Prefuse 73 – Everything She Touched Turned Ampexian
No we have no idea what Ampexian means, but globe trotting Scott Herren otherwise known as Prefuse 73 does on his fifth disc of beats and pieces.
Mélanie Pain – My Name
Pain by name and by nature? Leaving the confines of Nouvelle Vague, French singer Mélanie Pain releases her debut album sung in both English and French.
Tender Trap – Dansette Dansette
It's summertime twee pop hour and who better to soundtrack but ex-Heavenly and Talullah Gosh popsters back with their third album.
Who The Hell Are… Big Scary?
While on first glance Big Scary are neither that big or scary, listen to any of their EPs and the name starts to make sense. At the Mercy of the Elements released earlier this year gave us an idea of the versatility of this Australian band.
Stars – Interview with Amy Millan & Evan Cranley (Static, 2008)
It may've taken eight long years but Canadian indie pop quintet Stars made their way to Australia for the first time recently on the back of their fourth LP and one of 2007's best releases,
Cloud Control – Interview (Static, 2010)
A Tale of Two Cities? Not bloody likely. While both appear on the forthcoming Laneway bill Cloud Control and Rat vs Possum are worlds apart and aren't harbingers of any Sydney or Melbourne scene. Although there are groups of like-minded musical acts in all Australian cities and towns they're is no discernible Sydney sound or Melbourne sound. Cloud Control's indie-folk rubs shoulders with Parades' and Jonathan Boulet's dense polyglot pop while Rat vs Possum's tribal skewed pop sounds share the same general geography as Love Connection's murky shoegaze and Super Wild Horses girl fronted garage. It's not where you come from, it's where you're at.
Who The Hell Are… Best Friends?
What to say about Sheffield's Best Friends... The name of the band is self-explanatory. The a-side of their debut single “Surf Bitches” could either be about the kinds of girls they like or things they
Adorable – Footnotes 92-94
Review of mid-90s band, Adorable, compilation album that combines singles, album tracks from their two LPs and b-sides.
Helado Negro – Awe Owe
Will you be in awe of Helado Negro's Latin American infused mix of folk and sampled beats? It's very tasty.
Kaki King – Junior
More depressing pop dressed up espionage style on the fifth album from this diminutive guitar goddess. "Junior", indeed.
Who The Hell Are… We//Are//Animal?
The arrival of their four digit debut single "1268" caused seismic speaker-blowing waves in the Webcuts offices in 2010. It truly was, and still is, a "What the fuck was that?" moment. It was in essence, Gang of Four meets LCD Soundsystem in an abandoned factory in North Wales. An electro pulse and surging beat, sheet metal guitars, inimitable Welsh vocals, it had 'post-punk dancefloor smash' writ large all over it, and had We//Are//Animal been from London instead of Wales, everybody would've been knocking down their door, kneeling to kiss their cossetted behinds (cough The Vaccines).
The Fall – Your Future, Our Clutter
The Northern white crap that talks back are... back. Smith and Co. hit the 21st Century in style with album number 277 or thereabouts.
The Morning Benders – Big Echo
Oh, summery shimmery albums. Why must you hook us so? Berkeley, CA's, The Morning Benders serve up a treat.
The Scare – On Tour With The Scare in Australia (2009)
A first (and probably last) for Webcuts as we jump in the back of a tour van and hit the road with ex-Brisbane trouble makers, now Sydney's problem, The Scare, as they attempt to corrupt the people of Melbourne with their new 'voodoo, and nothing, not even the death of Michael Jackson, was going to get in their way.
Arcade Fire – Los Angeles – 8 October 2010
You know you've had a good day when you wake up in a resort in Palm Springs and end up almost 24 hours later face down, literally face down, in a plate of tacos in downtown LA, head throbbing and ears ringing. There’s no way to rationalise it, nor the fact that between such decadent highs and lows, Webcuts was in attendance to witness the second night of Arcade Fire’s two night stand at the Shrine Auditorium in Los Angeles. On a night where the streets (well, one street) were filled with yellow NYC cabs and fake snow, Arcade Fire required no illusory set-dressing to impress Tinseltown.
Love of Diagrams – Nowhere Forever
Our love for Love of Diagrams knows no bounds especially for the Melbourne noise merchants freshly minted third album.















