Warpaint – The Fool (Deluxe Edition)
Reissue! Repackage! Warpaint's mesmerising debut gets a little dressing up as we wait for album #2.
Splendour in the Grass – 2010 – Woodford
It's Summer festival time in Europe, but over in Australia it's Winter and Webcuts was there to brave the chill and celebrate Splendour in the Grass' tenth birthday with 32,000 others at the new Woodford location in Queensland. Over the three day weekend our reviewers witnessed a phenomenal selection of old and new favourites including -- Ash, Band of Horses, Black Rebel Motorcycle Club, Cloud Control, The Drums, Grizzly Bear, Jonsi, LCD Soundsystem, Paul Kelly, Pixies, School of Seven Bells, Scissor Sisters, The Strokes, Tame Impala, The Vines, Yeasayer, and believe it or not, a whole lot more!!
Chromatics – London – 6 November 2012
Chromatics Heaven, London 6th November 2012 On a night when everyone is locked in an US election day trance, American synth-noir act Chromatics were the alternative for those choosing pop over politics.
Who The Hell Are… The Rifle Volunteer?
It's an audacious pronouncement to commit to releasing 12 singles in 12 months. The Wedding Present set the benchmark in the 90's. Ash tried the same thing recently, in a mixture of desperation and overkill in numbers too large to comprehend and tarnishing the very idea of a single. It's not just two songs on a slab of vinyl (or cd, or one of those less satisfying digital w/artwork jobs). It's a living, breathing statement. A trojan horse in disguise. A rallying cry to fall behind. A rallying cry... See, The Rifle Volunteer comprehend this. "I'll Sleep When That Damned Sun Is Dead", the first single in their year long campaign, is what we're talking about. Here is a band that means business.
We Were Promised Jetpacks – Q&A with Darren Lackie (2009)
...And we got them. Darren Lackie drummer from Glasgow's anthem driven rock band We Were Promised Jetpacks does the honours - "We've learnt from our mistakes recording the first album though so who knows with the next one (please let us have a next one, I don't want a job)"
Who The Hell Are… KIDCITY?
Introducing KIDCITY. Two people, One word, uppercase for menacing effect. But really, aren't they just too cute for words? Which is apt, seeing as the music that these two Canadian 21-year-olds make is more like haunted voices leaking from an overloaded digital landscape. "Somewhere between Enya and Dr. Dre", someone said. Sure, why not. It might be simple enough to place them within the geographical radius of another glitchy electronic duo, Crystal Castles, but Kelly Ann's vocals soothe, rather than antagonise, as the cracked beats and blistered frequencies dial up the intensity. Significantly impressed, we had no choice but to ask 'Who the hell are... KIDCITY?"
Sunset Sounds Festival – Brisbane – 2011
The third Sunset Sounds festival featuring Sleigh Bells, Cold War Kids, Ladyhawke, Pubic Enemy, The National and Interpol on day one. While for the second day we deliver reports on The Soft Pack, Peaches, Junip, The Morning Benders, Washington and Paul Kelly.
Foals – Australian Interview with Walter Gervers (Static, 2011)
To say expectations were high for Foals' second album Total Life Forever would be stating the exceedingly obvious but from the grandeur and exquisite melancholy of “Spanish Sahara” to the frenetic indie-pop of “This Orient” to the dance funk of “Miami” it met and exceeded them with uncommon ease. Total Life Forever elevated Foals further from their peers and into the rare league of artists who maintain credibility with a more accessible sound and thus gaining a larger listening base whilst still remaining true to their experimental pop principles. We spoke to bassist Walter Gervers while the band was in Australia for the St. Jerome’s Laneway festivals and some recording on the sly.
Dum Dum Girls – London – 28 September 2010
California girls. Beach Boys praised them, Katy Perry revived them, but Los Angeles' Dum Dum Girls are the kind of girls that either Brian Wilson or Katy Perry had in mind. Palm trees, bikinis and suntans aren’t their domain, in fact, it would be surprising if daylight ever graced their chalk-white skin, looking as they do Josie and The Pussycats meets Tim Burton. Making a return visit to London in the newly opened (and un-divey) East London venue XOYO, Dum Dum Girls are Dee Dee. The all-girl band she's assembled acts as both an extension of her psyche, and a mirror to how she dresses.
Broken Records – Until the Earth Begins to Part
If the news makes you sad, don't watch it, rather listen to Broken Records' dazzling debut.
Joker’s Daughter – The Last Laugh
Producer Danger Mouse and vocalist Helena Costas come together as Joker's Daughter. It's a mixed deck by all accounts.
The Earthmen – Whoever’s Been Using This Bed
It was the Johnny Marr guitar flourishes at the start that first sucked me in. Here is the moment when a band who've been doggedly plying their guitar pop trade since the early 90s
The Strokes – Angles
Thumbs down for the skinny ties and tight jeans brigade on their fourth go-round. Surely it can't be worse than First Impressions Of Earth?
Hazards of Swimming Naked, Lion Island, Mr. Maps, Hunz – Brisbane – 21 August 2010
A Brisbane bounty with trippy post-rockers The Hazards of Swimming Naked joined by Lofly math-rock legends Mr. Maps, plus the baroque charms of Lion Island and electronic wunderkind Hunz.
Models – God Bless America
The Post-Punk years in Australia were a mixed ground. The key bands of that era were floundering or disbanding while the second wave was about to hit, bands like Hunters and Collectors, Hoodoo Gurus, The
Stephen Malkmus – London – 9 December 2009
Stephen Malkmus has been ‘jicking’ for as long now as he was leading the charge in Pavement, releasing as many albums, yet never reaching the same heights. His solo career seemed to be in constant war of expectation over delivery. It's not Pavement. It's not a bunch of twenty-year-olds fighting their generation. But the louche stage prescence, that hazy cynical drawl, the greying hair framing the eyes in a semi-slacker curl, little has changed over the years.