The Gaslight Anthem – The ’59 Sound
SideOneDummy, 2008 [9/10] The ’59 Sound starts, fittingly, with a sound of romance and antiquity -- a needle laid to vinyl. A spindly guitar riff echoes faintly in the distance, then suddenly erupts into an
Top Ten – B-Sides
The B-side is every music geek/fan’s favourite thing to debate over. It’s the one place where an artist is allowed to record whatever they see fit, and the one place where a fan can expect
Arcade Fire – The Suburbs
From a Funeral to a Neon Bible and now out to The Suburbs, the long-awaited third album from Arcade Fire has Webcuts feeling right at home.
Spoon – Interview with Britt Daniel and Jim Eno (Static, 2010)
Spoon's latest album, Transference, seemed to show the band finding new ways to tie their own shoelaces, searching out their own "Mystery Zone" or what Britt Daniel will later say in the interview "we gotta try to please ourselves first". Notable for being our first interview where the band asks us the questions, Spoon have perhaps realised there's more to making music than pleasing yourself. You've still got to please your Mom too...
The xx – xx
XX marks the spot for mixed treasures on the much lauded London foursome's debut LP, an album for the post-sunset hours.
James Yorkston – Folk Songs
There's no sitting on the fence about Scottish troubadour James Yorkston's ninth album, which consists of traditional folk songs featuring the likes of "Mary Connaught and James O'Donnel" and "Little Musgrave".
Detektivbyrån – Hemvägen
Danarkia, 2006 [8/10] With glockenspiel, accordion and toy-piano Detektivbyrån (Dee-tek-teeve-bu-ron, "The Detective Agency") take their audience on an imaginative musical journey through the urban streets of Paris and the forests of Värmland, the Swedish province
Twin Sister – London – 25 November 2010
Latching hold of our ears earlier in the year with their double EP release Colour Your Life/Vampires With Dreaming Kids, Long Island’s Twin Sister had secured a place on our date card long before their they announced their first UK tour. Sneaking across the pond in October, we’d caught the band supporting rising stars, The Morning Benders at the Music Box in Los Angeles (apologies boys, I owe you one live review) and were suitably impressed. Jaded beyond jaded as the years drag on and the revolving floorshow of new bands yawn in our faces with old ideas, it was refreshing to witness a band breathe colour and life into their music.
Bon Iver – Bon Iver
Can Bon Iver live up to expectation with his self-titled follow-up to the celebrated For Emma, Forever Ago?
Stars – The Five Ghosts
Critic proof Canadian indie-poppers release their fifth disc of tunes but like its subject matter we find it lacks substance.
Phoenix – Australian Interview (Static, 2009)
Thomas Mars talks about the evolution of Phoenix, including their stint as a covers band, the seemingly infinite number of Phoenix remixes, the Kitsuné Tabloid compilation and Lord Byron.
Vivian Girls – Australian Interview (Static, 2009)
Cassie, Katy and Ali aka Vivian Girls are back again with their sophomore album Everything Goes Wrong and we caught up with them in a place where nothing ever goes wrong, unless you have a show scheduled at the Hopetoun Hotel this week (fyi girls - it's closed).
Way Out West Festival – Gothenburg – 2009 – Part 2
The third day of Sweden's 2009 Way Out West is a quieter affair but we still manage to squeeze in Patrick Wolf, Jenny Wilson, Vampire Weekend, Wolfmother, Lily Allen, My Bloody Valentine and Deerhunter.
Destroyer – Dan Bejar talking about Kaputt (2011)
It's been said by Webcuts in the past that Destroyer's Dan Bejar is the Woody Allen of pop music. His idiosyncratic, poetic touch is less that of a lyricist but a storyteller with a revolving cast of characters (mostly women), and picking up on the ripples and waves they create to make them a part of his own interior monologue. An essential eighth of the mighty New Pornographers, Bejar has been recording as Destroyer since the 90's. Kaputt, his ninth album is a sumptious, rhapsodic slice of 80's melodrama, immersing itself entirely in the era from the vintage instrumentation to Bejar's own penchance for seeking the sublime out of what some might find the ridiculous.
Who The Hell Are… The Beggar Folk?
Folk bands are slowly going the way of the emo bands -- cookie-cutter, predictable, uninspired, and inevitably becoming a parody of themselves because music is a business and the market dictates that consumers will always want more of what's popular. The Beggar Folk fall nicely into the afore-mentioned folk music genre, however their music doesn't seem to follow suit with the folk status quo. These are ballads and hymns, carved from trees and molded from soil. This music demands your attention and effortlessly passes any authenticity tests. It conjures up what real Americana and country music should conjure.
Magic Kids – Memphis
Named after the town they're from, Memphis has "some great songs, some brilliant moments", but not quite all adding up to Magic, Kids.