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The Walkmen – London – 25 August 2010

By |August 27th, 2010|Categories: Live Reviews|Tags: , , , |

“You’re one of us, or you’re one of them“. Hamilton Leithauser, fist wrapped tight around the microphone as if he's trying to strangle it, is howling those words. The rest of The Walkmen, heads bowed (as they remain throughout most of the set) play complicit and provide the carnival-esque roar to ram Leithauser’s words home. It’s not so much a question or a suggestion but a statement. For better or for worse, for way back when the band were selling their own white label records at the Middle East in Boston in 2001, I’ve been one of "us".

The Charlatans – Brisbane – 10 November 2010

By |December 16th, 2010|Categories: Live Reviews|Tags: , , , |

It's been a long time time between drinks for The Charlatans and Australia. Fresh from playing their Some Friendly 20th Anniversary shows around the UK The Charlatans were down under recently with a more conventional touring schedule. It's certainly not the fan fest that they are used to back home but a rapturous welcome still greets the band. With a set drawn mostly from their very early material honed through recent tours, and the obligatory new songs that every band pulls out, it's a different set to what fans might expect but shows the depth of quality over their long career.

Amanda Palmer – Australian Interview (2010)

By |March 3rd, 2010|Categories: Interviews|Tags: , |

From the Dresden Dolls to her solo album, Amanda Palmer has never been less than a bold and intriguing character in American rock music. In Australia for a slew of live dates we talk to the force of nature herself about her engagement to Neil Gaiman, her Golden Globes outfit switch-a-roo, the controversy surrounding her new Evelyn Evelyn project, what's on her bed side table and a dream involving Anna Pavlova wearing a spacesuit... and God.

Destroyer – Dan Bejar talking about Kaputt (2011)

By |April 23rd, 2011|Categories: Interviews|Tags: , , , , , , , |

It's been said by Webcuts in the past that Destroyer's Dan Bejar is the Woody Allen of pop music. His idiosyncratic, poetic touch is less that of a lyricist but a storyteller with a revolving cast of characters (mostly women), and picking up on the ripples and waves they create to make them a part of his own interior monologue. An essential eighth of the mighty New Pornographers, Bejar has been recording as Destroyer since the 90's. Kaputt, his ninth album is a sumptious, rhapsodic slice of 80's melodrama, immersing itself entirely in the era from the vintage instrumentation to Bejar's own penchance for seeking the sublime out of what some might find the ridiculous.

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