Noah and the Whale – London – 16 May 2011
It’s a little known piece of Webcuts folklore that Noah And The Whale once played in my living room. Gladly, it was before my time, otherwise a compulsion to head downstairs and have words would‘ve been hard to resist. A sell-out show at the Camden Roundhouse is not to be sneered at, but if commercial success or the ability to fill a room is the barometer in which all great music is measured, we’re on (and have been for decades) very shaky ground, and when superlative-inducing American folk-rock act Okkervil River are playing across town, clearly in the wrong place.
The Primitives – London – 29 April 2010
What a wonderful world we live in where The Primitives are able to tread the boards once more. A delightful, decorous blend of '60s op-shop pop fronted by the delectable Tracy Tracy. One certified chart smash with “Crash” and some near misses along the way, The Primitives were one of those bands that were championed and loved (the old chestnut about Morrissey being a big fan is worth repeating) but never fully met with pop's good graces.
No Age – Everything In Between
No Age push the 'mature album' button while still managing to shred and transcend on their third release.
Who The Hell Are… We//Are//Animal?
The arrival of their four digit debut single "1268" caused seismic speaker-blowing waves in the Webcuts offices in 2010. It truly was, and still is, a "What the fuck was that?" moment. It was in essence, Gang of Four meets LCD Soundsystem in an abandoned factory in North Wales. An electro pulse and surging beat, sheet metal guitars, inimitable Welsh vocals, it had 'post-punk dancefloor smash' writ large all over it, and had We//Are//Animal been from London instead of Wales, everybody would've been knocking down their door, kneeling to kiss their cossetted behinds (cough The Vaccines).
Heaven 17 – Live at Last
Cooking Vinyl, 2008 [1/10] For those unaware, Heaven 17 existed on the periphery of the pioneering electronic new wave scene. They didn't have the pop flair of the Human League or the sequined glitz of
The Decemberists – The King Is Dead
The Decemberists discard the costumes and dispense with the theatre slipping into more familiar musical threads on album number 6.