Magic Dirt – White Boy EP
Standing tall in the face of tragedy, Magic Dirt compile a lucky dip of new, rare and unreleased tracks to coincide with their recent tour.
The Breeders – London – 3 September 2008
The Breeders Shepherd's Bush Empire London 3rd September 2008 For a long time The Breeders seemed to go the way of the Pixies. As both Deal sisters battled their demons, Kim with liquor and Kelley
Peaches – I Feel Cream
The always fruity Peaches is back with fourth album I Feel Cream which finds her giving the past a slip and whipping it real good.
Washed Out – Riding the Chillwave (2011)
As 2011 continues to reveal an abundance of new artists and great music, it's of no surprise that one of the more anticipated debut albums was that of 28-year-old Atlanta based songwriter and producer Ernest Greene, AKA Washed Out. Full of blissful harmonies and gently shifting arrangements, augmented with hip-hop beats and samples, Within And Without quickly became the preferred summer spin at Webcuts. Static's Chris Berkley recently caught up with Ernest to talk about all things Within And Without -- recording the album, the process behind it, and amongst other things, 10CC's "I'm Not In Love" and the 'raunchy' cover art.
TV on the Radio – Interview with Jaleel Bunton (Static, 2008)
Having just released one of the stand-out (and Webcuts approved) albums of 2008 with the awe-inspiring brilliance of Dear Science, Static's Chris Berkley spoke to Jaleel Bunton, drummer of Brooklyn's roof-raising TV On The Radio as
Jonneine Zapata – Brisbane – 7 October 2010
Jonneine Zapata's Cast the Demons Out came out of nowhere and managed to do what it said on the tin. And all indications were that live was where she excelled. Comparisons were bandied around from PJ Harvey and Patti Smith for there strong vocal ranges to Jim Morrison and Mick Jagger for their bold sexual stage presence. Apart from the smoldering mic stand gripping, her onstage persona also alternates between standing still with an ice cold stare, holding her arms aloft swaying like an eagle, and my favourite, lurching around the stage like a drunken marionette. Unsettling? Maybe but never boring.
M.I.A. – MAYA
Send out the search parties -- Missing in action on the latest album from M.I.A. -- "melody, listenability, and some semblance of a point".
Who The Hell Are… Janus 4-14?
Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.
Kent – Gothenburg – 25 July 2008
A great set isn’t achieved by luck and prowess alone. Kent have always kept a keen eye on quality control throughout their career — they have yet to record a bad album, or even average album and new songs such as “Ingenting” (“Nothing”) rank among their best.
Destroyer – Kaputt
Lyrically and musically, simply one of the best records you'll hear all year. Dan Bejar -- Genius. Kaputt -- Divine.
Dean & Britta – London – 30 July 2010
Releasing their soundtrack to 13 of Andy Warhol's screen tests was an opportune moment for ex-Galaxie 500/Luna star Dean Wareham to fully express his love for Velvet Underground and the stars of Andy Warhol's Factory. The screen tests alone, wavering between the visually arresting and the arrestingly mundane, were elevated into a new realm with the musical accompaniment provided by Wareham and partner Britta Phillips. Bringing the 13 Most Beautiful show to London (having frustratingly been given its UK premiere in Dunfermline last year) was a long-anticipated occasion.
Mansun – Interview with Dominic Chad (1997)
A decade ago, at the tail end of Britpop, art-rockers Mansun were one of the biggest bands in the UK, seemingly ready to take on the rest of the world. Six years later the band imploded in the wake of backlash towards their third record Little Kix. Webcuts chooses to remember them at their peak with this 1997 interview.
Hop Farm Festival – Kent – 1-3 July 2011
In the history of modern music festivals, few line-ups could compare with the distinctly 70's flavoured action offered at the Hop Farm Festival last weekend. While The Eagles were wheeled out of retirement as headliners on the first night, the purportedly Morrissey-curated second day included such rock pantheon artists as Lou Reed, Iggy Pop, and Patti Smith. All in all, it's a jaw-dropping stroke of genius, with Morrissey having the hardest of acts to follow the swathe these three so cleanly cut through the Kent countryside. Oh, and did we forget to mention Prince was there too?
Luke Haines – 21st Century Man
Luke Haines looks back at the 20th Century, and takes pop shots at the maligned and those who got left behind in typical Haines fashion.
The xx – xx
XX marks the spot for mixed treasures on the much lauded London foursome's debut LP, an album for the post-sunset hours.
Robert Forster – The Evangelist
EMI, 2008 [8/10] Robert Forster and Grant McLennan were two months into writing the next Go-Betweens album when on May 6th 2006, Grant McLennan died suddenly of a heart attack at age 48. An indescribable