Deerhunter – Microcastle
4AD, 2008 [10/10] It's refreshing to listen to a band riding on a wave of no hype. No Myspace campaigns, no sycophantic hipsters attempting to crystal ball the next Vampire Weekend. Bradford Cox could probably
The Horrors – Australian Interview (Static, 2010)
We chew the fat with The Horrors on their recent Australian tour about last year's remarkable second album Primary Colours, and their thoughts on cover versions: "I think it’s a funny idea that this is a conversation you’re more likely to have now than at any other time in the history of rock ’n’ roll, considering most bands really started playing cover versions, being The Beatles or The Stones or even the Sex Pistols. It was something that was just kind of part and parcel of being in a group and part of a live repertoire."
Kurt Vile – Smoke Ring for My Halo
"I don't wanna work/but I don't wanna sit around/all day frowning". Kurt Vile, you speak to us in a way few artists ever do. You can stay.
Ripe – Moondriven
..with a rejuvenated reappraisal of the career of Melbourne psyche-drone-pop quartet Ripe and their space-rock epic "Moondriven", now with 33 1/3% more added insight courtesy of an exclusive interview with guitarist and vocalist Peter Moran who talks about the making of their landmark Australian debut The Plastic Hassle. Fans of Sonic Youth, Swervedriver and Dinosaur Jr take note.
Wire – Red Barked Tree / Gang of Four – Content
Wire and Gang of Four wrote the book for post-punk, kind of. Are they still innovators or merely curators with Red Barked Tree and Content?
The Cult – Love (Omnibus Edition)
Get out your eyeliner and your crushed velvet blouse as The Cult's Love is dusted down and dressed up in this sublime 4CD boxset.
Dean & Britta – London – 30 July 2010
Releasing their soundtrack to 13 of Andy Warhol's screen tests was an opportune moment for ex-Galaxie 500/Luna star Dean Wareham to fully express his love for Velvet Underground and the stars of Andy Warhol's Factory. The screen tests alone, wavering between the visually arresting and the arrestingly mundane, were elevated into a new realm with the musical accompaniment provided by Wareham and partner Britta Phillips. Bringing the 13 Most Beautiful show to London (having frustratingly been given its UK premiere in Dunfermline last year) was a long-anticipated occasion.
Lydia Loveless – Columbus – 30 September 2011
A couple of songs into Lydia Loveless’s evening set, and it’s difficult to tell where Lydia the singer ends and Lydia the person begins. It’s simply hard to imagine a woman like this, barely in her twenties, and standing a little over five foot tall in her boots, could be so worldly and explosive. And yet, there she is, muttering a string of f-bombs during a song break because she can’t get her guitar tuned quite right. The attitude, the weathered, sarcastic smile. The edge. That’s pretty damn tough to fake.
Teenage Fanclub – Los Angeles – 11 October 2010
Blake, McGinley & Love doesn’t have the same ring as Crosby, Stills & Nash, but there’s no reason why they shouldn’t be held in the same breath or as widely known. These three Scotsman and the outfit they've steered for the last 20+ years have consistently made albums that rich in harmonies and heart-on-sleeve emotions. If Teenage Fanclub had a spiritual home, it would be a tie between Nashville or Los Angeles, or perhaps started in Los Angeles and ended up in Nashville (as found on their most recent album Shadows).
The Drums – Interview with Johnny Pierce, Jacob Graham, Connor Hanwick (Static, 2010)
The cross overs. Every year has them; bands that get touched by the hand of hype and go from being blogged about to actually selling significant quantities of records/MP3s along with world wide tour schedules and high billed festival slots. This year one of those bands is Brooklyn’s The Drums who have certainly enjoyed a lot of column pixels and radio play on the strength of their back to basics c86 indie-pop as imagined by Phil Spector self titled debut album and its omnipresent lead single “Let’s Go Surfing”. Static’s Chris Berkley has a drink with three quarters of the band for a lesson in how to avoid being drowned by the waves of success.
Shearwater – The Golden Archipelago
Shearwater seem to have run aground on The Golden Archipelago. Not quite paradise, nor a place you'll likely return to soon.
HTRK – London – 9 March 2009
HTRK Lexington, London 9th March 2009 I first witnessed Melbourne/Berlin noise-makers HTRK in action at a time where any favourable impression would not come forthwith. This was in a dingy low ceilinged East London venue
Divine Fits – A Thing Called Divine Fits
Merge, 2012 The concept of the ‘supergroup’ is relative and often abused. The formation itself is prone to suspicion, akin to selling out your bandmates in favour of some fresh
Grand Atlantic – How We Survive
Brisbane's Grand Atlantic avoid the sophomore slump with a successful swim in the genres of alternative rock and power-pop.
Weezer – Death To False Metal
Just how many albums are Weezer going to release (or re-release) this year? What's one more for Christmas?
The Mountain Goats – The Life of the World to Come
Well versed in the Bible John Darnielle's Mountain Goats new album doesn't actually require a religious bone in your body to enjoy.