Who The Hell Were… Naomi Hates Humans?
This is a first for Webcuts, in the sense that between asking a band to appear in a future 'Who The Hell Are...?' and publishing said feature, the band broke up. Our recent hiatus, which
Crystal Antlers – Tentacles
Young bucks Crystal Antlers release their debut album which unfortunately shatters upon the weight of expectation.
Centro-Matic / South San Gabriel – Dual Hawks
Cooking Vinyl, 2008 [5/10] (Centro-Matic) [7/10] (South San Gabriel) Will Johnson can seemingly do anything. A prolific songwriter, Johnson has spent over a decade playing indie rock in Denton, Texas' Centro-Matic, putting out a succession
Eleanor Friedberger – Last Summer
One half of the hyper-productive quirk-pop outfit Fiery Furnaces takes her first solo steps on Last Summer.
Deerhunter – Microcastle
4AD, 2008 [10/10] It's refreshing to listen to a band riding on a wave of no hype. No Myspace campaigns, no sycophantic hipsters attempting to crystal ball the next Vampire Weekend. Bradford Cox could probably
HTRK – Marry Me Tonight
New No Wave or Narco-Electro? Whatever the case, Marry Me Tonight is well worth making an engagement with...
No Years Festival – Brisbane – 31 December 2010
New Years Eve’s are traditionally unplanned, last minute events, involving clubs or house parties especially in laissez-faire Brisbane. This year was different. An independent music festival at the Powerhouse, brazenly named No Years! offered a tempting program. 21 bands in total: 14 local, 5 interstate and 2 international acts, over eleven hours at lovely New Farm location. We cast our NYE net on Australia's Bleeding Knees Club, Parades, Love Connection, Jonathan Boulet, The John Steel Singers and Oh Ye Denver Birds. And see who ranks best out of America Neon Indian and Sweden Shout Out Louds.
Spoon – Transference
The anticipated follow-up to the fan and critic fave Ga Ga Ga Ga Ga, fails to meet expectation, begging the question, 'Where were Spoon transferring to?'.
The Hold Steady – Interview about Heaven Is Whenever (2010)
“Listening again to everything The Hold Steady recorded. Is this the greatest American band now? They just got me through a rough month.” Bret Easton Ellis, Twitter Nov 2009. Lauded by fans, critics and other creative minds for the scope, depth, truth and heart that they bring to chronicling the American rock myth, Craig Finn and Tad Kubler of The Hold Steady hold court to discuss (via impersonal record label Q&A) their forthcoming blue collar opus Heaven is Whenever, due for release on May 3.
The Morning Benders – Interview with Chris Chu (Static, 2010)
For The Morning Benders, a big echo doesn't necessarily mean a big noise, but the latter is certainly what these Californian boys encountered following the release of their sophomore album Big Echo earlier this year, easily giving Webcuts one of our favourite albums of 2010. Perfectly formed and lavishly constructed, Big Echo stretched its influences across the decades, from the lush '60s doo-wop harmonies of "Excuses", the '70s Californian pop-rock of "All Day Day Light" to the peer rivaling, stark echoes (which the album lives up to its name) of "Hand Me Downs".
Splendour in the Grass – 2010 – Woodford
It's Summer festival time in Europe, but over in Australia it's Winter and Webcuts was there to brave the chill and celebrate Splendour in the Grass' tenth birthday with 32,000 others at the new Woodford location in Queensland. Over the three day weekend our reviewers witnessed a phenomenal selection of old and new favourites including -- Ash, Band of Horses, Black Rebel Motorcycle Club, Cloud Control, The Drums, Grizzly Bear, Jonsi, LCD Soundsystem, Paul Kelly, Pixies, School of Seven Bells, Scissor Sisters, The Strokes, Tame Impala, The Vines, Yeasayer, and believe it or not, a whole lot more!!
Helado Negro – Awe Owe
Will you be in awe of Helado Negro's Latin American infused mix of folk and sampled beats? It's very tasty.
Exlovers – Moth
Young & Lost Club, 2012 When it came to making the kind of sweet and effervescent guitar pop that would chime and ring at your feet, London’s Exlovers were one of
Exlovers – London – 28 February 2011
There really is something enthralling about watching a band not just perform music but energetically project themselves into it. It's akin to standing against a gale who's presence is to overpower you and anything in its way. That would in part, sum up the appeal of Exlovers -- they cut a forceful, harmony-fuelled rug. The other part is they're the most attractive bunch of tattooed scruffs that you'll ever encounter. Put all this in the context of their latest single "Blowing Kisses", a song that transcends simple indie guitar music and that gale hits like a perfumed fist that still makes you want to stand up and take more.
A Hawk and a Hacksaw – Délivrance
Business as usual for New Mexico's A Hawk And A Hacksaw? Just ask "The Man Who Sold His Beard".
Wire – Red Barked Tree / Gang of Four – Content
Wire and Gang of Four wrote the book for post-punk, kind of. Are they still innovators or merely curators with Red Barked Tree and Content?