Bad Lieutenant – London – 18 March 2010
As a teenage music fan, one of my prized possessions was a bootleg LP of Joy Division recorded on the same stage Bad Lieutenant are playing tonight, 30 years later. You think Bernard Sumner, guitarist in both bands, would mention the significance, or perhaps the memory has left him, like his own introduction to an Electronic song later in the set "This is called "Tighten Up", I've no fucking clue what it's about".
Dinosaur Jr. – Farm
No jokes about rock dinosaurs please, Mascis, Barlow and Murph defy expectation with their ninth disc.
MNDR – Feed Me Diamonds
Ultra, 2012 "Pop music is a platform to say something. You don't have to only talk about parties." Interesting quote from ex-noise artist now shiny electropop-idol-in-waiting, Amanda Warner. Pop music has always been
The Hold Steady – Heaven Is Whenever
Heaven is here, and if the album is half as great as this review, then The Hold Steady should be counting their lucky stars.
The Drones – London – 8 June 2009
Watching Gareth Liddiard sing is like witnessing a drunk arguing with his own reflection. His posture is one of vexed irritation, his face is strained, the tendons on his neck bulge, his entire frame in spasm.
Helado Negro – Awe Owe
Will you be in awe of Helado Negro's Latin American infused mix of folk and sampled beats? It's very tasty.
Belle & Sebastian – Los Angeles – 8 October 2010
On an odd rainy night in downtown Hollywood, weather befit more for their homeland than ours, Belle and Sebastian, Glaswegian art school rockers of yore, played to a sold out crowd of mostly thirty-somethings, brave enough to stand outside...in not just any ordinary venue. Instead, they stylishly bowed and plucked their instruments amongst the mausoleums and graves of some of Los Angeles’ elite. Adding to the macabre setting was the screening of Danny Boyle’s Trainspotting that preceded the show. Taking the stage, B&S lead singer Stuart Murdoch asked “Did you see me? I was in the bar scene!”.
Deerhunter – Sydney – 20 June 2009
Having caught them a few weeks earlier in London, it was like witnessing an entirely different band in the throes of conquering new territory and playing to new audiences.
Mansun – Interview with Dominic Chad (1997)
A decade ago, at the tail end of Britpop, art-rockers Mansun were one of the biggest bands in the UK, seemingly ready to take on the rest of the world. Six years later the band imploded in the wake of backlash towards their third record Little Kix. Webcuts chooses to remember them at their peak with this 1997 interview.
Ape School – Ape School
Former member of Natural, Lily's and Holopaw, Florida's Michael Johnson aka Ape School shows off a whole new set of skills for his second album.
Mark E. Smith – Renegade: The Lives and Tales of Mark E. Smith
Viking, 2008 [rating:6/10] It begins at the end, or the supposed end, where having retired the old guard for a succession of young guns, Mark E. Smith faces up to a musician mutiny on The
Summer Camp – Welcome To Condale
London, Paris, Condale, Munich. Everybody's talking about Summer Camp's pop music. Well, not everybody. But they should.
Howler – This One’s Different
From the label that gave you The Libertines and The Strokes, here's another young and disaffected indie guitar band.
Arcade Fire – Sweden – 30 June 2010
As anticipation mounts for the release of their upcoming third album The Suburbs, Arcade Fire commence on a brief hit-and-run tour of intimate and out-of-the-way places in Europe, somehow finding themselves performing on a moat in the middle of a limestone quarry in Sweden. For a band like Arcade Fire, such inventive and idyllic surrounds seem apt, but it only poses the question -- How hard can a quarry rock?
Dum Dum Girls – Only In Dreams
Dum Dum Girls add an extra coat of polish and put on a brave garage-pop face for album number 2.
Laetitia Sadier – The One Million Year Trip (2011)
Quietly released last year was the first proper solo album by Stereolab's Laetitia Sadier. A touching tribute to her sister, who in Sadier's words "went on a million year trip/and left everthing behind", The Trip saw Sadier step out from the shadow of Stereolab to make a very revealing album, not only in the way she dealt with her loss, but in how she paid tribute to artists that influenced and inspired her. An album that sparkled in its minimalist approach, The Trip showed a side of Sadier unseen, one that was filled with warmth and emotion, and those little philosophical quirks that you've come to expect.