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Cloud Control – Interview (Static, 2010)

By |June 24th, 2010|Categories: Interviews|Tags: , , , , , |

A Tale of Two Cities? Not bloody likely. While both appear on the forthcoming Laneway bill Cloud Control and Rat vs Possum are worlds apart and aren't harbingers of any Sydney or Melbourne scene. Although there are groups of like-minded musical acts in all Australian cities and towns they're is no discernible Sydney sound or Melbourne sound. Cloud Control's indie-folk rubs shoulders with Parades' and Jonathan Boulet's dense polyglot pop while Rat vs Possum's tribal skewed pop sounds share the same general geography as Love Connection's murky shoegaze and Super Wild Horses girl fronted garage. It's not where you come from, it's where you're at.

Who The Hell Are… The Rassle?

By |September 28th, 2011|Categories: Features, Who the Hell Are|Tags: , , |

When it comes to the mythical it-factor, New York's The Rassle by their own admission are “just rock and roll”. They understand that thousands of people have been there, done that. They're here to enjoy whatever the moment is right now, and it feels pretty damn great. Listen to The Rassle's first single, “Wild Ones” and you'll hear what they're talking about. It's a sound that's been done before. A little synthy, a little danceable. But by the time that kick drum chorus comes bellowing forward, it doesn't matter. You're bobbing your head like this is the first time you've heard indie rock before. It's fantastic.

Who The Hell Are… COOLRUNNINGS?

By |September 9th, 2010|Categories: Features, Who the Hell Are|Tags: , , , |

How Webcuts first encountered Knoxville, Tennessee's Coolrunnings could be best described as a lucky accident. And it's no surprise that the best way to get someone's attention is to slap a photo of some naked chicks skateboarding on the cover of your EP and let them sell it for you. The appropriately titled (and NSFW) Babes Forever was clearly the product of talented and warped minds. The creepy, schizoid mayhem of "Trippin' Balls at Der Wienerschnitzel" and the inspired, almost unabashed, synth-pop of "When I Got High With You" sounded like they were made by some slacker Bill & Teds who'd already embarked on their own excellent adventure.

Mumford & Sons – Copenhagen – 11 April 2010

By |April 15th, 2010|Categories: Live Reviews|Tags: |

A great band once sang “I’m beginning to like country music. They say that’s the first sign of age” and during the last few years I have seen more and more friends go over to the side of banjos, boots and beards. Maybe age is catching up with us but it could also be that country has sneaked its way into the indie scene more and more, being mixed with folk, rock and pop.

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