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Arcade Fire – Los Angeles – 8 October 2010

By |November 16th, 2010|Categories: Live Reviews|Tags: , , , |

You know you've had a good day when you wake up in a resort in Palm Springs and end up almost 24 hours later face down, literally face down, in a plate of tacos in downtown LA, head throbbing and ears ringing. There’s no way to rationalise it, nor the fact that between such decadent highs and lows, Webcuts was in attendance to witness the second night of Arcade Fire’s two night stand at the Shrine Auditorium in Los Angeles. On a night where the streets (well, one street) were filled with yellow NYC cabs and fake snow, Arcade Fire required no illusory set-dressing to impress Tinseltown.

The Besnard Lakes – On the Sydney Shores (2011)

By |March 17th, 2011|Categories: Interviews|Tags: , , , , , , |

The Besnard Lakes Are The Dark Horses. A fitting album title for these Montreal, Quebec, Canadians, as much as it was a challenge for a band who've skirted success but in turn garnered acclaim for their lush and psychedelic sound. Their most recent album The Besnard Lakes Are The Roaring Night appeared in early 2010, and once again it was that intimate and expansive sound, coupled with vocalist/guitarist Jace Lacek's Beach Boys-like falsetto that saw the band release their most definitive collection of songs yet. Touring Australia for the very first time, Chris Berkley of Static caught up with Lacek and drummer Kevin Laing of The Besnard Lakes to talk about the slow rise of the band and their move into film scores.

The Primitives – Back and In Full Bloom (2010)

By |July 28th, 2010|Categories: Interviews|Tags: , , , , , |

When you get down to the nuts and bolts of rock and roll, it's not about how tight your jeans are or how good your stylist is, it's about the music. It's about the song. For some bands in particular, it's about the pop song. Two and half minutes of spun gold that held your attention long after the needle left the record. Few bands embodied the spirit of the sublime '60s pop song than The Primitives. Sitting backstage at The Scala in London, Webcuts catches up with Tracy and Paul to rewind the clock and to talk about the events that brought The Primitives into the 21st Century and what lies ahead for the band.

Okkervil River – Brisbane – 3 May 2009

By |May 3rd, 2009|Categories: Live Reviews|Tags: , , , , , , , |

The highlights of the night are rightly saved for the encore; “Blue Tulip” combines both delicate folk and heavier rock modes with an acoustic beginning slowly building to a layered, cathartic second half that envelopes the Zoo in a thick haze of distorted bliss.

Mansun – Interview with Dominic Chad (1997)

By |April 16th, 1997|Categories: Interviews|Tags: , , , |

A decade ago, at the tail end of Britpop, art-rockers Mansun were one of the biggest bands in the UK, seemingly ready to take on the rest of the world. Six years later the band imploded in the wake of backlash towards their third record Little Kix. Webcuts chooses to remember them at their peak with this 1997 interview.

The Dead Weather – Interview with Jack Lawrence, Alison Mosshart, Dean Fertita (Static, 2010)

By |April 13th, 2010|Categories: Interviews|Tags: , , , , |

The Dead Weather are a band that more than live up to their name. Dark and bluesy, malevolent and loud. Given the rock credentials brought by each of the musicians attached, you expect nothing less. A multi-headed musical beast comprised of Alison Mosshart, the chain-smoking siren from The Kills, Jack White, leader of the status: in hiatus White Stripes, Dean Fertita of Queens of The Stone Age and Jack Lawrence of The Raconteurs. With a new album Sea of Cowards about to be released, we speak to Alison, Jack, and Dean.

Cold Cave – Of Dark Days and Light Years (2011)

By |July 20th, 2011|Categories: Interviews|Tags: , , , , , , |

Cold Cave's debut album of 2009 Love Comes Close was a unique display of synth-oriented mood disorder, venturing out from the bedroom to the dancefloor, filled with idealistic tales of romance and disillusionment. Band leader Wes Eisold’s spin on the world appeared to share a voice (in both dour baritone and content) with Magnetic Fields Stephin Merritt, if he'd spent his adolescence listening to The Cure and Depeche Mode instead of showtunes. On their second album, Eisold moved beyond the testing of the waters that was Love Comes Close and turned its successor, Cherish The Light Years into his dark dream made manifold.

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