The Morning Benders – Big Echo
Oh, summery shimmery albums. Why must you hook us so? Berkeley, CA's, The Morning Benders serve up a treat.
A Place to Bury Strangers – Interviw with Oliver, Jason, Jonathan (Static, 2010)
We trap the loudest band the land - A Place to Bury Strangers - in the Static studios to talk the good talk about their beginnings, effects pedals and not being labeled shoegaze, but are disappointed to learn that they aren't in fact the loudest band from New York -- "Jono: It was Time Out New York, they came to our rehearsal studio and had a decibel meter while we were rehearsing, but then they went to Music Hall of Williamsburg, which is this huge 500-capacity venue and then they recorded Black Dice and they were louder than us."
Factory Floor – Interview (Static, 2010)
Part extreme noise terror, part euphoria, East London’s Factory Floor have made a name for themselves as being loud and uncompromising, or as they stress in the interview below "brutal". Having walked half-way in during their set supporting American synth act Cold Cave earlier this year, Factory Floor's performance was very much a "what the fuck?" moment, unsure as to either quickly vacate the room or take stock of the diffused electronic/industrial free-form concotions they were composing. We stayed, with reservations... Chris Berkley of Static caught up with Gabriel Gurnsey and Nik Colk from Factory Floor shortly after their appearance at the Offset Festival in London in September to find out more.
Cold Cave – London – April 4 & 5 2011
In a long black leather jacket and hoodie and stacked heels, Cold Cave's Wes Eisold looks like any other kid you see in Camden on a Friday night, except that he's not and it isn't and before he even opens his mouth, you're thinking "wow, that leather jacket really is the shit" and it is. It's also a special day for 80's synth-obsessives Cold Cave, as Eisold curtly informs the assembled at Rough Trade Records - "Welcome to our album birthing day". Their second album, the strangely positive sounding Cherish The Light Years showing a marked change from the same Cold Cave that played London back in May 2010.
Kings Of Leon – Come Around Sundown
"a polished genre grab bag record of mostly stale, completely innocuous songs". Kings of Leon - Win!
Fink – Sort of Revolution
You say you want a revolution? Well, Fink's folk-tinged Sort of Revolution falls sort of... short.
of Montreal – Brisbane – 4 March 2009
But it was the harmony rich blend of disco, psychedelia and pop that made Hissing Fauna... and The Sunlandic Twins surprise alternative pop classics that had The Zoo crowd dancing into the groove.
The Dodos – Time to Die
There's a time to be born and, as The Dodos, given their extinct namesake should know, a Time to Die. But man, what a way to go.
Layabouts – Savage Behaviour
Homeless Records, 2011 To call Layabouts chest-beating/car-loving/girl-banging rock n' roll as being derivative is to say rock n’ roll is derivative of rock n’ roll. If you stay true to
Caribou – Australian Interview with Dan Snaith (Static, 2010)
Caribou (aka Dan Snaith) is not an artist prone to repeating himself. His second album, 2007's Andorra took '60s psychedelic pop and merged it with complex rhythm patterns, while his LP from last year Swim saw Snaith heading into a denser electronic direction while still retaining a fair amount of pop smarts. Caribou with long time friend Kieran Hebden better known as Four Tet will soon be the Antipodes for a series of shows but late last year Chris Berkley caught up with Snaith whilst on the seemingly never ending tour for Swim where Dan took time out to talk about the art of Caribou live versus recording, his electric friends, how some people perceive Swim to be his dark album and how to win over the doom metal crowd.
Webcuts Top 11 Of 2011
It hasn’t been an amazing year for music, but surely an entertaining one. Lots of new acts jockeying for position amongst the wily veterans, and plenty of debate even as early as June over love ‘em-or hate ‘em titles such as King of Limbs and James Blake’s eponymous debut and where they belong in the year’s final canonization of greats. Honestly, I can’t remember a year in recent memory when I’ve found so many hyped records I’ve disliked or been entirely disinterested in. Cults? Pass. Tyler, The Creator? Garbage. The saviors from musical banality have consistently been experienced groups who know what they’re doing and get praised for their music and not being arrested in LA and starting riots.
fun. – Aim and Ignite
We take aim at the confusingly labelled American trio fun.'s first offering and find it's a fun album, period.
Tegan and Sara – The Con
Vapor/Sire, 2007 [rating:8.5/10] Although always writing separately, the initial blueprints for The Con, saw the twins geographically distanced -- Tegan in Vancouver, Sara in Montreal. Reunited and with demos in hand the pair moved to
1990s – Interview with Jackie McKeown (2009)
Jackie McKeown enthusiastic front man with Glasgow's 1990s talks effortlessly about their sophomore effort Kicks which is being booted about, delving into the rigours of recording under Bernard Butler, sharing vocals duties, girlfriends and carrying
Wilco – The Whole Love
Wilco -- "They’ve solidified themselves as the greatest American band playing today, possibly of all time".
The Beasts of Bourbon – Box Set
Crucial re-release of the first three albums by these hard rocking legends. From The Axeman's Jazz to Black Milk, the gang's all here.