Lydia Loveless – Columbus – 30 September 2011
A couple of songs into Lydia Loveless’s evening set, and it’s difficult to tell where Lydia the singer ends and Lydia the person begins. It’s simply hard to imagine a woman like this, barely in her twenties, and standing a little over five foot tall in her boots, could be so worldly and explosive. And yet, there she is, muttering a string of f-bombs during a song break because she can’t get her guitar tuned quite right. The attitude, the weathered, sarcastic smile. The edge. That’s pretty damn tough to fake.
Howler – This One’s Different
From the label that gave you The Libertines and The Strokes, here's another young and disaffected indie guitar band.
Devo – Something for Everybody
There are people who write for this website who weren't even born when Devo last made a record. This is not for them.
Vivian Girls – Vivian Girls
Brooklyn twee-punksters the Vivian Girls hit the reverb heights in a hail of cartoon tattoos and converse on their debut album.
Jonneine Zapata – Brisbane – 7 October 2010
Jonneine Zapata's Cast the Demons Out came out of nowhere and managed to do what it said on the tin. And all indications were that live was where she excelled. Comparisons were bandied around from PJ Harvey and Patti Smith for there strong vocal ranges to Jim Morrison and Mick Jagger for their bold sexual stage presence. Apart from the smoldering mic stand gripping, her onstage persona also alternates between standing still with an ice cold stare, holding her arms aloft swaying like an eagle, and my favourite, lurching around the stage like a drunken marionette. Unsettling? Maybe but never boring.
Die! Die! Die! – Form
New Zealand's Die! Die! Die! make their third incision into the heart of rock n' roll but fall short of delivering the expected death blow.
The Beasts of Bourbon – Box Set
Crucial re-release of the first three albums by these hard rocking legends. From The Axeman's Jazz to Black Milk, the gang's all here.
Who The Hell Were… Naomi Hates Humans?
This is a first for Webcuts, in the sense that between asking a band to appear in a future 'Who The Hell Are...?' and publishing said feature, the band broke up. Our recent hiatus, which
Mark Kozelek – London – 29 July 2010
“Give me a minute and I’ll blow your minds“. The crowd laughs, so does the man who just uttered those words. The mood, somewhat quiet, respectful, shiftless, is lightened, and Mark Kozelek begins another master-class in tinkling the nylon strings of his Spanish guitar like Liberace would the piano. “I’m old” he breaks the silence again, “I’m fat, I need water, I need lyrics to my songs”. From my pew to the right side of the stage I have to squint to see if it’s not Neil Young sitting there complaining about his arthritis. To Kozelek’s credit, he’s still as ageless as ever, and that gut you were grabbing at? I’m pretty sure you’ve been carrying that for a while now.
The Boo Radleys – Giant Steps / Wake Up!
One of these albums is pure genius. The other went straight to #1. Bow down to The Boo Radleys, Britpop's forgotten heroes.
Helado Negro – Awe Owe
Will you be in awe of Helado Negro's Latin American infused mix of folk and sampled beats? It's very tasty.
The xx – xx
XX marks the spot for mixed treasures on the much lauded London foursome's debut LP, an album for the post-sunset hours.
No Years Festival – Brisbane – 31 December 2010
New Years Eve’s are traditionally unplanned, last minute events, involving clubs or house parties especially in laissez-faire Brisbane. This year was different. An independent music festival at the Powerhouse, brazenly named No Years! offered a tempting program. 21 bands in total: 14 local, 5 interstate and 2 international acts, over eleven hours at lovely New Farm location. We cast our NYE net on Australia's Bleeding Knees Club, Parades, Love Connection, Jonathan Boulet, The John Steel Singers and Oh Ye Denver Birds. And see who ranks best out of America Neon Indian and Sweden Shout Out Louds.
HTRK – Marry Me Tonight
New No Wave or Narco-Electro? Whatever the case, Marry Me Tonight is well worth making an engagement with...
Pama International – Pama Outernational
A fusion of dub reggae, ska and soul, the brilliance of Pama International comes to the fore with their seventh album Pama Outernational.
Ramona – London – 17 April 2011
It's easy to love Ramona, even though everything about them is so flawless and en pointe, unheard for a scruffy bunch of Brighton by-way-of-New-York rockers. Picks in hand, they transform a handful of chords into polished punk perfection, fronted by the coquettish bleach-blonde tomboy Karen Anne, a second generation Edie and Debbie who knows how to hang from a mic stand like she was hanging from your shoulder. Absent from the stage this year so far, they cycle through their set in a brisk half hour, including encore, and you're crying out for a flubbed note, an unrehearsed run through a song they just wrote in the van, or general indifference to whether anybody is listening.















