on their fifth album, Tripper.
Who The Hell Are… We//Are//Animal?
The arrival of their four digit debut single "1268" caused seismic speaker-blowing waves in the Webcuts offices in 2010. It truly was, and still is, a "What the fuck was that?" moment. It was in essence, Gang of Four meets LCD Soundsystem in an abandoned factory in North Wales. An electro pulse and surging beat, sheet metal guitars, inimitable Welsh vocals, it had 'post-punk dancefloor smash' writ large all over it, and had We//Are//Animal been from London instead of Wales, everybody would've been knocking down their door, kneeling to kiss their cossetted behinds (cough The Vaccines).
Drop Nineteens – Delaware
Welcome reissue of Boston shoegazers debut effort from 1992 complete with bonus tracks. It's wicked pissa!
Kaki King – Junior
More depressing pop dressed up espionage style on the fifth album from this diminutive guitar goddess. "Junior", indeed.
Beach House – Teen Dream
Makers of mood music for moderns, Baltimore's daydream duo return with their sweet and sombre third album, Teen Dream.
The Fall – London – 7 May 2010
I’m a band purist at heart. You can cut off all your fingers, but you’ve still got a hand. If you cut off all your band members and keep cutting and cutting and cutting, you can't expect your audience to comply with your decision or to even recognise the music you make. What was it John Peel said about The Fall? "always different, always the same". Well, yes, but... no. Mark E. Smith is The Fall, but The Fall isn't just Mark E. Smith.
Love of Diagrams – Nowhere Forever
Our love for Love of Diagrams knows no bounds especially for the Melbourne noise merchants freshly minted third album.
Sunset Sounds Festival – Brisbane – 2009
We review Brisbane's inaugural Sunset Sounds Festival and see how the likes of The Hives, Santogold, The Kooks, Franz Ferdinand, Faker, The Grates, Tegan and Sara, I Heart Hiroshima and more measure up in the sweltering heat.
Alela Diane – To Be Still
Nevada City's beguiling folk heroine Alela Diane returns with a white diamond of a second album. Be still, our beating heart.
Paul Dempsey – Everything Is True
First there was Something for Kate now singer Paul Dempsey has gone it alone and produced something for everyone.
Mélanie Pain – My Name
Pain by name and by nature? Leaving the confines of Nouvelle Vague, French singer Mélanie Pain releases her debut album sung in both English and French.
The Low Anthem – Oh My God, Charlie Darwin
Oh my god! The third album from this Rhode Island folk trio proves to be a natural selection.