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Black Cab – Brisbane – 17 July 2010

By |July 29th, 2010|Categories: Live Reviews|Tags: , , , , , , , |

It took eleven years, three albums and a European tour for Melbourne space rockers Black Cab to broach Brisbane but they did and yes, it was worth the wait. Even the prospect of a half empty venue, an OCD stricken punter and the one colour Hi-Fi lights were not enough to dissuade Black Cab in performing anything less than a mesmerising set of original material and two stunning encores that paid homage to the whole space/drone/shoegaze rock genre. Able support was provided by Brisbane alt.rock kings Grand Atlantic.

Ramona – London – 17 April 2011

By |April 28th, 2011|Categories: Live Reviews|Tags: , , , |

It's easy to love Ramona, even though everything about them is so flawless and en pointe, unheard for a scruffy bunch of Brighton by-way-of-New-York rockers. Picks in hand, they transform a handful of chords into polished punk perfection, fronted by the coquettish bleach-blonde tomboy Karen Anne, a second generation Edie and Debbie who knows how to hang from a mic stand like she was hanging from your shoulder. Absent from the stage this year so far, they cycle through their set in a brisk half hour, including encore, and you're crying out for a flubbed note, an unrehearsed run through a song they just wrote in the van, or general indifference to whether anybody is listening.

Foals – Australian Interview with Walter Gervers (Static, 2011)

By |February 12th, 2011|Categories: Interviews|Tags: , , , , , |

To say expectations were high for Foals' second album Total Life Forever would be stating the exceedingly obvious but from the grandeur and exquisite melancholy of “Spanish Sahara” to the frenetic indie-pop of “This Orient” to the dance funk of “Miami” it met and exceeded them with uncommon ease. Total Life Forever elevated Foals further from their peers and into the rare league of artists who maintain credibility with a more accessible sound and thus gaining a larger listening base whilst still remaining true to their experimental pop principles. We spoke to bassist Walter Gervers while the band was in Australia for the St. Jerome’s Laneway festivals and some recording on the sly.

Who The Hell Are… Zoo Animal?

By |December 21st, 2010|Categories: Features, Who the Hell Are|Tags: , , , |

Picture the scene... in a dark Minneapolis jazz club, three anonymous musicians take the stage. The usual rituals of tuning and testing, smiling and carrying on, and then the lead singer steps up to the microphone. It only takes a few songs to appreciate the underestimated prowess of the band; the churning bass, the precision in the drumming, and a fiesty singer whose melancholy adroitness shines through her toned-down Joplin-esque voice and ferocious, half-prostrated guitar solos. This is Holly Newsom and Zoo Animal, a band marked by a soulful yet minimal electrofolk sound and introspective, sometimes spiritual lyrics.

Sunset Sounds Festival – Brisbane – 2009

By |January 9th, 2009|Categories: Live Reviews|Tags: , , , , , , , , , |

We review Brisbane's inaugural Sunset Sounds Festival and see how the likes of The Hives, Santogold, The Kooks, Franz Ferdinand, Faker, The Grates, Tegan and Sara, I Heart Hiroshima and more measure up in the sweltering heat.

Adalita Srsen – Interview and Live Review, Bulli, Australia (2009)

By |August 2nd, 2009|Categories: Interviews|Tags: , , , , |

Having first dipped her toes in the solo waters for the soundtrack to the movie Suburban Mayhem in 2006, Adalita Srsen has remained steadfast fronting Melbourne's mothers of sonic invention, Magic Dirt. Webcuts catches up with Adalita to discuss her transition into the solo arena.

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