Stars – Interview with Evan Cranley on The Five Ghosts (2010)
The new Stars album The Five Ghosts is a focused and streamlined record that in some ways harks back to their synth-pop roots of their first album, albeit being much darker in tone and theme. While Stars' diminutive front-man Torquil Campbell, and its glamorous front-woman Amy Millan, may get the most of the star light we recently had words with the quiet achiever of the band, Evan Cranley. Evan reveals to us details about the process and direction that the new album took, the decision behind the Séance EP, his jack of all trades role in the band, the novel approach to touring the new songs and how to create a fantastic remix.
Chris Thile – Los Angeles – 26 April 2010
"You must be the most attentive audience, ever" joked Chris Thile, during his performance at LA's gem Largo at the Coronet, "It's not often that you can hear the performer's water bottle snap back into place." And it was true -- in this intimate setting of about 75 people (including fan Minnie Driver), Mr. Thile was the center of everyone's attention. There was no heckling or chatter between songs, just enthusiastic, almost rapturous applause for this mandolin virtuoso.
Wilco – Wilco (The Album)
Apparently Tweedy had been saving up his impetuousness for this, Wilco's seventh album, as his tongue has never been buried so deeply in his cheek.
Beach House – London – 2 December 2008
Beach House Cargo, London 2nd December 2008 Roughly a year since their last headline show at the Water Rat in Kings Cross, Baltimore’s Beach House have doubled their output and returned to London on the tail end
Tom McRae – The Alphabet of Hurricanes
If only England had their version of the Wild West, otherwise Tom McRae might've found himself in much stronger grounding.
St. Vincent – Actor
The honeymoon of Marry Me is over for Annie Clark, aka St. Vincent, as she sets her gaze on the big stage in Actor.
Chromatics – London – 6 November 2012
Chromatics Heaven, London 6th November 2012 On a night when everyone is locked in an US election day trance, American synth-noir act Chromatics were the alternative for those choosing pop over politics.
Lotus Plaza – The Floodlight Collective
The second solo project members of Deerhunter, Lotus Plaza is guitarist Lockett Pundt's self-fulfilling dreampop odyssey.
Adalita – Adalita
Australia's first lady of rock and founder member of Magic Dirt, Adalita Srsen, adopts a stripped back stance for her debut solo effort.
Telekinesis – Telekinesis!
A protégé of Death Cab's Chris Walla, Telekinesis, certainly has the über producer's influence all over its thirteen power pop tracks.
Bob Mould – Silver Age
Merge, 2012 Alterna-rock statesman hot from bringing a little 90's Sugar to the 10's masses returns with shit-hot album. If that's all the convincing you need, you might as well stop reading now
Shearwater – London – 22 November 2008
"I don't know. I feel a bit naughty playing here", confides Jonathan Meiburg, singer with the Austin, Texas outfit Shearwater, sitting in front of a grand piano in St. Giles in the Fields, an 17th
Blur – Midlife: A Beginner’s Guide To Blur
The predictable commercial foibles of a greatest hits compilation are largely avoided here; each of the tracks have been carefully selected by the band and many of them are touched-up or alternative versions.
Dirty Projectors – Bitte Orca
"Bitte Orca is an album for the background of a high concept coffee shop on your hipster street". I'm getting that Reality Bites feeling...
Splendour in the Grass 2009 (Day 1)
We give an in-depth rundown on 2009's Splendour in the Grass festival including the good - The Flaming Lips, Happy Mondays, Bloc Party, Doves, Sarah Blasko, Specials, You Am I, MGMT and the frankly rather appalling - Kram, Grinspoon.
The Cult – London – 21 January 2011
When you add up the years, you realise Ian Astbury and Billy Dully have been making music as The Cult for a long-ass time. Sitting in the rafters of the Hammersmith Apollo ("Hammersmith Odeon", Astbury demurs, referring to the venue's previous appellation), the debt paid to the excesses of rock n’ roll have more-or-less treated both kindly. Astbury, the once flower-child/wolf-child looks a little rough round the edges, but when you style yourself on Jim Morrisson and then suddenly become him, what can you expect. Duffy on the other hand, is ageless, looking more like David Beckham‘s older brother than a well-tooled guitar god.