Beach House – Australian Interview about Teen Dream (Static, 2011)
Baltimore's Beach House first appeared in 2006 with their self-titled debut, a gorgeous collection of dizzying songs built around Victoria Legrand's awash-with-reverb harmonies, church-style organ and Alex Scally's languidly strummed guitar. It was their style and approach, reminiscent of Mazzy Star, Yo La Tengo and This Mortal Coil, that found favour with a like-minded audience. Recently touring Australia and appearing as part of the travelling Laneway Festival, Chris Berkley caught up with Victoria and Alex of Beach House to talk about their gradual rise and amongst other things, how to keep cheese out of the live set.
The Low Anthem – Smart Flesh
Providence, Rhode Island indie-folksters The Low Anthem fail to im-press the smart flesh on their sophomore release.
The Church – Sydney – 6 December 2012
The Church Factory Theatre, Sydney 6th December 2012 The most remarkable thing about The Church, and there are many remarkable things about this enduring Australia band, is how better they get with
Factory Records – Communications 1978-1992
Long-overdue retrospective from the label that brought you the Happy Mondays, but don't hold that against them...
Hoodoo Gurus – Interview with Dave Faulkner (2008)
Living proof that great bands and great songs endure all, Sydney's Hoodoo Gurus are the epitome of the walking jukebox, with a back catalogue of classic singles and albums that have become as much part
MNDR – Electro Pop Freakout (2010)
Even with the worldwide chart-smash of "Bang Bang Bang" under her belt as part of Mark Ronson's Business International, Amanda Warner aka MNDR is still something of an underground unknown to the general populace. Having spent the last 10 years making music with psychedelic oddities Triangle, or more recently as MNDR, it's been a non-stop battle that's about to pay off for this Fargo, North Dakota farm girl. With the media baggage ascribed Ronson in the UK from to his work with Amy Winehouse and his own Versions album, MNDR's French-slinging co-write on "Bang Bang Bang" arrived at the right time for everybody to sit up and take notice.
Adorable – Interview with Piotr, Robert, Kevin and Wil about Footnotes Compilation (2008)
Interview with all four members of Coventry's great lost 1990s indie band Adorable about their compilation album, Footnotes 92-94, released in 2008.
British Sea Power – Man of Aran
British Sea Power take to the Irish Coast to provide a fresh soundtrack to this 1934 documentary on the people of Aran.
Fink – Sort of Revolution
You say you want a revolution? Well, Fink's folk-tinged Sort of Revolution falls sort of... short.
The Scare – Oozevoodoo
If you've been with The Scare lately, you'll be lucky if it's only voodoo you're oozing, otherwise you better see a doctor.
All Tomorrow’s Parties – Brisbane – 2009
The much lauded ATP festival reaches Australia and we give you the rundown on the Brisbane leg including reviews of Robert Forster, Spiritualized, The Saints and Nick Cave and the Bad Seeds.
Dean Wareham – Black Postcards
Penguin Press, 2008 [rating:7/10] "I don't wanna stay at your party/I don't want talk to your friends/I don't wanna vote for your president/I just wanna be your tugboat captain." Over simple chords, and a shaky
The Fierce & The Dead – If It Carries On Like This We Are Moving To Morecombe
Epic post-rock from The Fierce & The Dead on their debut album. Seek it out, post-rock fans.
The Dum Dum Girls – Interview with Dee Dee (Static, 2010)
New York has definitely handed over its crown as being home to earthshaking epicentre of what's hot, hip, and happening. These days all eyes are firmly focused on the eclectic sounds of the West Coast -- as it seems that every single band we talk right now calls the place home. With Katy Perry (of all people) singing the praises of California Girls, just like the Beach Boys did in the 60's, so are we with Los Angeles' Dum Dum Girls.
Supergrass – Brisbane – 2 October 2008
"How you doin'? You alright?" asks an out of breath Gaz Coombes during their first Brisbane show in several years. The assembled punters shout back "yeah!", hoping that the next song will be the
The Scare – The Final Interview, Sydney (2010)
Is there anything more cliched than the rock and roll break-up? Secret meetings in dark alleys. The guitarist that suddenly pops up on other people's records. The singer who doesn't return their calls. You either see it coming a mile away, or it creeps up on you like old age. It happens to the best and it happens to the worst, and eventually it will happen to them all. Piss and moan about it all you like, but what's done is done. The latest induction to the rock and roll hall of "fuck this shit for a laugh" are Webcuts' favourite punk sons, The Scare.