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Who The Hell Are… The Capitalist Youth?

By |October 12th, 2010|Categories: Features, Who the Hell Are|Tags: , , , |

Consider The Capitalist Youth, a trio of former high school classmates who play “acoustic indie rock combining a living room full of misfit instruments with lyrically driven songs about summer camp, existential crises and gubernatorial indiscretions”. They don’t write and play the kind of music that will leave listeners dumbstruck over their redefinition of a genre, but they’re able to adeptly inject something into their music that only a handful of others have done well: humanity, with a laid back sense of humor, and without any of the awkward pauses that come from other bands who get lucky on a song or two and can’t maintain things the rest of the way.

Way Out West Festival – Gothenburg – 2009 – Part 1

By |August 24th, 2009|Categories: Live Reviews|Tags: , , , , , , , , , , , , , |

Once again Sweden's WoW proved to be worthy of its acronym and Webcuts was there to cover all three days. We (re) acquaint ourselves with the likes of Glasvegas, Grizzly Bear, Florence & The Machine, Echo & The Bunnymen, Wilco, Vivian Girls, Bon Iver and My Bloody Valentine, to name but a few.

The Besnard Lakes – London – 19 August 2010

By |August 23rd, 2010|Categories: Live Reviews|Tags: , , , , |

Touring off the back of their third studio release The Besnard Lakes Are the Roaring Night, the Quebec-based The Besnard Lakes returned to London to treat us with some more of their epic Beach Boys meets Spiritualized jams. Given the massive sound present on ...The Roaring Night, there was some anticipation in how the band were going to pull this off as a four piece. With the newer tracks being a lot denser and harder to recreate live without either a 10 piece line up or a maze of effects and loop pedals, assistance came via laptop, which helped embellish the sound and keep true to their recorded material.

Webcuts Top 11 Of 2011

By |July 8th, 2011|Categories: Features|Tags: , , , , , , , , , , |

It hasn’t been an amazing year for music, but surely an entertaining one. Lots of new acts jockeying for position amongst the wily veterans, and plenty of debate even as early as June over love ‘em-or hate ‘em titles such as King of Limbs and James Blake’s eponymous debut and where they belong in the year’s final canonization of greats. Honestly, I can’t remember a year in recent memory when I’ve found so many hyped records I’ve disliked or been entirely disinterested in. Cults? Pass. Tyler, The Creator? Garbage. The saviors from musical banality have consistently been experienced groups who know what they’re doing and get praised for their music and not being arrested in LA and starting riots.

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