TV on the Radio – Interview with Jaleel Bunton (Static, 2008)
Having just released one of the stand-out (and Webcuts approved) albums of 2008 with the awe-inspiring brilliance of Dear Science, Static's Chris Berkley spoke to Jaleel Bunton, drummer of Brooklyn's roof-raising TV On The Radio as
The Radio Dept. – Freddie and the Trojan Horse
Labrador, 2008 [8/10] It was not the lyrics that got me hooked on The Radio Dept but rather their gentle, dreamy melodies. The vocals of Johan Duncanson are an integral part of the band's sound
The Thermals – Now We Can See
Portland's The Thermals return with warm power-pop, tempered by decidedly cooler lyrical themes on Now We Can See.
Phoenix – Wolfgang Amadeus Phoenix
Amadeus, Amadeus, rock me Amadeus! Phoenix's fourth album is a show stopper without a Salieri in sight.
Who The Hell Are… Lion Island?
Lion Island were first encounted playing a free show in Brisbane's King George Square. Their ability to fill a large stage with eight members and the cavernous square full of wondrous music bolstered my mood and had casual passerby's on their way to the train, stop and listen. When seen again three months later at The Hi-Fi Bar a liking for the band was affirmed and proved that Lion Island are one of the city's most ambitious and talented acts. Here are a band able to switch from solo singer-songwriter folk, then become a Brisbane Beirut by adding brass and violin to the acoustic guitar and drums to full out orchestral rock, as if Finn Andrews was fronting The National.
She & Him – Volume Two
Zooey Deschanel and M. Ward, a perfect pop couple if there ever were one, are back for a second helping of doo-wop and pop.
The Scare – Interview (2007)
Craig Smith takes us on a journey from Brisbane to Birmingham with Wade Keighran bass player for punk rockers The Scare. Taking in emotional break downs and playing the UK festivals, to the booze soaked recording of Chivalry and being wide eyed in L.A. -- this is the definitive account of The Scare's rags to musical riches tale.
Spoon – Atlanta – 14 April 2008
Spoon Centre Stage, Atlanta, GA 14th April 2008 It's Britt Daniel's birthday but you wouldn't know it. There's no cake and candles, no rambunctious behaviour or jokes. You'd be expecting the band to be soused
Deerhunter – Microcastle
4AD, 2008 [10/10] It's refreshing to listen to a band riding on a wave of no hype. No Myspace campaigns, no sycophantic hipsters attempting to crystal ball the next Vampire Weekend. Bradford Cox could probably
Who The Hell Are… Ramona?
It's not so much lurking in the 3 minute bluster of their debut single “How Long”, but a part of its DNA, where you quickly catch onto Ramona’s game. In the first 10 seconds
Divine FIts – Britt Daniel Interview (2012)
Divine Fits may be an unfamiliar name, but the people behind it no doubt lurk in your record collection under their original outfits. Better known as Britt Daniel from Spoon, Dan Boeckner from Wolf Parade,
Primal Scream – Brisbane – 5 February 2009
Primal Scream make their once a decade journey to Australia which we catch at the Tivoli in Brisbane along with Adelaide upstarts Wolf & Cub.
Bauhaus – In The Flat Field/Mask
A powerhouse debut and its cathartic, brooding follow-up, Bauhaus' back catalogue is remastered and revived for the masses.
Dappled Cities – Interview with Dave Rennick (Static, 2009)
Sydney art-pop quintet Dappled Cities have steadily grown in status in the last ten years with 2006’s Granddance and their most recent psyche-pop opus Zounds. Last year, we spoke to Dave Rennick, guitarist and vocalist of Dappled Cities about birthing and touring the album.
Deerhunter – Sydney – 20 June 2009
Having caught them a few weeks earlier in London, it was like witnessing an entirely different band in the throes of conquering new territory and playing to new audiences.
Mark Kozelek – London – 29 July 2010
“Give me a minute and I’ll blow your minds“. The crowd laughs, so does the man who just uttered those words. The mood, somewhat quiet, respectful, shiftless, is lightened, and Mark Kozelek begins another master-class in tinkling the nylon strings of his Spanish guitar like Liberace would the piano. “I’m old” he breaks the silence again, “I’m fat, I need water, I need lyrics to my songs”. From my pew to the right side of the stage I have to squint to see if it’s not Neil Young sitting there complaining about his arthritis. To Kozelek’s credit, he’s still as ageless as ever, and that gut you were grabbing at? I’m pretty sure you’ve been carrying that for a while now.