Decoder Ring, Bridezilla – Brisbane – 22 August 2009
Two of Sydney's finest: Bridezilla's dark brand of baroque folk and Decoder Ring's post-rock electronica, strut their wares in Brisbane.
Bauhaus – In The Flat Field/Mask
A powerhouse debut and its cathartic, brooding follow-up, Bauhaus' back catalogue is remastered and revived for the masses.
Against Me! – White Crosses
Fifth album from these Floridian punkers. File under "anarchy, unfulfillment and frustration".
Lick – A Bitter Taste of Britpop – Interview with Gary Cosby (2007)
Lick were one of Britpop's great forgotten bands. Forming in Camden in 1994 they made a splash with glam anthems, penchant for eyeliner and sexually charged lyrics. But the dream was all over two years later on the cusp of releasing their debut album. We feature an in-depth Q&A with lead singer Gary Cosby about the band and the their unreleased album Turbulence.
Kaki King – London – 13 July 2010
When does standing in the front row give you a direct line to god? Just because your idol, or current object of interest, is able to look you in the eye while they’re singing doesn’t mean that this is your opportunity for some face-to-face "let's get to know each other" time. Really, it doesn’t. And it’s rare that a concert is marred by one asshole that doesn't get the hint and won’t shut up, but shit does happen, and it happened to Kaki King and to the respectful crowd who had to endure this one "fan" and his relentless pursuit in establishing a "connection".
Jay Reatard – London – 13 November 2009
Musicians die. Sometimes quite unexpectedly, most before their time, but not often enough for your brain to idle between song, between string changes or tunings to wonder “will this be the last time?”. You don’t, because you’re too busy enjoying the moment. Having witnessed Jay Reatard play what would be his last ever show in London, he was anything but the vision of a man kicking out the last of his jams.
Chris Thile – Los Angeles – 26 April 2010
"You must be the most attentive audience, ever" joked Chris Thile, during his performance at LA's gem Largo at the Coronet, "It's not often that you can hear the performer's water bottle snap back into place." And it was true -- in this intimate setting of about 75 people (including fan Minnie Driver), Mr. Thile was the center of everyone's attention. There was no heckling or chatter between songs, just enthusiastic, almost rapturous applause for this mandolin virtuoso.
Cloud Control – Interview (Static, 2010)
A Tale of Two Cities? Not bloody likely. While both appear on the forthcoming Laneway bill Cloud Control and Rat vs Possum are worlds apart and aren't harbingers of any Sydney or Melbourne scene. Although there are groups of like-minded musical acts in all Australian cities and towns they're is no discernible Sydney sound or Melbourne sound. Cloud Control's indie-folk rubs shoulders with Parades' and Jonathan Boulet's dense polyglot pop while Rat vs Possum's tribal skewed pop sounds share the same general geography as Love Connection's murky shoegaze and Super Wild Horses girl fronted garage. It's not where you come from, it's where you're at.
The Loves – …Love You
The final bow from London’s The Loves balances its buoyant pop against a knowing end and comes up smelling of roses.
Continuum Books 33 1/3 – Elliot Smith – XO, Big Star – Radio City
A look into Continuum's must-read 33 1/3 series of books that investigate the history and stories behind some of the greatest albums ever made, including reviews of the most recent releases in the series -- Big Star's Radio City and Elliott Smith's XO.
The Thermals – Now We Can See
Portland's The Thermals return with warm power-pop, tempered by decidedly cooler lyrical themes on Now We Can See.
Way Out West Festival – Gothenburg – 2010
As regular as clockwork, and now for the third year running, Webcuts returned to Slottsskogen in Gothenburg, Sweden for the annual Way Out West Festival. With so much eclectic talent spread across the three days it was impossible to walk away empty-handed. No matter what your taste in music were, all bases were covered. This year, Electro-wizards Chemical Brothers, alterna-rock heroes Pavement, living legends Iggy Pop & The Stooges, hometown boy Håkan Hellström, rap overlords the Wu-Tang Clan, and the mesmerizing M.I.A. were just a few of the acts to thrilled the sell-out audience, and to keep the photographers on their toes...
…And You Will Know Us by the Trail of Dead – The Century of Self
Texas' Trail of Dead increase their shelf life with their sixth album, Century of Self.
The Gun Club – Miami / Death Party / The Las Vegas Story
Load the chamber and light a candle for Jeffrey Lee Pierce, it's rockabilly blues-a-go-go with The Gun Club.
Weezer – Death To False Metal
Just how many albums are Weezer going to release (or re-release) this year? What's one more for Christmas?
Who The Hell Are… Civil Civic?
There aren't that many great instrumental duos in the history of rock and roll. I've thought about this for about 20 seconds or so and bored already. To arrive at that musical decision, and to arrive at that musical decision when your bandmate doesn't even live in the same country, is as perverse as it is stupid. Being as they are Australian, perverse stupidity is our calling, and it's why Civil Civic succeed where others have just gone "Dude, we need another member". With the title still up for grabs (or until some smart-ass avant-garde freak shoots me down), Civil Civic could turn out to be the greatest instrumental duo in the history of rock and roll. Wouldn't that be just dandy?