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Spoon – Interview with Britt Daniel and Jim Eno (Static, 2010)

By |May 13th, 2010|Categories: Interviews|Tags: , , , , , , |

Spoon's latest album, Transference, seemed to show the band finding new ways to tie their own shoelaces, searching out their own "Mystery Zone" or what Britt Daniel will later say in the interview "we gotta try to please ourselves first". Notable for being our first interview where the band asks us the questions, Spoon have perhaps realised there's more to making music than pleasing yourself. You've still got to please your Mom too...

Who The Hell Are… Silk Flowers?

By |March 4th, 2011|Categories: Features, Who the Hell Are|Tags: , , , |

Dial back to the summer of 2010 having spent the afternoon hanging out with electro-be-spectacle Amanda Warner aka MNDR, we get a tweet from her inviting us to come down to Camp Basement in Old Street to watch synth experimentalists Silk Flowers, a Brooklyn three-piece that she’d recently produced an album for. Standing facing each other in a semi-circle surrounded by banks of synths, the band were undoubtedly not of this planet, but one Krautrock based in nature, appearing wholly entranced in their own music which veered from instrumental collages to deadpan delivered pop.

TV on the Radio – Interview with Jaleel Bunton (Static, 2008)

By |November 4th, 2008|Categories: Interviews|Tags: , , , , , , |

Having just released one of the stand-out (and Webcuts approved) albums of 2008 with the awe-inspiring brilliance of Dear Science, Static's Chris Berkley spoke to Jaleel Bunton, drummer of Brooklyn's roof-raising TV On The Radio as

Who The Hell Are… Lion Island?

By |December 29th, 2010|Categories: Features, Who the Hell Are|Tags: , , , , , |

Lion Island were first encounted playing a free show in Brisbane's King George Square. Their ability to fill a large stage with eight members and the cavernous square full of wondrous music bolstered my mood and had casual passerby's on their way to the train, stop and listen. When seen again three months later at The Hi-Fi Bar a liking for the band was affirmed and proved that Lion Island are one of the city's most ambitious and talented acts. Here are a band able to switch from solo singer-songwriter folk, then become a Brisbane Beirut by adding brass and violin to the acoustic guitar and drums to full out orchestral rock, as if Finn Andrews was fronting The National.

Continuum Books 33 1/3 – Elliot Smith – XO, Big Star – Radio City

By |January 24th, 2010|Categories: Book Reviews, Reviews|Tags: , , , , |

A look into Continuum's must-read 33 1/3 series of books that investigate the history and stories behind some of the greatest albums ever made, including reviews of the most recent releases in the series -- Big Star's Radio City and Elliott Smith's XO.

Who The Hell Is… Joel Edmondson?

By |September 17th, 2010|Categories: Features, Who the Hell Are|Tags: , , , , |

Originally known to us as one of the curators of the Hangar venue and lofly label in Brisbane we shouldn't have been surprised that Joel Edmondson had a musical project. What we weren't expecting, seeing as his label mates lean more towards the electronic and experimental side of the musical spectrum, was the polished pop and rock awaiting us on his MySpace page. We fired off our standard 15 questions to Mr Edmondson and his swift response proved wry and illuminating, much like his songwriting.

Bad Lieutenant – London – 18 March 2010

By |March 23rd, 2010|Categories: Live Reviews|Tags: , , , , |

As a teenage music fan, one of my prized possessions was a bootleg LP of Joy Division recorded on the same stage Bad Lieutenant are playing tonight, 30 years later. You think Bernard Sumner, guitarist in both bands, would mention the significance, or perhaps the memory has left him, like his own introduction to an Electronic song later in the set "This is called "Tighten Up", I've no fucking clue what it's about".

Who The Hell Are… The Beggar Folk?

By |October 24th, 2011|Categories: Features, Who the Hell Are|Tags: , , |

Folk bands are slowly going the way of the emo bands -- cookie-cutter, predictable, uninspired, and inevitably becoming a parody of themselves because music is a business and the market dictates that consumers will always want more of what's popular. The Beggar Folk fall nicely into the afore-mentioned folk music genre, however their music doesn't seem to follow suit with the folk status quo. These are ballads and hymns, carved from trees and molded from soil. This music demands your attention and effortlessly passes any authenticity tests. It conjures up what real Americana and country music should conjure.

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