HTRK – Marry Me Tonight
New No Wave or Narco-Electro? Whatever the case, Marry Me Tonight is well worth making an engagement with...
The Fauves – When Good Times Go Good
Melbourne's The Fauves prove to be remarkably prophetic with their ninth serve of twisted rock.
A Hawk and a Hacksaw – Délivrance
Business as usual for New Mexico's A Hawk And A Hacksaw? Just ask "The Man Who Sold His Beard".
The Decemberists – The Hazards of Love
EMI/Rough Trade, 2009 [7/10] Where once The Decemberists were a modest modern rock band, albeit outsiders with literate leanings that rarely leaned toward rock's excesses, they have gradually extended their artistic aspirations into the musical
I Break Horses – Hearts
Welcome to the lilting shoegaze world of Swedish duo I Break Horses, "more than just a nostalgic pastiche of an ethereal past".
Dean Wareham – London – 8 December 2010
Long before he cleared the air/dished the dirt (whichever way you look at it), on his band mates in his autobiography Black Postcards, it was widely known there would never be a proper Galaxie 500 reunion. In the intervening years since their disbandment in 1991, both Dean Wareham and the unit known as Damon and Naomi have gone their separate musical ways to moderate degrees of success. With Wareham’s post G500 outfit Luna winding up in 2005, he’d now put to pasture two bands presumably allowing him time to reflect on past glories with a renewed desire to not let that youth go to waste.
The Fierce & The Dead – If It Carries On Like This We Are Moving To Morecombe
Epic post-rock from The Fierce & The Dead on their debut album. Seek it out, post-rock fans.
The Veils – Finn Andrews talks about Troubles of the Brain (Static, 2011)
Barely eighteen months since the release of one of 2009's dark delights, the epic Sun Gangs, Finn Andrews the New Zealand bred, England based leader of The Veils has released possibly one the highlights of 2011 with Troubles of the Brain. Over the course seven songs Finn and his band mates explore less grandiose and orchestral avenues than those on Sun Gangs favouring instead acoustic guitars, simpler arrangements and a lighter air in general. Chris Berkley tracked down Mr Andrews just before the release of Troubles of the Brain to talk about the differences in recording at home, going out on his own label and having a feverent fanbase to help that transition.
The Lemonheads – Varshons
Evan Dando and a cast of several come together to make the ultimate Lemonheads record so far. With an album featuring songs by Wire and Christina Aguilera, it's both "Strange" and "Beautiful".
Future of the Left – Travels With Myself and Another
To hell with good intentions - Future of the Left's second album blows everything else out of the water.
Times New Viking – Rip It Off
Matador, 2008 [rating:7/10] Times New Viking are the future. They're not my future, they're probably not your future, but they are the future. Rip It Off is their third album and first on Matador records
Ipso Facto – London – 31 July 2008
Ipso Facto Pure Groove Records, London 31st July, 2008 Having caught our attention last year with their goth and garage graces, Webcuts ventured down to Pure Groove records in East London to catch Ipso Facto
Taken By Trees – East of Eden
Ex-Concrete Victoria Bergsman heads to Pakistan to seek inspiration for her second album as Taken By Trees.
Hoodoo Gurus – My Girl
In our never-ending attempt to immortalise those classic Australian singles that touched our collective hearts, Webcuts shines a light on the Hoodoo Gurus and their tear-jerking ode to love gone astray "My Girl". Australian
The Antlers – Hospice
Despite the grim subject matter the second album from the Brooklyn trio The Antlers, Hospice is hot stuff.
HEALTH – Interview with Jake Duzsik (Static, 2010)
Finding unexpected notoriety through their collaboration with electronic arsonists Crystal Castles, Los Angeles Noise Rock quartet HEALTH have been a prominent musical force in the LA scene over the past couple of years. With their second album Get Colour released late last year, the band have evolved beyond being nihilistic noise makers into an act that is pushing the textural accessibility switch.