Amanda Blank – I Love You
Welcome to the Blank generation - potty mouthed, vacuous, and promiscuous - with the music to match.
Mumford & Sons – Copenhagen – 11 April 2010
A great band once sang “I’m beginning to like country music. They say that’s the first sign of age” and during the last few years I have seen more and more friends go over to the side of banjos, boots and beards. Maybe age is catching up with us but it could also be that country has sneaked its way into the indie scene more and more, being mixed with folk, rock and pop.
Future of the Left – Travels With Myself and Another
To hell with good intentions - Future of the Left's second album blows everything else out of the water.
Who The Hell Are… The Fierce & The Dead?
With their debut album If It Carries On Like This We're Moving to Morecombe, London post-rock quartet The Fierce & The Dead left an indelible impression at Webcuts HQ. It was an album that defied categorisation and challenged perceptions of the post-rock genre, not only from the exceptionally long-winded and unselfconscious title, but in the way it fused elements of post-rock with hardcore, ambient soundscapes and jazz/funk experimentation. It was as if The Fierce & The Dead wanted to sound like all bands, and none, which intrigued us enough to want to find out more.
The Kills – Alison Mosshart talks Midnight Boom (2009)
Arriving on the scene way back in 2002 with the gritty Black Rooster EP, The Kills took the garage rock aesthetic and beat it down, creating a skin and bones strut that stank of sex
Jacob Golden – Revenge Songs
Echo, 2007 [rating:9/10] Those lucky enough to catch Jacob Golden's live know just how extraordinary he can be armed with only an acoustic guitar and his angelic voice. His self titled debut EP in 2001