Sunset Rubdown – Dragonslayer
Despite all the record's anomalisms, it's really gorgeous at its core, and there are more than enough enticing musical phrases to drive the listener back to wrestling with its eccentricities.
Exlovers – Moth
Young & Lost Club, 2012 [rating:6.5/10] When it came to making the kind of sweet and effervescent guitar pop that would chime and ring at your feet, London’s Exlovers were one of a handful of bands
Pavement – Brighten The Corners (Nicene Creedence Edition)
Expanded and remastered fourth album tour de force from Stockton, CA quintet. High-ho silver ride!
Black Cab – Brisbane Interview (2010)
Sometimes the best music is just under your nose, as in literally right under your nose on your desk hiding in a spindle of CDs. That’s what happened with Melbourne's Black Cab as after receiving a promo of their third album Call Signs mid last year it was put on said spindle and largely forgotten about until the video for the first single, the chugging rock epic “Church of Berlin” was seen, which quickly made me hunt out the promo disc and give it my full, rapt attention. With Calls Signs recently being given an European release we talked to Andrew and Steve about their visit to the sunshine state, the sexiness of “Sexy Polizei”, the allure of Germany as a source for lyrics, covering alternative classics and new recordings.
Vivian Girls – Australian Interview (Static, 2009)
Cassie, Katy and Ali aka Vivian Girls are back again with their sophomore album Everything Goes Wrong and we caught up with them in a place where nothing ever goes wrong, unless you have a show scheduled at the Hopetoun Hotel this week (fyi girls - it's closed).
Coco Electrik – Interview (2007)
Former Brisbanite Anne Booty is the leading force behind genre defying Brighton-London based act Coco Electrik. We grill Anne about debut LP Army Behind the Sun, performing live and receive an answer to the question: Are Friends Electrik?
Contiuum Books 33 1/3 – Television, Rolling Stones, Dinosaur Jr
Behind every great album is more often than not, an even greater story waiting to be told. The pursuit for higher understanding of artists and their most influential pieces of work and how the two came to pass has long been the ultimate goal of the ardent music fan who thrives on having every recorded nuance and historical detail mapped out like a combined atlas and encyclopedia of the human body. One of the more indispensible series of music books published that actually does, more or less, what is expected above, has been Continuum's 33 1/3. With the recent addition of The Rolling Stones Some Girls, Dinosaur Jr's You're Living All Over Me and Television's Marquee Moon to their honour roll, 33 1/3 show no sign of scraping the bargain bin anytime soon.
Detektivbyrån – Hemvägen
Danarkia, 2006 [8/10] With glockenspiel, accordion and toy-piano Detektivbyrån (Dee-tek-teeve-bu-ron, "The Detective Agency") take their audience on an imaginative musical journey through the urban streets of Paris and the forests of Värmland, the Swedish province
Arcade Fire – The Suburbs
From a Funeral to a Neon Bible and now out to The Suburbs, the long-awaited third album from Arcade Fire has Webcuts feeling right at home.
Who The Hell Are… The Fierce & The Dead?
With their debut album If It Carries On Like This We're Moving to Morecombe, London post-rock quartet The Fierce & The Dead left an indelible impression at Webcuts HQ. It was an album that defied categorisation and challenged perceptions of the post-rock genre, not only from the exceptionally long-winded and unselfconscious title, but in the way it fused elements of post-rock with hardcore, ambient soundscapes and jazz/funk experimentation. It was as if The Fierce & The Dead wanted to sound like all bands, and none, which intrigued us enough to want to find out more.
LCD Soundsystem – Interview with James Murphy (Static, 2010)
During their recent visit to Australia for Splendour in the Grass we caught up with LCD Soundsystem's main man James Murphy who gave us reason to put away the hankies for LCD's much reported demise - "It’s not necessarily the last record. I would make another record. It’s more the end of this part – three records that go together, an arc. We became a bigger band than I ever expected. Something needs to stop, for me, for us all to be happy." He also waxes lyrical about making the record in the LA of his imagination, growing up and wanting kids, his Greenburg soundtrack experience and his many and varied future projects.
Stephen Malkmus and The Jicks – Mirror Traffic
Pavement reunion done and dusted, Stephen Malkmus and Co. get back to making adult indie rock on album number five.
Centro-Matic / South San Gabriel – Dual Hawks
Cooking Vinyl, 2008 [5/10] (Centro-Matic) [7/10] (South San Gabriel) Will Johnson can seemingly do anything. A prolific songwriter, Johnson has spent over a decade playing indie rock in Denton, Texas' Centro-Matic, putting out a succession
HTRK – London – 9 March 2009
HTRK Lexington, London 9th March 2009 I first witnessed Melbourne/Berlin noise-makers HTRK in action at a time where any favourable impression would not come forthwith. This was in a dingy low ceilinged East London venue
Who The Hell Are… KIDCITY?
Introducing KIDCITY. Two people, One word, uppercase for menacing effect. But really, aren't they just too cute for words? Which is apt, seeing as the music that these two Canadian 21-year-olds make is more like haunted voices leaking from an overloaded digital landscape. "Somewhere between Enya and Dr. Dre", someone said. Sure, why not. It might be simple enough to place them within the geographical radius of another glitchy electronic duo, Crystal Castles, but Kelly Ann's vocals soothe, rather than antagonise, as the cracked beats and blistered frequencies dial up the intensity. Significantly impressed, we had no choice but to ask 'Who the hell are... KIDCITY?"
Teenage Fanclub – Los Angeles – 11 October 2010
Blake, McGinley & Love doesn’t have the same ring as Crosby, Stills & Nash, but there’s no reason why they shouldn’t be held in the same breath or as widely known. These three Scotsman and the outfit they've steered for the last 20+ years have consistently made albums that rich in harmonies and heart-on-sleeve emotions. If Teenage Fanclub had a spiritual home, it would be a tie between Nashville or Los Angeles, or perhaps started in Los Angeles and ended up in Nashville (as found on their most recent album Shadows).