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Primavera Festival – Barcelona – 27-29 May 2010

By |June 6th, 2010|Categories: Live Reviews|Tags: , , , , , , , , , , , , , , , |

Ah, Barcelona, your beaches are beautiful, your women are smoking jewels (literally), and this festival by the beach (really an explosion of concrete by the seaside) is clearly the diamond in the rough for the travelling roadshow of bands that litter the skies with one thing in mind - a paid holiday. With a selection of acts that suited this weary hack like a good pair of tight jeans and a band tee, Primavera was a stage to stage delight. The current crop of new band like The Drums, Surfer Blood and Dum Dum Girls rose up to meet the challenge of the '90s alternative old guard of Pixies, Pavement and Superchunk.

Who The Hell Are… KIDCITY?

By |July 27th, 2011|Categories: Features, Who the Hell Are|Tags: , , |

Introducing KIDCITY. Two people, One word, uppercase for menacing effect. But really, aren't they just too cute for words? Which is apt, seeing as the music that these two Canadian 21-year-olds make is more like haunted voices leaking from an overloaded digital landscape. "Somewhere between Enya and Dr. Dre", someone said. Sure, why not. It might be simple enough to place them within the geographical radius of another glitchy electronic duo, Crystal Castles, but Kelly Ann's vocals soothe, rather than antagonise, as the cracked beats and blistered frequencies dial up the intensity. Significantly impressed, we had no choice but to ask 'Who the hell are... KIDCITY?"

Factory Floor – Interview (Static, 2010)

By |November 11th, 2010|Categories: Interviews|Tags: , , , |

Part extreme noise terror, part euphoria, East London’s Factory Floor have made a name for themselves as being loud and uncompromising, or as they stress in the interview below "brutal". Having walked half-way in during their set supporting American synth act Cold Cave earlier this year, Factory Floor's performance was very much a "what the fuck?" moment, unsure as to either quickly vacate the room or take stock of the diffused electronic/industrial free-form concotions they were composing. We stayed, with reservations... Chris Berkley of Static caught up with Gabriel Gurnsey and Nik Colk from Factory Floor shortly after their appearance at the Offset Festival in London in September to find out more.

Mansun – Interview with Dominic Chad (1997)

By |April 16th, 1997|Categories: Interviews|Tags: , , , |

A decade ago, at the tail end of Britpop, art-rockers Mansun were one of the biggest bands in the UK, seemingly ready to take on the rest of the world. Six years later the band imploded in the wake of backlash towards their third record Little Kix. Webcuts chooses to remember them at their peak with this 1997 interview.

Jonneine Zapata – Brisbane – 7 October 2010

By |November 18th, 2010|Categories: Live Reviews|Tags: , , , , , , |

Jonneine Zapata's Cast the Demons Out came out of nowhere and managed to do what it said on the tin. And all indications were that live was where she excelled. Comparisons were bandied around from PJ Harvey and Patti Smith for there strong vocal ranges to Jim Morrison and Mick Jagger for their bold sexual stage presence. Apart from the smoldering mic stand gripping, her onstage persona also alternates between standing still with an ice cold stare, holding her arms aloft swaying like an eagle, and my favourite, lurching around the stage like a drunken marionette. Unsettling? Maybe but never boring.

Continuum Books 33 1/3 – Elliot Smith – XO, Big Star – Radio City

By |January 24th, 2010|Categories: Book Reviews, Reviews|Tags: , , , , |

A look into Continuum's must-read 33 1/3 series of books that investigate the history and stories behind some of the greatest albums ever made, including reviews of the most recent releases in the series -- Big Star's Radio City and Elliott Smith's XO.

Mumford & Sons – Copenhagen – 11 April 2010

By |April 15th, 2010|Categories: Live Reviews|Tags: |

A great band once sang “I’m beginning to like country music. They say that’s the first sign of age” and during the last few years I have seen more and more friends go over to the side of banjos, boots and beards. Maybe age is catching up with us but it could also be that country has sneaked its way into the indie scene more and more, being mixed with folk, rock and pop.

Who The Hell Are… Civil Civic?

By |November 16th, 2010|Categories: Features, Who the Hell Are|Tags: , , , |

There aren't that many great instrumental duos in the history of rock and roll. I've thought about this for about 20 seconds or so and bored already. To arrive at that musical decision, and to arrive at that musical decision when your bandmate doesn't even live in the same country, is as perverse as it is stupid. Being as they are Australian, perverse stupidity is our calling, and it's why Civil Civic succeed where others have just gone "Dude, we need another member". With the title still up for grabs (or until some smart-ass avant-garde freak shoots me down), Civil Civic could turn out to be the greatest instrumental duo in the history of rock and roll. Wouldn't that be just dandy?

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