Otouto – Pip
Melbourne four piece Otouto prove that art pop is not a dirty word on their impressive debut album Pip.
Shearwater – Rook
Matador, 2008[rating:9/10] There are musicians who would flinch when accused of doing it "for the birds", reducing the act of making music to a mating call, but Jonathan Meiburg and his band ornithologists in Austin,
Various Artists – Be True To Your School (A Fortuna Pop! Compilation)
Fortuna Pop!, 2008 [7/10] Fortuna Pop! is the pre-eminent label for those special acts that can't find a home anywhere else. Think of it as a shelter for the abandoned, misunderstood band either bursting with
Phoenix – Wolfgang Amadeus Phoenix
Amadeus, Amadeus, rock me Amadeus! Phoenix's fourth album is a show stopper without a Salieri in sight.
Release The Sunbird – Come Back To Us
First solo release from Rogue Wave's Zach Rogue under his new moniker, Release The Sunbird. For those who like their rock wimpy.
Tender Trap – Dansette Dansette
It's summertime twee pop hour and who better to soundtrack but ex-Heavenly and Talullah Gosh popsters back with their third album.
Webcuts Top 11 Of 2011
It hasn’t been an amazing year for music, but surely an entertaining one. Lots of new acts jockeying for position amongst the wily veterans, and plenty of debate even as early as June over love ‘em-or hate ‘em titles such as King of Limbs and James Blake’s eponymous debut and where they belong in the year’s final canonization of greats. Honestly, I can’t remember a year in recent memory when I’ve found so many hyped records I’ve disliked or been entirely disinterested in. Cults? Pass. Tyler, The Creator? Garbage. The saviors from musical banality have consistently been experienced groups who know what they’re doing and get praised for their music and not being arrested in LA and starting riots.
Fucked Up – David Comes To Life
Concept albums, rock operas, the artistic chasm of failure widens as Fucked Up take the challenge and make the album of their career.
Luke Haines – Bad Vibes
A timely assault on the looming spectre of the Britpop revival, Luke Haines unleashes his arsenal and takes aim. Camden, look out.
Destroyer – London – 28 June 2011
How strange to be more than fifteen years into a career and to finally achieve growing, and now glowing, recognition for the music you make. Bands today, the inverse applies, they learn to walk before they can crawl, record a debut they'll never repeat and disappear as if they never existed. Real artists will maintain and nurture their craft regardless of an audience, which more or less, is the story of Dan Bejar. Better known as the wild-card songwriter in Canadian power-pop supergroup The New Pornographers, Bejar's work as Destroyer is like mainlining into Bejar's psyche, which prior to you only got the briefest taste of.
Peter Murphy – Should The World Fail To Fall Apart
Cherry Red, 2011 [5/10] While the other three members forged on with nary a breath to contemplate what lay behind them, it took the ex-Bauhaus frontman 3 long years to record his first solo album.
The Fall – London – 7 May 2010
I’m a band purist at heart. You can cut off all your fingers, but you’ve still got a hand. If you cut off all your band members and keep cutting and cutting and cutting, you can't expect your audience to comply with your decision or to even recognise the music you make. What was it John Peel said about The Fall? "always different, always the same". Well, yes, but... no. Mark E. Smith is The Fall, but The Fall isn't just Mark E. Smith.
Way Out West Festival – Gothenburg – 2009 – Part 1
Once again Sweden's WoW proved to be worthy of its acronym and Webcuts was there to cover all three days. We (re) acquaint ourselves with the likes of Glasvegas, Grizzly Bear, Florence & The Machine, Echo & The Bunnymen, Wilco, Vivian Girls, Bon Iver and My Bloody Valentine, to name but a few.
The Loves – …Love You
The final bow from London’s The Loves balances its buoyant pop against a knowing end and comes up smelling of roses.
Cold Cave – London – April 4 & 5 2011
In a long black leather jacket and hoodie and stacked heels, Cold Cave's Wes Eisold looks like any other kid you see in Camden on a Friday night, except that he's not and it isn't and before he even opens his mouth, you're thinking "wow, that leather jacket really is the shit" and it is. It's also a special day for 80's synth-obsessives Cold Cave, as Eisold curtly informs the assembled at Rough Trade Records - "Welcome to our album birthing day". Their second album, the strangely positive sounding Cherish The Light Years showing a marked change from the same Cold Cave that played London back in May 2010.
Joker’s Daughter – The Last Laugh
Producer Danger Mouse and vocalist Helena Costas come together as Joker's Daughter. It's a mixed deck by all accounts.