Kaki King – Junior
More depressing pop dressed up espionage style on the fifth album from this diminutive guitar goddess. "Junior", indeed.
M83 – Interview with Anthony Gonzalez (Static, 2008)
Anthony Gonzalez is the driving force behind French band M83. Since 2001 M83 have released several albums of hypnotic electronica combined with effects laden guitars, and softly sung vocals. Static's Chris Berkley managed to track down Anthony
Who The Hell Are… Best Friends?
What to say about Sheffield's Best Friends... The name of the band is self-explanatory. The a-side of their debut single “Surf Bitches” could either be about the kinds of girls they like or things they
Jarvis Cocker – “Further Complications.”
Help the aged. The king of Britpop is back with his second solo effort, which sees a surprising teaming up with Steve "king of rawk" Albini.
Wild Nothing – Interview about Nocturne (2012)
Riding the crest of the dream-pop insurgence that brought with it bands like Beach Fossils, Twin Sister and Still Corners, was that of Jack Tatum and Wild Nothing, who' s debut album of 2010, Gemini
She & Him – Volume Two
Zooey Deschanel and M. Ward, a perfect pop couple if there ever were one, are back for a second helping of doo-wop and pop.
Beach House – Australian Interview about Teen Dream (Static, 2011)
Baltimore's Beach House first appeared in 2006 with their self-titled debut, a gorgeous collection of dizzying songs built around Victoria Legrand's awash-with-reverb harmonies, church-style organ and Alex Scally's languidly strummed guitar. It was their style and approach, reminiscent of Mazzy Star, Yo La Tengo and This Mortal Coil, that found favour with a like-minded audience. Recently touring Australia and appearing as part of the travelling Laneway Festival, Chris Berkley caught up with Victoria and Alex of Beach House to talk about their gradual rise and amongst other things, how to keep cheese out of the live set.
Bad Lieutenant – London – 18 March 2010
As a teenage music fan, one of my prized possessions was a bootleg LP of Joy Division recorded on the same stage Bad Lieutenant are playing tonight, 30 years later. You think Bernard Sumner, guitarist in both bands, would mention the significance, or perhaps the memory has left him, like his own introduction to an Electronic song later in the set "This is called "Tighten Up", I've no fucking clue what it's about".
Warpaint – London – 26 August 2010
It’s shows like this which give birth to the very nature of rock and roll. The hip-swaying sounds of a band as they rock back and forth, eyes closed, mouths pressed against the microphone with their feet marking the beat. It’s an undeniably sexual thing. This isn't news. It’s why they tried to ban Elvis in the 50’s. He turned young girls on, and it wasn’t so much the man, but the music, the stage, the sweat, the motion -- the rock and roll of it all. Wedged together in this barely ventilated Old Street basement, Los Angeles' Warpaint are presiding over something that had this been the 50's, would've gotten them banned too.
My Morning Jacket – Evil Urges
Rough Trade, 2008 [7.5/10] Never has a record so wrong-footed me like Evil Urges has. Louisville's My Morning Jacket were always a band with broad influences in their sound. 2005's Z was the strongest indication
The Dead Weather – Interview with Jack Lawrence, Alison Mosshart, Dean Fertita (Static, 2010)
The Dead Weather are a band that more than live up to their name. Dark and bluesy, malevolent and loud. Given the rock credentials brought by each of the musicians attached, you expect nothing less. A multi-headed musical beast comprised of Alison Mosshart, the chain-smoking siren from The Kills, Jack White, leader of the status: in hiatus White Stripes, Dean Fertita of Queens of The Stone Age and Jack Lawrence of The Raconteurs. With a new album Sea of Cowards about to be released, we speak to Alison, Jack, and Dean.
The Fall – London – 7 May 2010
I’m a band purist at heart. You can cut off all your fingers, but you’ve still got a hand. If you cut off all your band members and keep cutting and cutting and cutting, you can't expect your audience to comply with your decision or to even recognise the music you make. What was it John Peel said about The Fall? "always different, always the same". Well, yes, but... no. Mark E. Smith is The Fall, but The Fall isn't just Mark E. Smith.
PJ Harvey & John Parish – A Woman A Man Walked By
We took at poll at Webcuts, and PJ Harvey is most definitely not a woman one of us would walk by.
Louis XIV – Way Out West Interview (2008)
This August Sweden was graced by a visit from San Diego's finest, Louis XIV, a band that shocked parents groups in Alabama and who have enticed numerous girls with their classic rock'n'roll moves. But behind
The Scare – The Final Interview, Sydney (2010)
Is there anything more cliched than the rock and roll break-up? Secret meetings in dark alleys. The guitarist that suddenly pops up on other people's records. The singer who doesn't return their calls. You either see it coming a mile away, or it creeps up on you like old age. It happens to the best and it happens to the worst, and eventually it will happen to them all. Piss and moan about it all you like, but what's done is done. The latest induction to the rock and roll hall of "fuck this shit for a laugh" are Webcuts' favourite punk sons, The Scare.
LCD Soundsystem – This Is Happening
"This is dance music that’s worth thinking about – or, more accurately, thoughtful music that’s worth dancing to". Agreed.