Franz Ferdinand – Tonight: Franz Ferdinand
Many a rock band have experimented with electronica but can Scotland's most successful export since kilts and haggis pull it off?
Who The Hell Are… Deaf Club?
Heavy on atmosphere with a melodic depth that harnesses Banshees-like percussion against rippling guitar-work and bears more than a passing resemblance to the rhythmic whirl of Warpaint and the siren song of Esben and the
of Montreal – Brisbane – 4 March 2009
But it was the harmony rich blend of disco, psychedelia and pop that made Hissing Fauna... and The Sunlandic Twins surprise alternative pop classics that had The Zoo crowd dancing into the groove.
Fever Ray – Fever Ray
Karin Dreijer Andersson one half of The Knife now gives us Fever Ray, in the morning and fever ray all through the (Swedish) night.
The Scare – Interview (2007)
Craig Smith takes us on a journey from Brisbane to Birmingham with Wade Keighran bass player for punk rockers The Scare. Taking in emotional break downs and playing the UK festivals, to the booze soaked recording of Chivalry and being wide eyed in L.A. -- this is the definitive account of The Scare's rags to musical riches tale.
Esben and the Witch – Violet Cries
Over-indulgent Gothic melodrama from Brighton's Esben And The Witch. How do you like your nightmares? Black with 2 sugars, thanks.
Warpaint – London – 26 August 2010
It’s shows like this which give birth to the very nature of rock and roll. The hip-swaying sounds of a band as they rock back and forth, eyes closed, mouths pressed against the microphone with their feet marking the beat. It’s an undeniably sexual thing. This isn't news. It’s why they tried to ban Elvis in the 50’s. He turned young girls on, and it wasn’t so much the man, but the music, the stage, the sweat, the motion -- the rock and roll of it all. Wedged together in this barely ventilated Old Street basement, Los Angeles' Warpaint are presiding over something that had this been the 50's, would've gotten them banned too.
MGMT – Congratulations
One of the hotly anticipated releases for 2010, MGMT shake things up with their follow-up to Oracular Spectacular but the title is anything but ironic.
Jonneine Zapata – Brisbane – 7 October 2010
Jonneine Zapata's Cast the Demons Out came out of nowhere and managed to do what it said on the tin. And all indications were that live was where she excelled. Comparisons were bandied around from PJ Harvey and Patti Smith for there strong vocal ranges to Jim Morrison and Mick Jagger for their bold sexual stage presence. Apart from the smoldering mic stand gripping, her onstage persona also alternates between standing still with an ice cold stare, holding her arms aloft swaying like an eagle, and my favourite, lurching around the stage like a drunken marionette. Unsettling? Maybe but never boring.
Stephen Malkmus – London – 9 December 2009
Stephen Malkmus has been ‘jicking’ for as long now as he was leading the charge in Pavement, releasing as many albums, yet never reaching the same heights. His solo career seemed to be in constant war of expectation over delivery. It's not Pavement. It's not a bunch of twenty-year-olds fighting their generation. But the louche stage prescence, that hazy cynical drawl, the greying hair framing the eyes in a semi-slacker curl, little has changed over the years.
The Stills – Interview with Tim Fletcher (2009)
Having released one of Webcuts favourite albums of 2008, the tsunamically stunning Oceans Will Rise, we caught up with vocalist/guitarist Tim Fletcher from Montreal's The Stills whilst in the middle of a brief European tour late last year.
Doves – Kingdom of Rust
Fourth album in from these Mancunian maestros, offering a slight return to their electro/house days as Sub Sub.
Grand Duchy – Petit Fours
Grand who? Just call them Mr. and Mrs. Frank Black and everything will be peachy, or desserty...
The Decemberists – The King Is Dead
The Decemberists discard the costumes and dispense with the theatre slipping into more familiar musical threads on album number 6.
The Twilight Singers – Interview with Greg Dulli about Dynamite Steps (2011)
Dynamite Steps the new album from Greg Dulli's The Twilight Singers is an extraordinarily cohesive album in every aspect: from production to the vocals, the masterful songwriting to the clever sequencing. Grunge guitar workouts give way to piano balladry, shoegaze meets folk and punchy rock. These are all anchored by that remarkable voice which ranges from ragged roar to velvety tenor to strained falsetto singing of love, libido, mortality and the devil. A couple of weeks before the release we spoke with Greg, a man who has seen more than his share of highs and lows in his twenty odd year career, clearly relaxed and affable, about all things dynamite and twilight, from the gutter to the (guest) stars.
Chris Thile – Los Angeles – 26 April 2010
"You must be the most attentive audience, ever" joked Chris Thile, during his performance at LA's gem Largo at the Coronet, "It's not often that you can hear the performer's water bottle snap back into place." And it was true -- in this intimate setting of about 75 people (including fan Minnie Driver), Mr. Thile was the center of everyone's attention. There was no heckling or chatter between songs, just enthusiastic, almost rapturous applause for this mandolin virtuoso.