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Explosions in the Sky – Australian Interview (Static, 2008)

By |April 22nd, 2008|Categories: Interviews|Tags: , , , , , , |

Austin post-rockers Explosions in the Sky have been weaving their instrumental magic for almost ten years now, releasing four revered albums and one soundtrack over that time. During their recent Australian tour Static's Chris Berkley

School of Seven Bells – Australian Interview (Static, 2009)

By |May 5th, 2009|Categories: Interviews|Tags: , , , , , , , |

A collaboration between Benjamin Curtis of Secret Machines and twin sisters Alejandra and Claudia Deheza of On-Air Library, the School of Seven Bells (founded in name from a mythical South American pickpocket academy) that surprised

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Various Artists – Dark Was The Night

By |February 24th, 2009|Categories: Album Reviews|Tags: , , , , , , , , , , , , , , , , , , , , |

North America's finest show their charitable side with this awe-inspiring collection. Just call it "No Alternative Part 2".

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They Might Be Giants – Cleveland – 16 September 2011

By |September 24th, 2011|Categories: Live Reviews|Tags: , , , |

On the surface, it’s a normal, sold-out show on a Friday night just north of downtown Cleveland. The fans stretch around the corner from the front door; ticket holders excited for the They Might Be Giants concert they’re about to see, and those without tickets hoping to catch a break when they get to the box office. But this is not a normal show, and this is not a normal audience. These are the geeks. The nerds. Die hard rock fans of a different shade of crazy, waiting for their musical heroes to serenade them with catchy pop songs tinged with dark humor and insightful counter-culture references.

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Ramona – London – 17 April 2011

By |April 28th, 2011|Categories: Live Reviews|Tags: , , , , |

It's easy to love Ramona, even though everything about them is so flawless and en pointe, unheard for a scruffy bunch of Brighton by-way-of-New-York rockers. Picks in hand, they transform a handful of chords into polished punk perfection, fronted by the coquettish bleach-blonde tomboy Karen Anne, a second generation Edie and Debbie who knows how to hang from a mic stand like she was hanging from your shoulder. Absent from the stage this year so far, they cycle through their set in a brisk half hour, including encore, and you're crying out for a flubbed note, an unrehearsed run through a song they just wrote in the van, or general indifference to whether anybody is listening.

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