Laetitia Sadier – The One Million Year Trip (2011)
Quietly released last year was the first proper solo album by Stereolab's Laetitia Sadier. A touching tribute to her sister, who in Sadier's words "went on a million year trip/and left everthing behind", The Trip saw Sadier step out from the shadow of Stereolab to make a very revealing album, not only in the way she dealt with her loss, but in how she paid tribute to artists that influenced and inspired her. An album that sparkled in its minimalist approach, The Trip showed a side of Sadier unseen, one that was filled with warmth and emotion, and those little philosophical quirks that you've come to expect.
Pavement – Brighten The Corners (Nicene Creedence Edition)
Expanded and remastered fourth album tour de force from Stockton, CA quintet. High-ho silver ride!
Jay Reatard – Australian Interview (Static, 2009)
Capping off an incredibly busy year with a singles compilation for 2008, Nashville native Jay Reatard has been relentlessly touring the globe and still hasn't stopped to catch his breath. Recently blowing away audiences in
Laneway Festival – Brisbane – 2009
We brave the laneways of Brisbane to report on No Age, Jay Reatard, The Hold Steady, Cut Off Your Hands, The Drones, Stereolab, Spiral Stairs, Augie March and more.
Pernice Brothers – Goodbye, Killer
All killer, no filler, Joe Pernice and Co. turn up the volume and turn in one of their most enjoyable records to date.
The Boxer Rebellion – Union
When the dark forces are everywhere who are you gonna call? England's staunchly independent epic rock band The Boxer Rebellion? Maybe not after this disappointing second effort.
I Break Horses – Hearts
Welcome to the lilting shoegaze world of Swedish duo I Break Horses, "more than just a nostalgic pastiche of an ethereal past".
The Morning Benders – Big Echo
Oh, summery shimmery albums. Why must you hook us so? Berkeley, CA's, The Morning Benders serve up a treat.
The Darling Buds – London – 22 September 2010
You’d be forgiven for having a sense of déjà vu here. Is it 1989? Did The Primitives and The Darling Buds really both play London within a week of each other? Having been absent from the live scene for most of the '90s and all of the past decade, for both bands to surface at the same time is unthinkable. Unthinkable, but pretty damn cool. It brings back memories of a time when the music magazines invented a scene called ‘Blonde’, where bands were lumped together purely based on the colour of the lead singers hair. Which by their way of thinking meant you were either a Blonde, a Goth or in Fairground Attraction.
Stephen Malkmus – London – 9 December 2009
Stephen Malkmus has been ‘jicking’ for as long now as he was leading the charge in Pavement, releasing as many albums, yet never reaching the same heights. His solo career seemed to be in constant war of expectation over delivery. It's not Pavement. It's not a bunch of twenty-year-olds fighting their generation. But the louche stage prescence, that hazy cynical drawl, the greying hair framing the eyes in a semi-slacker curl, little has changed over the years.
LCD Soundsystem – Interview with James Murphy (Static, 2010)
During their recent visit to Australia for Splendour in the Grass we caught up with LCD Soundsystem's main man James Murphy who gave us reason to put away the hankies for LCD's much reported demise - "It’s not necessarily the last record. I would make another record. It’s more the end of this part – three records that go together, an arc. We became a bigger band than I ever expected. Something needs to stop, for me, for us all to be happy." He also waxes lyrical about making the record in the LA of his imagination, growing up and wanting kids, his Greenburg soundtrack experience and his many and varied future projects.
Who The Hell Are… Janus 4-14?
Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.
Vivian Girls – Australian Interview (Static, 2009)
Cassie, Katy and Ali aka Vivian Girls are back again with their sophomore album Everything Goes Wrong and we caught up with them in a place where nothing ever goes wrong, unless you have a show scheduled at the Hopetoun Hotel this week (fyi girls - it's closed).
Austra – Feel It Break
Electro-dance-goth-opera by way of Canada, Austra's debut album Feel It Break is akin to a good night out in loud, dark room. Kinda fun, but where's the door?
Jay Reatard – London – 13 November 2009
Musicians die. Sometimes quite unexpectedly, most before their time, but not often enough for your brain to idle between song, between string changes or tunings to wonder “will this be the last time?”. You don’t, because you’re too busy enjoying the moment. Having witnessed Jay Reatard play what would be his last ever show in London, he was anything but the vision of a man kicking out the last of his jams.
Atlas Sound – Logos
Bradford Cox of Deerhunter makes us seem like we're slavishly supportive of everything his hand touches, but we mean every word. Honest.