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The Stills – Interview with Tim Fletcher (2009)

By |February 3rd, 2009|Categories: Interviews|Tags: , , , , , , |

Having released one of Webcuts favourite albums of 2008, the tsunamically stunning Oceans Will Rise, we caught up with vocalist/guitarist Tim Fletcher from Montreal's The Stills whilst in the middle of a brief European tour late last year.

Cold Cave – Of Dark Days and Light Years (2011)

By |July 20th, 2011|Categories: Interviews|Tags: , , , , , , |

Cold Cave's debut album of 2009 Love Comes Close was a unique display of synth-oriented mood disorder, venturing out from the bedroom to the dancefloor, filled with idealistic tales of romance and disillusionment. Band leader Wes Eisold’s spin on the world appeared to share a voice (in both dour baritone and content) with Magnetic Fields Stephin Merritt, if he'd spent his adolescence listening to The Cure and Depeche Mode instead of showtunes. On their second album, Eisold moved beyond the testing of the waters that was Love Comes Close and turned its successor, Cherish The Light Years into his dark dream made manifold.

Who The Hell Are… Villa Cola?

By |April 13th, 2011|Categories: Features, Who the Hell Are|Tags: , , , |

Having lived through the 80's, witnessed the birth of Wham!, the ascension of Kylie from Neighbours mechanic to pop princess and the rise and fall of the Stock, Aitken and Waterman (s)hit factory, intelligent, well-crafted synth-pop has had a tough (but not impossible) road to climb to redeem itself. It's easier done now for those with little memory of the 80's, who can mine the decade of its untapped wealth and pull influences from The Human League or Gary Numan or even further back without being mocked, all the while creating something new and exciting. Having a rough guess at their ages, London's Villa Cola could surely fill these shoes.

Who The Hell Are… Janus 4-14?

By |September 22nd, 2010|Categories: Features, Who the Hell Are|Tags: , , |

Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.

Beach House – Australian Interview about Teen Dream (Static, 2011)

By |March 10th, 2011|Categories: Interviews|Tags: , , , , |

Baltimore's Beach House first appeared in 2006 with their self-titled debut, a gorgeous collection of dizzying songs built around Victoria Legrand's awash-with-reverb harmonies, church-style organ and Alex Scally's languidly strummed guitar. It was their style and approach, reminiscent of Mazzy Star, Yo La Tengo and This Mortal Coil, that found favour with a like-minded audience. Recently touring Australia and appearing as part of the travelling Laneway Festival, Chris Berkley caught up with Victoria and Alex of Beach House to talk about their gradual rise and amongst other things, how to keep cheese out of the live set.

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