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Austra – London – 6 September 2011

By |September 8th, 2011|Categories: Live Reviews|Tags: , , , |

Having changed careers mid-stream from a piano-based singer-songwriter with a touch of the Regina Spectors to a Nico-esque bleach-blonde gothic siren, in Austra Katie Stelmanis has found the form to match the function. With a handful of impressive singles released either side of their Kate Bush meets Nine Inch Nails debut album Feel It Break, Stelmanis may have found her creative niche but she still has much to prove. On record, Austra cloak themselves in a throbbing monochrome blanket, but on stage their live show is more telling, more vibrant and commanding, as Stelmanis, flanked by a pair of interpretive dancers/backing vocalists, add any absent colour.

Way Out West Festival – Gothenburg – 2008

By |August 25th, 2008|Categories: Live Reviews|Tags: , , , , , , , , , , , |

Gothenburg's 2008 Way Out West Festival - Buzzcocks, The Sonics, Okkervil River, Sonic Youth, The National, Grinderman, Broder Daniel, Silverbullit, Caesars, Neil Young,.

Who The Hell Are… Silk Flowers?

By |March 4th, 2011|Categories: Features, Who the Hell Are|Tags: , , , |

Dial back to the summer of 2010 having spent the afternoon hanging out with electro-be-spectacle Amanda Warner aka MNDR, we get a tweet from her inviting us to come down to Camp Basement in Old Street to watch synth experimentalists Silk Flowers, a Brooklyn three-piece that she’d recently produced an album for. Standing facing each other in a semi-circle surrounded by banks of synths, the band were undoubtedly not of this planet, but one Krautrock based in nature, appearing wholly entranced in their own music which veered from instrumental collages to deadpan delivered pop.

The Morning Benders – Interview with Chris Chu (Static, 2010)

By |July 22nd, 2010|Categories: Interviews|Tags: , , , , , , , , |

For The Morning Benders, a big echo doesn't necessarily mean a big noise, but the latter is certainly what these Californian boys encountered following the release of their sophomore album Big Echo earlier this year, easily giving Webcuts one of our favourite albums of 2010. Perfectly formed and lavishly constructed, Big Echo stretched its influences across the decades, from the lush '60s doo-wop harmonies of "Excuses", the '70s Californian pop-rock of "All Day Day Light" to the peer rivaling, stark echoes (which the album lives up to its name) of "Hand Me Downs".

Contiuum Books 33 1/3 – Television, Rolling Stones, Dinosaur Jr

By |August 2nd, 2011|Categories: Book Reviews, Reviews|Tags: , , , , , |

Behind every great album is more often than not, an even greater story waiting to be told. The pursuit for higher understanding of artists and their most influential pieces of work and how the two came to pass has long been the ultimate goal of the ardent music fan who thrives on having every recorded nuance and historical detail mapped out like a combined atlas and encyclopedia of the human body. One of the more indispensible series of music books published that actually does, more or less, what is expected above, has been Continuum's 33 1/3. With the recent addition of The Rolling Stones Some Girls, Dinosaur Jr's You're Living All Over Me and Television's Marquee Moon to their honour roll, 33 1/3 show no sign of scraping the bargain bin anytime soon.

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