Noah and the Whale – London – 16 May 2011
It’s a little known piece of Webcuts folklore that Noah And The Whale once played in my living room. Gladly, it was before my time, otherwise a compulsion to head downstairs and have words would‘ve been hard to resist. A sell-out show at the Camden Roundhouse is not to be sneered at, but if commercial success or the ability to fill a room is the barometer in which all great music is measured, we’re on (and have been for decades) very shaky ground, and when superlative-inducing American folk-rock act Okkervil River are playing across town, clearly in the wrong place.
You Am I – Dilettantes
Australian alternative legend's [strong]You Am I[/strong] make a glorious return to form with Dilettantes -- "You Am I have turned around their most impressive release in recent years that succeeds without having to rehash the same old moves. "
Stephen Malkmus & the Jicks – Los Angeles – 25 July 2009
Stephen Malkmus & The Jicks played to an audience brimming with the intoxicating scent of bearded, checked-shirt sporting aging rock dudes. Vanessa From Queens was missing but the gang was all there.
Tune-yards – Bird-brains
One of the top records of the year that you never want to hear again? Merrill Garbus is Tune-yards and experimental lo-fi folk is the order of the day.
Top 10 – Australian Music Videos
The early days of music video in Australia bore some shoddy, shoddy home-produced efforts. Essentially labours of love from minimal means designed to get the message across. The big budget video clip was not the
Dolores O’Riordan – No Baggage
Can former berry Dolores O'Riordan shake off the skeleton's in her closet and remove the excess baggage? No as it turns out.
Who The Hell Are… KIDCITY?
Introducing KIDCITY. Two people, One word, uppercase for menacing effect. But really, aren't they just too cute for words? Which is apt, seeing as the music that these two Canadian 21-year-olds make is more like haunted voices leaking from an overloaded digital landscape. "Somewhere between Enya and Dr. Dre", someone said. Sure, why not. It might be simple enough to place them within the geographical radius of another glitchy electronic duo, Crystal Castles, but Kelly Ann's vocals soothe, rather than antagonise, as the cracked beats and blistered frequencies dial up the intensity. Significantly impressed, we had no choice but to ask 'Who the hell are... KIDCITY?"
Times New Viking – Australian Interview with Jared and Adam (2011)
Was there really once a musical sub-genre called 'Shitgaze'? I mean, somebody actually sat around, coined that term and then hoisted it on a few unsuspecting bands who by fate or ill-fortune found themselves trapped under its audiophile repelling umbrella? Think about it, shitgaze. Would you buy into that? Thankfully it's only a memory, but some of those bands still remain, including Columbus, Ohio's Times New Viking. On the eve of their first Australian tour Chris Berkley of Static spoke to Jared and Adam of Times New Viking, fresh off the plane to promote their most recent album, the discordant but progressively tuneful, Dancer Equired.
Cold Cave – London – April 4 & 5 2011
In a long black leather jacket and hoodie and stacked heels, Cold Cave's Wes Eisold looks like any other kid you see in Camden on a Friday night, except that he's not and it isn't and before he even opens his mouth, you're thinking "wow, that leather jacket really is the shit" and it is. It's also a special day for 80's synth-obsessives Cold Cave, as Eisold curtly informs the assembled at Rough Trade Records - "Welcome to our album birthing day". Their second album, the strangely positive sounding Cherish The Light Years showing a marked change from the same Cold Cave that played London back in May 2010.
Hoodoo Gurus – London – 4 July 2008
Hoodoo Gurus The Forum, London 4th July, 2008 Photo by Craig Smith. "I can still recall the time" began Dave Faulkner, as he stood in front of 1500 Australians (and some locals) at London's
Grouplove – Never Trust A Happy Song
Energetic indie-rock from LA's Grouplove but watch out for "the boring half of the record". Whoops.
Who The Hell Are… Villa Cola?
Having lived through the 80's, witnessed the birth of Wham!, the ascension of Kylie from Neighbours mechanic to pop princess and the rise and fall of the Stock, Aitken and Waterman (s)hit factory, intelligent, well-crafted synth-pop has had a tough (but not impossible) road to climb to redeem itself. It's easier done now for those with little memory of the 80's, who can mine the decade of its untapped wealth and pull influences from The Human League or Gary Numan or even further back without being mocked, all the while creating something new and exciting. Having a rough guess at their ages, London's Villa Cola could surely fill these shoes.
Liz Phair – Funstyle
From "Exile In Guyville" to exiled in general. It hasn't been smooth sailing for Liz Phair. In fact you could say things have been downright un-Phair.
M83 – Saturdays = Youth
Virgin, 2008 [7/10] I have a very vivid memory of M83's previous album Before the Dawn Heals Us being played at a thunderous volume while sleeping at a friend's house early one morning, and it
Tame Impala – Interview about Alonerism (2012)
It's a reassuring sight to see an Australian band successfully take on the world in the way Tame Impala have over the last few years. Their lush, psyche-pop sound feels like it was born between
The Horrors – Australian Interview (Static, 2010)
We chew the fat with The Horrors on their recent Australian tour about last year's remarkable second album Primary Colours, and their thoughts on cover versions: "I think it’s a funny idea that this is a conversation you’re more likely to have now than at any other time in the history of rock ’n’ roll, considering most bands really started playing cover versions, being The Beatles or The Stones or even the Sex Pistols. It was something that was just kind of part and parcel of being in a group and part of a live repertoire."