Glasvegas – Glasvegas
Columbia, 2008 [9/10] From the Jesus and Mary Chain through to Franz Ferdinand, every once in a while the sound of Scotland will seemingly unleash an act that will take the music world by storm.
The Stills – Interview with Tim Fletcher (2009)
Having released one of Webcuts favourite albums of 2008, the tsunamically stunning Oceans Will Rise, we caught up with vocalist/guitarist Tim Fletcher from Montreal's The Stills whilst in the middle of a brief European tour late last year.
Wild Nothing – Nocturne
Bella Union, 2012 Jack Tatum thought he must've hit a goldmine when his 2010 debut album as Wild Nothing was so rapturously received with little to no preceding fanfare. This
Smith Westerns – Dye It Blonde
There are some records that forever remain at the bottom of the review pile, and boy do Smith Westerns make us regret it.
Who The Hell Are… Fennel Seeds?
Never in the history of doing these 'Who The Hell Are... ?' spotlights has a band come along and answered each question so thoroughly and excitedly that to praise them any further would make it seem like we're actually in this band or take bribes (we do. email for details). From the same stable of acts (and household one would presume) that brought you the percussive pop concussions of We//Are//Animal and the not-very-French-at-all Masters In France, come spicy indie rock quartet Fennel Seeds. Further proof that North Wales these days is a happening place or one that naught much else happens.
Dirty Projectors – Bitte Orca
"Bitte Orca is an album for the background of a high concept coffee shop on your hipster street". I'm getting that Reality Bites feeling...
Fink – Sort of Revolution
You say you want a revolution? Well, Fink's folk-tinged Sort of Revolution falls sort of... short.
Who The Hell Are… Best Friends?
What to say about Sheffield's Best Friends... The name of the band is self-explanatory. The a-side of their debut single “Surf Bitches” could either be about the kinds of girls they like or things they
The Veils – Interview with Finn Andrews about Sun Gangs (Static, 2009)
Chris Berkley from Static talks to the rather talented Veiled one about the new album, the band's love for The Wire and possible antipodean tours.
The Mountain Goats – The Life of the World to Come
Well versed in the Bible John Darnielle's Mountain Goats new album doesn't actually require a religious bone in your body to enjoy.
Noah and the Whale – Last Night on Earth
A surprising record or a record full of surprises from this indie-pop quartet? Note reviewer in "I loathed it now I like it" situation.
M83 – Saturdays = Youth
Virgin, 2008 [7/10] I have a very vivid memory of M83's previous album Before the Dawn Heals Us being played at a thunderous volume while sleeping at a friend's house early one morning, and it
Warpaint – London – 26 August 2010
It’s shows like this which give birth to the very nature of rock and roll. The hip-swaying sounds of a band as they rock back and forth, eyes closed, mouths pressed against the microphone with their feet marking the beat. It’s an undeniably sexual thing. This isn't news. It’s why they tried to ban Elvis in the 50’s. He turned young girls on, and it wasn’t so much the man, but the music, the stage, the sweat, the motion -- the rock and roll of it all. Wedged together in this barely ventilated Old Street basement, Los Angeles' Warpaint are presiding over something that had this been the 50's, would've gotten them banned too.
Otouto – Pip
Melbourne four piece Otouto prove that art pop is not a dirty word on their impressive debut album Pip.
Constantines – Interview with Steve Lambke (2008)
Back in the UK touring their latest album Kensington Heights, Webcuts managed to square away some interview time with Constantines guitarist/vocalist Steve Lambke before their recent headline show at London's Wilmington Arms.
Kaki King – Dreaming of Revenge
Cooking Vinyl, 2008 [rating:6.5/10] Having scored a Golden Globe nominated film soundtrack with Eddie Vedder, appeared on recent albums for Tegan and Sara and the Foo Fighters, and being named by Rolling Stone magazine as