Sunset Sounds Festival – Brisbane – 2011
The third Sunset Sounds festival featuring Sleigh Bells, Cold War Kids, Ladyhawke, Pubic Enemy, The National and Interpol on day one. While for the second day we deliver reports on The Soft Pack, Peaches, Junip, The Morning Benders, Washington and Paul Kelly.
Hatcham Social – Sidewalk EP
One of Webcuts favourite albums of last year, Hatcham Social hit the new year with this 6 track EP of new and familiar.
The Antlers – Hospice
Despite the grim subject matter the second album from the Brooklyn trio The Antlers, Hospice is hot stuff.
Magic Kids – Memphis
Named after the town they're from, Memphis has "some great songs, some brilliant moments", but not quite all adding up to Magic, Kids.
My Morning Jacket – Circuital
Album number six for these free-wheeling long-haired holdin' on to black metal giants of Southern Rock.
Factory Floor – Interview (Static, 2010)
Part extreme noise terror, part euphoria, East London’s Factory Floor have made a name for themselves as being loud and uncompromising, or as they stress in the interview below "brutal". Having walked half-way in during their set supporting American synth act Cold Cave earlier this year, Factory Floor's performance was very much a "what the fuck?" moment, unsure as to either quickly vacate the room or take stock of the diffused electronic/industrial free-form concotions they were composing. We stayed, with reservations... Chris Berkley of Static caught up with Gabriel Gurnsey and Nik Colk from Factory Floor shortly after their appearance at the Offset Festival in London in September to find out more.
The Cave Singers – Welcome Joy
No, not Nick Cave's new backing band, Seattle's The Cave Singers have crafted a rich and rewarding second album.
Vivian Girls – Everything Goes Wrong
The title may be Everything Goes Wrong, but to our ears, everything goes right for the Vivian Girls on their sophomore release.
The Cult – London – 21 January 2011
When you add up the years, you realise Ian Astbury and Billy Dully have been making music as The Cult for a long-ass time. Sitting in the rafters of the Hammersmith Apollo ("Hammersmith Odeon", Astbury demurs, referring to the venue's previous appellation), the debt paid to the excesses of rock n’ roll have more-or-less treated both kindly. Astbury, the once flower-child/wolf-child looks a little rough round the edges, but when you style yourself on Jim Morrisson and then suddenly become him, what can you expect. Duffy on the other hand, is ageless, looking more like David Beckham‘s older brother than a well-tooled guitar god.
Smith Westerns – Dye It Blonde
There are some records that forever remain at the bottom of the review pile, and boy do Smith Westerns make us regret it.
Mr. Maps – Brisbane – 12 Feb 2011
Photos of Mr. Maps' launch for Wire Empire their debut (and so far only) album. Brisbane, February 12, 2011.
Top 10 – Australian Music Videos
The early days of music video in Australia bore some shoddy, shoddy home-produced efforts. Essentially labours of love from minimal means designed to get the message across. The big budget video clip was not the
The Gaslight Anthem – The ’59 Sound
SideOneDummy, 2008 [9/10] The ’59 Sound starts, fittingly, with a sound of romance and antiquity -- a needle laid to vinyl. A spindly guitar riff echoes faintly in the distance, then suddenly erupts into an
Continuum Books 33 1/3 – Elliot Smith – XO, Big Star – Radio City
A look into Continuum's must-read 33 1/3 series of books that investigate the history and stories behind some of the greatest albums ever made, including reviews of the most recent releases in the series -- Big Star's Radio City and Elliott Smith's XO.
Who The Hell Is… Jonneine Zapata?
Interview with LA-based chanteuse Jonneine Zapata around the time of her debut album Cast the Demons Out.
Jonneine Zapata – Brisbane – 7 October 2010
Jonneine Zapata's Cast the Demons Out came out of nowhere and managed to do what it said on the tin. And all indications were that live was where she excelled. Comparisons were bandied around from PJ Harvey and Patti Smith for there strong vocal ranges to Jim Morrison and Mick Jagger for their bold sexual stage presence. Apart from the smoldering mic stand gripping, her onstage persona also alternates between standing still with an ice cold stare, holding her arms aloft swaying like an eagle, and my favourite, lurching around the stage like a drunken marionette. Unsettling? Maybe but never boring.