The Decemberists – The King Is Dead
The Decemberists discard the costumes and dispense with the theatre slipping into more familiar musical threads on album number 6.
Who The Hell Are… The Fierce & The Dead?
With their debut album If It Carries On Like This We're Moving to Morecombe, London post-rock quartet The Fierce & The Dead left an indelible impression at Webcuts HQ. It was an album that defied categorisation and challenged perceptions of the post-rock genre, not only from the exceptionally long-winded and unselfconscious title, but in the way it fused elements of post-rock with hardcore, ambient soundscapes and jazz/funk experimentation. It was as if The Fierce & The Dead wanted to sound like all bands, and none, which intrigued us enough to want to find out more.
Owen Pallett – Heartland
From Final Fantasy to something more pallettable Canada's Owen Pallett continues to enthrall with his third album which gets to right to the heart.
King Creosote – Flick the Vs
The two fingered salute is vigorously given by Scottish anti-folk hero King Creosote on new album Flick the Vs.
Coco Electrik – Interview (2007)
Former Brisbanite Anne Booty is the leading force behind genre defying Brighton-London based act Coco Electrik. We grill Anne about debut LP Army Behind the Sun, performing live and receive an answer to the question: Are Friends Electrik?
Howler – This One’s Different
From the label that gave you The Libertines and The Strokes, here's another young and disaffected indie guitar band.
HTRK – London – 24 October 2011
HTRK The Garage, London October 24, 2011 HTRK have always been a difficult band to love. Once you got used to their narco-minimalism and faceless anonymity that pervaded their artwork, you realised they weren't a
Who The Hell Are… Silk Flowers?
Dial back to the summer of 2010 having spent the afternoon hanging out with electro-be-spectacle Amanda Warner aka MNDR, we get a tweet from her inviting us to come down to Camp Basement in Old Street to watch synth experimentalists Silk Flowers, a Brooklyn three-piece that she’d recently produced an album for. Standing facing each other in a semi-circle surrounded by banks of synths, the band were undoubtedly not of this planet, but one Krautrock based in nature, appearing wholly entranced in their own music which veered from instrumental collages to deadpan delivered pop.
The Horrors – Primary Colours
The Horrors pull off the surprise reinvention act of the century and lift the curse of the sophomore slump forever.
Mercury Rev – Australian Interview (Static, 2009)
Touring Australia on the bequest of the all-conquering Coldplay, Mercury Rev stopped into visit Static's Chris Berkley to talk about their latest album Snowflake Midnight and an impressive career that cannot be reigned in by simple film analogies.
The Hold Steady – Heaven Is Whenever
Heaven is here, and if the album is half as great as this review, then The Hold Steady should be counting their lucky stars.
Projekt A-KO – Yoyodyne
From the ashes of the almighty Urusei Yatsura come Projekt A-KO, and the great guitar-led fuzzpop revolution begins anew.
The New Pornographers – Together
An album that makes us love them more, but not enough to wear their t-shirts. The New Pornographers get it Together.
Steven Heath – The Airport Fire
Peak Plasma Conc., 2008 [6/10] "A soundtrack for driving around the city at night" is how Australia's Steven Heath depicts his latest release and it's not a far fetched description; the overall feeling that it
The Whitest Boy Alive – Rules
Erlend Øye and company break some rules but also unwittingly create them on their second album entitled, you guessed it, Rules.
Okkervil River – The Stand Ins
Jagjaguwar, 2008 The Austin boys in Okkervil River are back with another album and like always it's filled with surprising stories, dense lyrics and great tunes that stick with you. The