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Okkervil River – Brisbane – 3 May 2009

By |May 3rd, 2009|Categories: Live Reviews|Tags: , , , , , , , |

The highlights of the night are rightly saved for the encore; “Blue Tulip” combines both delicate folk and heavier rock modes with an acoustic beginning slowly building to a layered, cathartic second half that envelopes the Zoo in a thick haze of distorted bliss.

Stephen Malkmus – London – 9 December 2009

By |March 13th, 2010|Categories: Live Reviews|Tags: , , , , |

Stephen Malkmus has been ‘jicking’ for as long now as he was leading the charge in Pavement, releasing as many albums, yet never reaching the same heights. His solo career seemed to be in constant war of expectation over delivery. It's not Pavement. It's not a bunch of twenty-year-olds fighting their generation. But the louche stage prescence, that hazy cynical drawl, the greying hair framing the eyes in a semi-slacker curl, little has changed over the years.

Destroyer – Dan Bejar talking about Kaputt (2011)

By |April 23rd, 2011|Categories: Interviews|Tags: , , , , , , , |

It's been said by Webcuts in the past that Destroyer's Dan Bejar is the Woody Allen of pop music. His idiosyncratic, poetic touch is less that of a lyricist but a storyteller with a revolving cast of characters (mostly women), and picking up on the ripples and waves they create to make them a part of his own interior monologue. An essential eighth of the mighty New Pornographers, Bejar has been recording as Destroyer since the 90's. Kaputt, his ninth album is a sumptious, rhapsodic slice of 80's melodrama, immersing itself entirely in the era from the vintage instrumentation to Bejar's own penchance for seeking the sublime out of what some might find the ridiculous.

A Place to Bury Strangers – Interviw with Oliver, Jason, Jonathan (Static, 2010)

By |April 20th, 2010|Categories: Interviews|Tags: , , , , |

We trap the loudest band the land - A Place to Bury Strangers - in the Static studios to talk the good talk about their beginnings, effects pedals and not being labeled shoegaze, but are disappointed to learn that they aren't in fact the loudest band from New York -- "Jono: It was Time Out New York, they came to our rehearsal studio and had a decibel meter while we were rehearsing, but then they went to Music Hall of Williamsburg, which is this huge 500-capacity venue and then they recorded Black Dice and they were louder than us."

Ripe – Moondriven

By |February 2nd, 2010|Categories: Features, Secret History of Australian Music|Tags: , , , , |

..with a rejuvenated reappraisal of the career of Melbourne psyche-drone-pop quartet Ripe and their space-rock epic "Moondriven", now with 33 1/3% more added insight courtesy of an exclusive interview with guitarist and vocalist Peter Moran who talks about the making of their landmark Australian debut The Plastic Hassle. Fans of Sonic Youth, Swervedriver and Dinosaur Jr take note.

Who The Hell Are… The Beggar Folk?

By |October 24th, 2011|Categories: Features, Who the Hell Are|Tags: , , |

Folk bands are slowly going the way of the emo bands -- cookie-cutter, predictable, uninspired, and inevitably becoming a parody of themselves because music is a business and the market dictates that consumers will always want more of what's popular. The Beggar Folk fall nicely into the afore-mentioned folk music genre, however their music doesn't seem to follow suit with the folk status quo. These are ballads and hymns, carved from trees and molded from soil. This music demands your attention and effortlessly passes any authenticity tests. It conjures up what real Americana and country music should conjure.

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