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Girls – Australian Interview (Static, 2009)

By |February 11th, 2010|Categories: Interviews|Tags: , , , , |

You've probably seen the x-rated video clip for "Lust for Life". The 'penis as microphone' image is something you really don't recall seeing in pop videos these days, either then or now (and feel free to correct me if I'm wrong). As vague and internet-search challenging as calling your band Girls is, Christopher Owens and Chet "JR" White are both neither, and are, so to speak.

Hop Farm Festival – Kent – 1-3 July 2011

By |July 8th, 2011|Categories: Live Reviews|Tags: , , , , |

In the history of modern music festivals, few line-ups could compare with the distinctly 70's flavoured action offered at the Hop Farm Festival last weekend. While The Eagles were wheeled out of retirement as headliners on the first night, the purportedly Morrissey-curated second day included such rock pantheon artists as Lou Reed, Iggy Pop, and Patti Smith. All in all, it's a jaw-dropping stroke of genius, with Morrissey having the hardest of acts to follow the swathe these three so cleanly cut through the Kent countryside. Oh, and did we forget to mention Prince was there too?

Odawas – Interview with Michael Tapscott (2009)

By |June 16th, 2009|Categories: Interviews|Tags: , , , , , |

The Blue Depths which focussed on ambient old school synths and majestic, dreamy mood-scapes yielded great dividends resulting in Odawas' most cohesive album to date. We recently spoke to Michael Tapscott about the beautiful depths of The Blue Depths, the Odawa live experience including SXSW, soundtracks and the mystery of the sea.

Who The Hell Are… COOLRUNNINGS?

By |September 9th, 2010|Categories: Features, Who the Hell Are|Tags: , , , |

How Webcuts first encountered Knoxville, Tennessee's Coolrunnings could be best described as a lucky accident. And it's no surprise that the best way to get someone's attention is to slap a photo of some naked chicks skateboarding on the cover of your EP and let them sell it for you. The appropriately titled (and NSFW) Babes Forever was clearly the product of talented and warped minds. The creepy, schizoid mayhem of "Trippin' Balls at Der Wienerschnitzel" and the inspired, almost unabashed, synth-pop of "When I Got High With You" sounded like they were made by some slacker Bill & Teds who'd already embarked on their own excellent adventure.

The Dum Dum Girls – Interview with Dee Dee (Static, 2010)

By |May 11th, 2010|Categories: Interviews|Tags: , , , , , |

New York has definitely handed over its crown as being home to earthshaking epicentre of what's hot, hip, and happening. These days all eyes are firmly focused on the eclectic sounds of the West Coast -- as it seems that every single band we talk right now calls the place home. With Katy Perry (of all people) singing the praises of California Girls, just like the Beach Boys did in the 60's, so are we with Los Angeles' Dum Dum Girls.

Alela Diane – Interview about To Be Still (2009)

By |August 31st, 2009|Categories: Interviews|Tags: , , , , |

Folk songstress Alela Diane having crafted one of the most delicate and beautiful albums of the year with To Be Still takes time out of a North American and European tour schedule to answer Webcuts' questions about the Newsom connection, the move from Cali to Portland and Saturday Night Live.

1990s – Interview with Jackie McKeown and Michael McGauhrin about 1990s and Yummy Fur (2007)

By |December 14th, 2007|Categories: Interviews|Tags: , , , , , |

During the decade that was the 1990s Jackie McKeown fronted the highly influential but commercially ignored Glaswegian act The Yummy Fur, an ensemble that went through as many reshuffles as a blackjack dealer in Vegas.

Mumford & Sons – Copenhagen – 11 April 2010

By |April 15th, 2010|Categories: Live Reviews|Tags: |

A great band once sang “I’m beginning to like country music. They say that’s the first sign of age” and during the last few years I have seen more and more friends go over to the side of banjos, boots and beards. Maybe age is catching up with us but it could also be that country has sneaked its way into the indie scene more and more, being mixed with folk, rock and pop.

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