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The Morning Benders – Interview with Chris Chu (Static, 2010)

By |July 22nd, 2010|Categories: Interviews|Tags: , , , , , , , , |

For The Morning Benders, a big echo doesn't necessarily mean a big noise, but the latter is certainly what these Californian boys encountered following the release of their sophomore album Big Echo earlier this year, easily giving Webcuts one of our favourite albums of 2010. Perfectly formed and lavishly constructed, Big Echo stretched its influences across the decades, from the lush '60s doo-wop harmonies of "Excuses", the '70s Californian pop-rock of "All Day Day Light" to the peer rivaling, stark echoes (which the album lives up to its name) of "Hand Me Downs".

Sunset Sounds Festival – Brisbane – 2011

By |January 31st, 2011|Categories: Live Reviews|Tags: , , , , , , , , , , , |

The third Sunset Sounds festival featuring Sleigh Bells, Cold War Kids, Ladyhawke, Pubic Enemy, The National and Interpol on day one. While for the second day we deliver reports on The Soft Pack, Peaches, Junip, The Morning Benders, Washington and Paul Kelly.

The Fall – London – 7 May 2010

By |May 22nd, 2010|Categories: Live Reviews|Tags: , , , , |

I’m a band purist at heart. You can cut off all your fingers, but you’ve still got a hand. If you cut off all your band members and keep cutting and cutting and cutting, you can't expect your audience to comply with your decision or to even recognise the music you make. What was it John Peel said about The Fall? "always different, always the same". Well, yes, but... no. Mark E. Smith is The Fall, but The Fall isn't just Mark E. Smith.

School of Seven Bells – Australian Interview (Static, 2009)

By |May 5th, 2009|Categories: Interviews|Tags: , , , , |

A collaboration between Benjamin Curtis of Secret Machines and twin sisters Alejandra and Claudia Deheza of On-Air Library, the School of Seven Bells (founded in name from a mythical South American pickpocket academy) that surprised

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