Is Lady Gaga’s “Bad Romance” the Greatest Pop Song Ever?
Inescapable, inexplicable, infuriatingly addictive and an irrefutable pop phenomenon. She is Lady Gaga and she has come to take your children. If this were true, I'm sure it would be a fair trade but in reality, her goals are much, much higher. She is Lady Gaga and you know full well why she is here. A fashion and style icon, Gaga has made her two years in the public eye seem like a special kind of Chinese water torture. Chances are you’ve either succumbed to her spell, or fighting the effects with all the strength you can muster.
The Horrors – Primary Colours
The Horrors pull off the surprise reinvention act of the century and lift the curse of the sophomore slump forever.
Black Cab – Brisbane – 17 July 2010
It took eleven years, three albums and a European tour for Melbourne space rockers Black Cab to broach Brisbane but they did and yes, it was worth the wait. Even the prospect of a half empty venue, an OCD stricken punter and the one colour Hi-Fi lights were not enough to dissuade Black Cab in performing anything less than a mesmerising set of original material and two stunning encores that paid homage to the whole space/drone/shoegaze rock genre. Able support was provided by Brisbane alt.rock kings Grand Atlantic.
Mélanie Pain – My Name
Pain by name and by nature? Leaving the confines of Nouvelle Vague, French singer Mélanie Pain releases her debut album sung in both English and French.
Pastels/Tenniscoats – Two Sunsets
East meets West in a twee wonderland as Glasgow's The Pastels collaborate with Japan's Tenniscoats on Two Sunsets.
The Antlers – Hospice
Despite the grim subject matter the second album from the Brooklyn trio The Antlers, Hospice is hot stuff.
Who The Hell Are… Deaf Club?
Heavy on atmosphere with a melodic depth that harnesses Banshees-like percussion against rippling guitar-work and bears more than a passing resemblance to the rhythmic whirl of Warpaint and the siren song of Esben and the
Lisa Mitchell – Wonder
Avoiding the solo artist's temptation of self-indulgence, Lisa Mitchell imparts some wide-eyed optimism on Wonder.
Okkervil River – I Am Very Far
Very unsure about this album, the sixth from past Webcuts pet faves, Okkervil River. I Am Very Far from their best.
The White Stripes – Under Great White Northern Lights
Visual document of The White Stripes Canadian invasion of 2007. No Seven Nation Army required.
Drop Nineteens – Delaware
Welcome reissue of Boston shoegazers debut effort from 1992 complete with bonus tracks. It's wicked pissa!
Ripe – Moondriven
..with a rejuvenated reappraisal of the career of Melbourne psyche-drone-pop quartet Ripe and their space-rock epic "Moondriven", now with 33 1/3% more added insight courtesy of an exclusive interview with guitarist and vocalist Peter Moran who talks about the making of their landmark Australian debut The Plastic Hassle. Fans of Sonic Youth, Swervedriver and Dinosaur Jr take note.
The Monochrome Set – The Independent Singles Collection
Cherry Red, 2008 [7/10] England 1979 -- punk was morphing into the more experimental post-punk and saw landmark releases from PiL, Gang of Four, The Cure, Joy Division and The Pop Group. And then...then there
The Lucksmiths – First Frost
The ever durable Lucksmiths get up before dawn on their latest album. Don't forget your mittens, boys!
The Hold Steady – Heaven Is Whenever
Heaven is here, and if the album is half as great as this review, then The Hold Steady should be counting their lucky stars.
Who The Hell Are… Janus 4-14?
Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.