Broken Records – Until the Earth Begins to Part
If the news makes you sad, don't watch it, rather listen to Broken Records' dazzling debut.
Cold Cave – Of Dark Days and Light Years (2011)
Cold Cave's debut album of 2009 Love Comes Close was a unique display of synth-oriented mood disorder, venturing out from the bedroom to the dancefloor, filled with idealistic tales of romance and disillusionment. Band leader Wes Eisold’s spin on the world appeared to share a voice (in both dour baritone and content) with Magnetic Fields Stephin Merritt, if he'd spent his adolescence listening to The Cure and Depeche Mode instead of showtunes. On their second album, Eisold moved beyond the testing of the waters that was Love Comes Close and turned its successor, Cherish The Light Years into his dark dream made manifold.
Amanda Palmer – Australian Interview (2010)
From the Dresden Dolls to her solo album, Amanda Palmer has never been less than a bold and intriguing character in American rock music. In Australia for a slew of live dates we talk to the force of nature herself about her engagement to Neil Gaiman, her Golden Globes outfit switch-a-roo, the controversy surrounding her new Evelyn Evelyn project, what's on her bed side table and a dream involving Anna Pavlova wearing a spacesuit... and God.
Louis XIV – Way Out West Interview (2008)
This August Sweden was graced by a visit from San Diego's finest, Louis XIV, a band that shocked parents groups in Alabama and who have enticed numerous girls with their classic rock'n'roll moves. But behind
Noah and the Whale – Last Night on Earth
A surprising record or a record full of surprises from this indie-pop quartet? Note reviewer in "I loathed it now I like it" situation.
Liquid Liquid – Slip In and Out of the Phenomenon
Domino Records, 2008 [6/10] Post punk, new funk, even if its old junk, it's still rock and roll to me. Call it what you want, but history shows that Manhattan's Liquid Liquid were essentially a
Dean Wareham – Black Postcards
Penguin Press, 2008 [rating:7/10] "I don't wanna stay at your party/I don't want talk to your friends/I don't wanna vote for your president/I just wanna be your tugboat captain." Over simple chords, and a shaky
HTRK – London – 24 October 2011
HTRK The Garage, London October 24, 2011 HTRK have always been a difficult band to love. Once you got used to their narco-minimalism and faceless anonymity that pervaded their artwork, you realised they weren't a
Lisa Mitchell – Wonder
Avoiding the solo artist's temptation of self-indulgence, Lisa Mitchell imparts some wide-eyed optimism on Wonder.
Who The Hell Are… We//Are//Animal?
The arrival of their four digit debut single "1268" caused seismic speaker-blowing waves in the Webcuts offices in 2010. It truly was, and still is, a "What the fuck was that?" moment. It was in essence, Gang of Four meets LCD Soundsystem in an abandoned factory in North Wales. An electro pulse and surging beat, sheet metal guitars, inimitable Welsh vocals, it had 'post-punk dancefloor smash' writ large all over it, and had We//Are//Animal been from London instead of Wales, everybody would've been knocking down their door, kneeling to kiss their cossetted behinds (cough The Vaccines).
Die! Die! Die! – Form
New Zealand's Die! Die! Die! make their third incision into the heart of rock n' roll but fall short of delivering the expected death blow.
M83 – Saturdays = Youth
Virgin, 2008 [7/10] I have a very vivid memory of M83's previous album Before the Dawn Heals Us being played at a thunderous volume while sleeping at a friend's house early one morning, and it
Webcuts Top 20 of 2010 – Part 2
So that was 2010. What does Webcuts remember most about it? It's hard to say, really. The landscapes shift, the memories flickr and 365 days blur into one long unending soundtrack. One thing our favourite tracks of 2010 all had in common was that they appeared like one night stands that lingered a little longer than usual, almost all of them attached to a singular memory of the song being performed, either from a distance or elbows resting on the stage in mute admiration, or maybe just there emanating from a speaker aimed direct into our inner consciousness, refusing to budge.
Girls – Talking Father, Son, Holy Ghost (2011)
San Francisco's Girls self-titled debut of 2009 garnered widespread acclaim based on its fancy-free and free-love attitude that offered irresistible pop gems bathed in x-rated video clips ("Lust for Life" anyone?). Sex and pop, what more do you want out of music these days? For their sophomore album Father, Son, Holy Ghost, the Girls duo of Christopher Owen and Chet "JR" White have upped the songwriter stakes to put together an album that's impressive straight out of the blocks. Static's Chris Berkley spoke with Girl's JR over the phone in the midst of a very suspect (if you're to believe what he says) video shoot.
The Besnard Lakes – London – 19 August 2010
Touring off the back of their third studio release The Besnard Lakes Are the Roaring Night, the Quebec-based The Besnard Lakes returned to London to treat us with some more of their epic Beach Boys meets Spiritualized jams. Given the massive sound present on ...The Roaring Night, there was some anticipation in how the band were going to pull this off as a four piece. With the newer tracks being a lot denser and harder to recreate live without either a 10 piece line up or a maze of effects and loop pedals, assistance came via laptop, which helped embellish the sound and keep true to their recorded material.
Various Artists – SCORE! 20 Years of Merge Records: The Covers
A star-studded cast pay tribute on this anniversary compilation, but who invited Times New Viking?