Beach House – Devotion
Bella Union, 2008 [9/10] Baltimore's Beach House first appeared in 2006 with their self-titled debut, a gorgeous collection of dizzying songs built around Victoria Legrand's awash-with-reverb harmonies, church-style organ and Alex Scally's languidly strummed guitar.
Amanda Palmer – Australian Interview (2010)
From the Dresden Dolls to her solo album, Amanda Palmer has never been less than a bold and intriguing character in American rock music. In Australia for a slew of live dates we talk to the force of nature herself about her engagement to Neil Gaiman, her Golden Globes outfit switch-a-roo, the controversy surrounding her new Evelyn Evelyn project, what's on her bed side table and a dream involving Anna Pavlova wearing a spacesuit... and God.
Spoon – Ga Ga Ga Ga Ga
Merge, 2007 [rating:9.5/10] It's almost an established fact that once a band hits album number 4 or 5 they're practically running on empty. Creative juices have all but dried up, different directions are attempted, band
The Low Anthem – Smart Flesh
Providence, Rhode Island indie-folksters The Low Anthem fail to im-press the smart flesh on their sophomore release.
The Screaming Tribesmen – Igloo
It should be obvious by now, but if you want to sell me your record, couple it with some chiming chords, a memorable lyric and a catchy hook, and I'm all yours for the
Caribou – Australian Interview with Dan Snaith (Static, 2010)
Caribou (aka Dan Snaith) is not an artist prone to repeating himself. His second album, 2007's Andorra took '60s psychedelic pop and merged it with complex rhythm patterns, while his LP from last year Swim saw Snaith heading into a denser electronic direction while still retaining a fair amount of pop smarts. Caribou with long time friend Kieran Hebden better known as Four Tet will soon be the Antipodes for a series of shows but late last year Chris Berkley caught up with Snaith whilst on the seemingly never ending tour for Swim where Dan took time out to talk about the art of Caribou live versus recording, his electric friends, how some people perceive Swim to be his dark album and how to win over the doom metal crowd.
The New Pornographers – Together
An album that makes us love them more, but not enough to wear their t-shirts. The New Pornographers get it Together.
The Twilight Singers – Interview with Greg Dulli about Dynamite Steps (2011)
Dynamite Steps the new album from Greg Dulli's The Twilight Singers is an extraordinarily cohesive album in every aspect: from production to the vocals, the masterful songwriting to the clever sequencing. Grunge guitar workouts give way to piano balladry, shoegaze meets folk and punchy rock. These are all anchored by that remarkable voice which ranges from ragged roar to velvety tenor to strained falsetto singing of love, libido, mortality and the devil. A couple of weeks before the release we spoke with Greg, a man who has seen more than his share of highs and lows in his twenty odd year career, clearly relaxed and affable, about all things dynamite and twilight, from the gutter to the (guest) stars.
Various Artists – SCORE! 20 Years of Merge Records: The Covers
A star-studded cast pay tribute on this anniversary compilation, but who invited Times New Viking?
Way Out West Festival – Gothenburg – 2009 – Part 1
Once again Sweden's WoW proved to be worthy of its acronym and Webcuts was there to cover all three days. We (re) acquaint ourselves with the likes of Glasvegas, Grizzly Bear, Florence & The Machine, Echo & The Bunnymen, Wilco, Vivian Girls, Bon Iver and My Bloody Valentine, to name but a few.
TV on the Radio – Interview with Jaleel Bunton (Static, 2008)
Having just released one of the stand-out (and Webcuts approved) albums of 2008 with the awe-inspiring brilliance of Dear Science, Static's Chris Berkley spoke to Jaleel Bunton, drummer of Brooklyn's roof-raising TV On The Radio as
Stereolab – Chemical Chords
4AD, 2008 [7/10] Stereolab were an essential part of the 90s and a flipside to the wave of angst-ridden guitar bands that characterised that decade. Influenced by obscure experimental and pop bands, Stereolab set about
Webcuts Top 20 of 2010 – Part 2
So that was 2010. What does Webcuts remember most about it? It's hard to say, really. The landscapes shift, the memories flickr and 365 days blur into one long unending soundtrack. One thing our favourite tracks of 2010 all had in common was that they appeared like one night stands that lingered a little longer than usual, almost all of them attached to a singular memory of the song being performed, either from a distance or elbows resting on the stage in mute admiration, or maybe just there emanating from a speaker aimed direct into our inner consciousness, refusing to budge.
Taken by Trees – Open Field
Rough Trade, 2007 [7/10] Fill up a glass of red wine, put on Open Field, take a seat down in a comfy chair and enjoy the debut of Taken By Trees, a delicate album that
The Morning Benders – Interview with Chris Chu (Static, 2010)
For The Morning Benders, a big echo doesn't necessarily mean a big noise, but the latter is certainly what these Californian boys encountered following the release of their sophomore album Big Echo earlier this year, easily giving Webcuts one of our favourite albums of 2010. Perfectly formed and lavishly constructed, Big Echo stretched its influences across the decades, from the lush '60s doo-wop harmonies of "Excuses", the '70s Californian pop-rock of "All Day Day Light" to the peer rivaling, stark echoes (which the album lives up to its name) of "Hand Me Downs".
Hop Farm Festival – Kent – 1-3 July 2011
In the history of modern music festivals, few line-ups could compare with the distinctly 70's flavoured action offered at the Hop Farm Festival last weekend. While The Eagles were wheeled out of retirement as headliners on the first night, the purportedly Morrissey-curated second day included such rock pantheon artists as Lou Reed, Iggy Pop, and Patti Smith. All in all, it's a jaw-dropping stroke of genius, with Morrissey having the hardest of acts to follow the swathe these three so cleanly cut through the Kent countryside. Oh, and did we forget to mention Prince was there too?