Sloan – The Double Cross
The best band to come out of Canada, ever, celebrate their 20th anniversary with The Double Cross. It's a Roman numeral thing, y'dig?
Who The Hell Are… Seize The Chair?
You have to question the motives behind a band who put a picture of two gurning band members on the front cover of their debut 7", or when asking the record company for a promo photo being offered 'the one where they're all dressed up in drag', or 'the one where they're chewing grass' (we passed on both). Sheffield's Seize The Chair have the air of a band who clearly and delightfully just don't give a fuck. In fact they probably just want to make music and have a laugh. Which, if you've seen that record sleeve, you'll be laughing too.
The Low Anthem – Oh My God, Charlie Darwin
Oh my god! The third album from this Rhode Island folk trio proves to be a natural selection.
Deerhunter – Brisbane – 13 June 2009
Webcuts delivers the verdict on Deerhunter's recent Australian assault with reviews of Brisbane, Sydney and also the secret Atlas Sound Sydney show. Let the hunting begin.
Jonneine Zapata – Brisbane – 7 October 2010
Jonneine Zapata's Cast the Demons Out came out of nowhere and managed to do what it said on the tin. And all indications were that live was where she excelled. Comparisons were bandied around from PJ Harvey and Patti Smith for there strong vocal ranges to Jim Morrison and Mick Jagger for their bold sexual stage presence. Apart from the smoldering mic stand gripping, her onstage persona also alternates between standing still with an ice cold stare, holding her arms aloft swaying like an eagle, and my favourite, lurching around the stage like a drunken marionette. Unsettling? Maybe but never boring.
Spoon – Ga Ga Ga Ga Ga
Merge, 2007 [rating:9.5/10] It's almost an established fact that once a band hits album number 4 or 5 they're practically running on empty. Creative juices have all but dried up, different directions are attempted, band
Who The Hell Are… Janus 4-14?
Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.
Jess Ducrou – Interview about Splendour in the Grass (2009)
Second Splendour line up in full and interview with Splendour promoter Jess Ducrou about the tremendous success of the festival, the process for picking the line-up and this year's bands, future expansion of the site and the improvements in ticketing technology.
Coco Electrik – Interview (2007)
Former Brisbanite Anne Booty is the leading force behind genre defying Brighton-London based act Coco Electrik. We grill Anne about debut LP Army Behind the Sun, performing live and receive an answer to the question: Are Friends Electrik?
Destroyer – Trouble In Dreams
Rough Trade, 2008 [8/10] Daniel Bejar is the Woody Allen of pop music. His idiosyncratic, poetic touch opens up another world, planting himself square in the middle around a revolving cast of characters (mostly women),
Luke Haines – London – 19 January 2011
This was to be the debut and sole performance of Outsider Music, Luke Haines' most successful solo album to date. An album of some notoriety in that it was individually recorded 50 times and released last September for £75 a throw. An artistic experiment and a gamble of sorts, it was an undeniable success for Haines, the old adage about fools and their money standing true -- all 50 volumes of Outsider Music disappearing quicker than anticipated. With each volume a unique item on its own, buyers have been reticent on sharing and as of yet, no copies have surfaced. So Haines - 1, Rich Fans - 1, Poor Fans - go eat a shit sandwich.
Beach House – Teen Dream
Makers of mood music for moderns, Baltimore's daydream duo return with their sweet and sombre third album, Teen Dream.
Kings Of Leon – Come Around Sundown
"a polished genre grab bag record of mostly stale, completely innocuous songs". Kings of Leon - Win!
Friendly Fires – Interview with Edd Gibson & Ed Macfarlane (Static, 2009)
The friendly folks from indie-dance sensations Friendly Fires stroll into Static's studio to talk the good talk about their new single "Kiss of Life", the Mercury music prize and more -- "It’s good to kind of feed off the energy of the crowd: suck them like vampires."
Exlovers – London – 28 February 2011
There really is something enthralling about watching a band not just perform music but energetically project themselves into it. It's akin to standing against a gale who's presence is to overpower you and anything in its way. That would in part, sum up the appeal of Exlovers -- they cut a forceful, harmony-fuelled rug. The other part is they're the most attractive bunch of tattooed scruffs that you'll ever encounter. Put all this in the context of their latest single "Blowing Kisses", a song that transcends simple indie guitar music and that gale hits like a perfumed fist that still makes you want to stand up and take more.
Noah and the Whale – London – 16 May 2011
It’s a little known piece of Webcuts folklore that Noah And The Whale once played in my living room. Gladly, it was before my time, otherwise a compulsion to head downstairs and have words would‘ve been hard to resist. A sell-out show at the Camden Roundhouse is not to be sneered at, but if commercial success or the ability to fill a room is the barometer in which all great music is measured, we’re on (and have been for decades) very shaky ground, and when superlative-inducing American folk-rock act Okkervil River are playing across town, clearly in the wrong place.