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Webcuts Top 20 of 2010 – Part 2

By |January 3rd, 2011|Categories: Features|Tags: , , , , , , , , , , , , , |

So that was 2010. What does Webcuts remember most about it? It's hard to say, really. The landscapes shift, the memories flickr and 365 days blur into one long unending soundtrack. One thing our favourite tracks of 2010 all had in common was that they appeared like one night stands that lingered a little longer than usual, almost all of them attached to a singular memory of the song being performed, either from a distance or elbows resting on the stage in mute admiration, or maybe just there emanating from a speaker aimed direct into our inner consciousness, refusing to budge.

The Hold Steady – Interview about Heaven Is Whenever (2010)

By |April 6th, 2010|Categories: Interviews|Tags: , , , , , , |

“Listening again to everything The Hold Steady recorded. Is this the greatest American band now? They just got me through a rough month.” Bret Easton Ellis, Twitter Nov 2009. Lauded by fans, critics and other creative minds for the scope, depth, truth and heart that they bring to chronicling the American rock myth, Craig Finn and Tad Kubler of The Hold Steady hold court to discuss (via impersonal record label Q&A) their forthcoming blue collar opus Heaven is Whenever, due for release on May 3.

Dean & Britta – London – 30 July 2010

By |August 17th, 2010|Categories: Live Reviews|Tags: , , , |

Releasing their soundtrack to 13 of Andy Warhol's screen tests was an opportune moment for ex-Galaxie 500/Luna star Dean Wareham to fully express his love for Velvet Underground and the stars of Andy Warhol's Factory. The screen tests alone, wavering between the visually arresting and the arrestingly mundane, were elevated into a new realm with the musical accompaniment provided by Wareham and partner Britta Phillips. Bringing the 13 Most Beautiful show to London (having frustratingly been given its UK premiere in Dunfermline last year) was a long-anticipated occasion.

Arcade Fire – Sweden – 30 June 2010

By |July 6th, 2010|Categories: Live Reviews|Tags: , , , |

As anticipation mounts for the release of their upcoming third album The Suburbs, Arcade Fire commence on a brief hit-and-run tour of intimate and out-of-the-way places in Europe, somehow finding themselves performing on a moat in the middle of a limestone quarry in Sweden. For a band like Arcade Fire, such inventive and idyllic surrounds seem apt, but it only poses the question -- How hard can a quarry rock?

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