The Sisters of Mercy – London – 9 April 2009
The Sisters of Mercy The Forum, London 9th April 2009 For a band who have refused to release records since 1994 and now only operate as a touring act, The Sisters of Mercy must have
The Loves – …Love You
The final bow from London’s The Loves balances its buoyant pop against a knowing end and comes up smelling of roses.
Chris Thile – Los Angeles – 26 April 2010
"You must be the most attentive audience, ever" joked Chris Thile, during his performance at LA's gem Largo at the Coronet, "It's not often that you can hear the performer's water bottle snap back into place." And it was true -- in this intimate setting of about 75 people (including fan Minnie Driver), Mr. Thile was the center of everyone's attention. There was no heckling or chatter between songs, just enthusiastic, almost rapturous applause for this mandolin virtuoso.
Who The Hell Were… Naomi Hates Humans?
This is a first for Webcuts, in the sense that between asking a band to appear in a future 'Who The Hell Are...?' and publishing said feature, the band broke up. Our recent hiatus, which
The Earthmen – Whoever’s Been Using This Bed
It was the Johnny Marr guitar flourishes at the start that first sucked me in. Here is the moment when a band who've been doggedly plying their guitar pop trade since the early 90s actually
Destroyer – Dan Bejar talking about Kaputt (2011)
It's been said by Webcuts in the past that Destroyer's Dan Bejar is the Woody Allen of pop music. His idiosyncratic, poetic touch is less that of a lyricist but a storyteller with a revolving cast of characters (mostly women), and picking up on the ripples and waves they create to make them a part of his own interior monologue. An essential eighth of the mighty New Pornographers, Bejar has been recording as Destroyer since the 90's. Kaputt, his ninth album is a sumptious, rhapsodic slice of 80's melodrama, immersing itself entirely in the era from the vintage instrumentation to Bejar's own penchance for seeking the sublime out of what some might find the ridiculous.
Faker – Be the Twilight
Capitol/EMI, 2007 [9/10] There is a litany of bands that make the decision to pack their bags and move to Los Angeles to try and catch a spark of what makes the town such a
Windmill – Epcot Starfields
Windmill embark on a musical trip through the Epcot Space Center to give us the futuristic feel of Epcot Starfields.
The Dum Dum Girls – Interview with Dee Dee (Static, 2010)
New York has definitely handed over its crown as being home to earthshaking epicentre of what's hot, hip, and happening. These days all eyes are firmly focused on the eclectic sounds of the West Coast -- as it seems that every single band we talk right now calls the place home. With Katy Perry (of all people) singing the praises of California Girls, just like the Beach Boys did in the 60's, so are we with Los Angeles' Dum Dum Girls.
Pete Fijalkowski – Interview about Polak, Adorable and Broken Heart Surgery (2008)
Pete Fijalkowski former frontman for two of England's most criminally ignored bands, Adorable and Polak, talks about his solo album Broken Heart Surgery.
M.I.A. – MAYA
Send out the search parties -- Missing in action on the latest album from M.I.A. -- "melody, listenability, and some semblance of a point".
Franz Ferdinand – Tonight: Franz Ferdinand
Many a rock band have experimented with electronica but can Scotland's most successful export since kilts and haggis pull it off?
Splendour in the Grass 2009 (Day 2)
The second splendid day of Splendour in the Grass 2009. We catch Kram, Jack Ladder, Bob Evans, The Gutter Twins, White Lies, The Doves, The Flaming Lips and er, Grinspoon.
The Cave Singers – Welcome Joy
No, not Nick Cave's new backing band, Seattle's The Cave Singers have crafted a rich and rewarding second album.
Prefuse 73 – Everything She Touched Turned Ampexian
No we have no idea what Ampexian means, but globe trotting Scott Herren otherwise known as Prefuse 73 does on his fifth disc of beats and pieces.
Decoder Ring, Bridezilla – Brisbane – 22 August 2009
Two of Sydney's finest: Bridezilla's dark brand of baroque folk and Decoder Ring's post-rock electronica, strut their wares in Brisbane.