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Who The Hell Are… Zoo Animal?

By |December 21st, 2010|Categories: Features, Who the Hell Are|Tags: , , , |

Picture the scene... in a dark Minneapolis jazz club, three anonymous musicians take the stage. The usual rituals of tuning and testing, smiling and carrying on, and then the lead singer steps up to the microphone. It only takes a few songs to appreciate the underestimated prowess of the band; the churning bass, the precision in the drumming, and a fiesty singer whose melancholy adroitness shines through her toned-down Joplin-esque voice and ferocious, half-prostrated guitar solos. This is Holly Newsom and Zoo Animal, a band marked by a soulful yet minimal electrofolk sound and introspective, sometimes spiritual lyrics.

The Wedding Present – London – 13 December 2010

By |December 20th, 2010|Categories: Live Reviews|Tags: , , , , , |

These are confusing times we live in. The past and the present have merged into one. Bands come back from the dead, sounding better than ever (The Primitives), artists who are clearly dead keep on making dreadful albums from beyond the grave (do we need name names?), and bands will play their best album in full and it becomes ‘an event’ (The Wedding Present). There are few albums in the history of music that deserve to be played in full (though tell that to Echo & The Bunnymen...), there's always at least one track (or more) of filler, or one completely misjudged stinker, but nostalgia has a price and it pays handsomely, so hey, on with the show!

Cold Cave – Of Dark Days and Light Years (2011)

By |July 20th, 2011|Categories: Interviews|Tags: , , , , , , |

Cold Cave's debut album of 2009 Love Comes Close was a unique display of synth-oriented mood disorder, venturing out from the bedroom to the dancefloor, filled with idealistic tales of romance and disillusionment. Band leader Wes Eisold’s spin on the world appeared to share a voice (in both dour baritone and content) with Magnetic Fields Stephin Merritt, if he'd spent his adolescence listening to The Cure and Depeche Mode instead of showtunes. On their second album, Eisold moved beyond the testing of the waters that was Love Comes Close and turned its successor, Cherish The Light Years into his dark dream made manifold.

The Drums – Interview with Johnny Pierce, Jacob Graham, Connor Hanwick (Static, 2010)

By |August 5th, 2010|Categories: Interviews|Tags: , , , , |

The cross overs. Every year has them; bands that get touched by the hand of hype and go from being blogged about to actually selling significant quantities of records/MP3s along with world wide tour schedules and high billed festival slots. This year one of those bands is Brooklyn’s The Drums who have certainly enjoyed a lot of column pixels and radio play on the strength of their back to basics c86 indie-pop as imagined by Phil Spector self titled debut album and its omnipresent lead single “Let’s Go Surfing”. Static’s Chris Berkley has a drink with three quarters of the band for a lesson in how to avoid being drowned by the waves of success.

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