Mr. Maps – Brisbane – 12 Feb 2011
Photos of Mr. Maps' launch for Wire Empire their debut (and so far only) album. Brisbane, February 12, 2011.
The Soft Pack – Interview (2010)
Originally they were The Muslims but now they have a less volatile name, The Soft Pack, and a more polished repertoire as heard on their self titled debut. Touring that album in Australia they spent some quality time with Static's Chris Berkley who got to the beginnings of how the band formed, that name change, the San Diego and LA rock scenes, surfing, the prestigious honour of being covered by Nada Surf and the possibility of covering some Australian indie classics.
Phoenix – Australian Interview (Static, 2009)
Thomas Mars talks about the evolution of Phoenix, including their stint as a covers band, the seemingly infinite number of Phoenix remixes, the Kitsuné Tabloid compilation and Lord Byron.
Animal Collective – Merriweather Post Pavilion
Animal Collective shake the sand from their fur as they take Merriweather Post Pavillion down to the Beach, Boys.
Beth Jeans Houghton – London – 26 September 2012
Beth Jeans Houghton & The Hooves of Destiny Kings College, London September 26, 2012 A little face paint and a rummage through the fancy dress chest has the potential to turn even the dreariest of
The Drums – Interview with Johnny Pierce, Jacob Graham, Connor Hanwick (Static, 2010)
The cross overs. Every year has them; bands that get touched by the hand of hype and go from being blogged about to actually selling significant quantities of records/MP3s along with world wide tour schedules and high billed festival slots. This year one of those bands is Brooklyn’s The Drums who have certainly enjoyed a lot of column pixels and radio play on the strength of their back to basics c86 indie-pop as imagined by Phil Spector self titled debut album and its omnipresent lead single “Let’s Go Surfing”. Static’s Chris Berkley has a drink with three quarters of the band for a lesson in how to avoid being drowned by the waves of success.
The Low Anthem – Oh My God, Charlie Darwin
Oh my god! The third album from this Rhode Island folk trio proves to be a natural selection.
Destroyer – London – 28 June 2011
How strange to be more than fifteen years into a career and to finally achieve growing, and now glowing, recognition for the music you make. Bands today, the inverse applies, they learn to walk before they can crawl, record a debut they'll never repeat and disappear as if they never existed. Real artists will maintain and nurture their craft regardless of an audience, which more or less, is the story of Dan Bejar. Better known as the wild-card songwriter in Canadian power-pop supergroup The New Pornographers, Bejar's work as Destroyer is like mainlining into Bejar's psyche, which prior to you only got the briefest taste of.
Wild Nothing – Nocturne
Bella Union, 2012 Jack Tatum thought he must've hit a goldmine when his 2010 debut album as Wild Nothing was so rapturously received with little to no preceding fanfare. This
Villagers – Howling at the Moon (Static, 2010)
Villagers is the nom de plume of one Conor O'Brien, the young Irish gent with the piercing blue eyes positioned above these words. Having released his debut album Becoming A Jackal on Domino Records last month to widespread acclaim (surely topping the album charts in Ireland is nothing to be sneered at), O'Brien has been steadfast in moving his Villagers around the country like a pack of wayward Irish gypsies.
Deerhunter – Microcastle
4AD, 2008 [10/10] It's refreshing to listen to a band riding on a wave of no hype. No Myspace campaigns, no sycophantic hipsters attempting to crystal ball the next Vampire Weekend. Bradford Cox could probably
The New Pornographers – Together
An album that makes us love them more, but not enough to wear their t-shirts. The New Pornographers get it Together.
Kaki King – London – 13 July 2010
When does standing in the front row give you a direct line to god? Just because your idol, or current object of interest, is able to look you in the eye while they’re singing doesn’t mean that this is your opportunity for some face-to-face "let's get to know each other" time. Really, it doesn’t. And it’s rare that a concert is marred by one asshole that doesn't get the hint and won’t shut up, but shit does happen, and it happened to Kaki King and to the respectful crowd who had to endure this one "fan" and his relentless pursuit in establishing a "connection".
MNDR – Feed Me Diamonds
Ultra, 2012 "Pop music is a platform to say something. You don't have to only talk about parties." Interesting quote from ex-noise artist now shiny electropop-idol-in-waiting, Amanda Warner. Pop music has always been
The Morning Benders – Interview with Chris Chu (Static, 2010)
For The Morning Benders, a big echo doesn't necessarily mean a big noise, but the latter is certainly what these Californian boys encountered following the release of their sophomore album Big Echo earlier this year, easily giving Webcuts one of our favourite albums of 2010. Perfectly formed and lavishly constructed, Big Echo stretched its influences across the decades, from the lush '60s doo-wop harmonies of "Excuses", the '70s Californian pop-rock of "All Day Day Light" to the peer rivaling, stark echoes (which the album lives up to its name) of "Hand Me Downs".
Peaches – I Feel Cream
The always fruity Peaches is back with fourth album I Feel Cream which finds her giving the past a slip and whipping it real good.