Beach House – Teen Dream
Makers of mood music for moderns, Baltimore's daydream duo return with their sweet and sombre third album, Teen Dream.
Luke Haines – Bad Vibes
A timely assault on the looming spectre of the Britpop revival, Luke Haines unleashes his arsenal and takes aim. Camden, look out.
Ariel Pink’s Haunted Graffiti – Before Today
Sounding more like a theme park ride than a band, Ariel Pink pulls off both with a little 70's funk and 80's new wave self-exploration.
Way Out West Festival – Gothenburg – 2008
Gothenburg's 2008 Way Out West Festival - Buzzcocks, The Sonics, Okkervil River, Sonic Youth, The National, Grinderman, Broder Daniel, Silverbullit, Caesars, Neil Young,.
The Gaslight Anthem – American Slang
More emotional missives from angry, intense, young American men. What steady diet do they feed you on?
Sloan – The Double Cross
The best band to come out of Canada, ever, celebrate their 20th anniversary with The Double Cross. It's a Roman numeral thing, y'dig?
Chromatics – London – 6 November 2012
Chromatics Heaven, London 6th November 2012 On a night when everyone is locked in an US election day trance, American synth-noir act Chromatics were the alternative for those choosing pop over politics.
The Soft Pack – Interview (2010)
Originally they were The Muslims but now they have a less volatile name, The Soft Pack, and a more polished repertoire as heard on their self titled debut. Touring that album in Australia they spent some quality time with Static's Chris Berkley who got to the beginnings of how the band formed, that name change, the San Diego and LA rock scenes, surfing, the prestigious honour of being covered by Nada Surf and the possibility of covering some Australian indie classics.
Phoenix – Australian Interview (Static, 2009)
Thomas Mars talks about the evolution of Phoenix, including their stint as a covers band, the seemingly infinite number of Phoenix remixes, the Kitsuné Tabloid compilation and Lord Byron.
Mumford & Sons – Copenhagen – 11 April 2010
A great band once sang “I’m beginning to like country music. They say that’s the first sign of age” and during the last few years I have seen more and more friends go over to the side of banjos, boots and beards. Maybe age is catching up with us but it could also be that country has sneaked its way into the indie scene more and more, being mixed with folk, rock and pop.
Beach House – Australian Interview about Teen Dream (Static, 2011)
Baltimore's Beach House first appeared in 2006 with their self-titled debut, a gorgeous collection of dizzying songs built around Victoria Legrand's awash-with-reverb harmonies, church-style organ and Alex Scally's languidly strummed guitar. It was their style and approach, reminiscent of Mazzy Star, Yo La Tengo and This Mortal Coil, that found favour with a like-minded audience. Recently touring Australia and appearing as part of the travelling Laneway Festival, Chris Berkley caught up with Victoria and Alex of Beach House to talk about their gradual rise and amongst other things, how to keep cheese out of the live set.
Anni Rossi – Rockwell
How does Anni Rossi rock? Does she rock well? Well, no, not so much actually.
The Walkmen – You & Me
Fierce Panda, 2008 [8/10] The Walkmen have always sounded like a band out of time. From the ashes of once great Jonathan Fire-eater, they arrived on the New York scene shortly before the great Strokes
Magic Dirt – White Boy EP
Standing tall in the face of tragedy, Magic Dirt compile a lucky dip of new, rare and unreleased tracks to coincide with their recent tour.
Various Artists – Be True To Your School (A Fortuna Pop! Compilation)
Fortuna Pop!, 2008 [7/10] Fortuna Pop! is the pre-eminent label for those special acts that can't find a home anywhere else. Think of it as a shelter for the abandoned, misunderstood band either bursting with
The Faint / Ladytron – Atlanta – 17 April 2009
Variety Playhouse Atlanta, GA 17th April 2009 The black-clad kids were out in force as the rolling The Faint/Ladytron sideshow pulled into Atlanta, Georgia, offloading what could be unkindly dubbed an ‘electroclash revival’ as both