Who The Hell Are… The Fierce & The Dead?
With their debut album If It Carries On Like This We're Moving to Morecombe, London post-rock quartet The Fierce & The Dead left an indelible impression at Webcuts HQ. It was an album that defied categorisation and challenged perceptions of the post-rock genre, not only from the exceptionally long-winded and unselfconscious title, but in the way it fused elements of post-rock with hardcore, ambient soundscapes and jazz/funk experimentation. It was as if The Fierce & The Dead wanted to sound like all bands, and none, which intrigued us enough to want to find out more.
They Might Be Giants – Cleveland – 16 September 2011
On the surface, it’s a normal, sold-out show on a Friday night just north of downtown Cleveland. The fans stretch around the corner from the front door; ticket holders excited for the They Might Be Giants concert they’re about to see, and those without tickets hoping to catch a break when they get to the box office. But this is not a normal show, and this is not a normal audience. These are the geeks. The nerds. Die hard rock fans of a different shade of crazy, waiting for their musical heroes to serenade them with catchy pop songs tinged with dark humor and insightful counter-culture references.
The Scare – Interview (2007)
Craig Smith takes us on a journey from Brisbane to Birmingham with Wade Keighran bass player for punk rockers The Scare. Taking in emotional break downs and playing the UK festivals, to the booze soaked recording of Chivalry and being wide eyed in L.A. -- this is the definitive account of The Scare's rags to musical riches tale.
Sunset Sounds Festival – Brisbane – 2009
We review Brisbane's inaugural Sunset Sounds Festival and see how the likes of The Hives, Santogold, The Kooks, Franz Ferdinand, Faker, The Grates, Tegan and Sara, I Heart Hiroshima and more measure up in the sweltering heat.
Magic Dirt – White Boy EP
Standing tall in the face of tragedy, Magic Dirt compile a lucky dip of new, rare and unreleased tracks to coincide with their recent tour.
Dum Dum Girls – Only In Dreams
Dum Dum Girls add an extra coat of polish and put on a brave garage-pop face for album number 2.
The Horrors – Australian Interview (Static, 2010)
We chew the fat with The Horrors on their recent Australian tour about last year's remarkable second album Primary Colours, and their thoughts on cover versions: "I think it’s a funny idea that this is a conversation you’re more likely to have now than at any other time in the history of rock ’n’ roll, considering most bands really started playing cover versions, being The Beatles or The Stones or even the Sex Pistols. It was something that was just kind of part and parcel of being in a group and part of a live repertoire."
Bob Mould – London – 25 May 2008
Bob Mould Koko, London 25th May 2008 Bob Mould turns to the crowd and informs them that they last time he played this venue, then named Camden Palace, it was 1985 and the band was
The Boxer Rebellion – Union
When the dark forces are everywhere who are you gonna call? England's staunchly independent epic rock band The Boxer Rebellion? Maybe not after this disappointing second effort.
R.E.M. – Collapse Into Now
With appearances from Peaches and Patti Smith, R.E.M. show no signs of wear and tear in their fourth decade of making music.
Helvelln – Interview with Jeremy Gronow – Part 1
It's ok for you to think "who? never heard of 'em". Honestly, you'd have to be aged 35+, Australian, and a regular listener of Triple J or Triple R. Maybe you watched Neighbours. In the finicky annals of Australian music history, and with no disrespect to Helvelln, they barely warrant a mention. To briefly summarise, Helvelln were an inspired pop/rock 3-piece formed in Melbourne in the late 80's, released two singles and one album and then broke up in the early 90's. Google them and you'll get pictures of mountains. Impressive and rocky, but hardly rock n' roll.
Alela Diane – Interview about To Be Still (2009)
Folk songstress Alela Diane having crafted one of the most delicate and beautiful albums of the year with To Be Still takes time out of a North American and European tour schedule to answer Webcuts' questions about the Newsom connection, the move from Cali to Portland and Saturday Night Live.
Tom McRae – The Alphabet of Hurricanes
If only England had their version of the Wild West, otherwise Tom McRae might've found himself in much stronger grounding.
Stephen Malkmus – London – 9 December 2009
Stephen Malkmus has been ‘jicking’ for as long now as he was leading the charge in Pavement, releasing as many albums, yet never reaching the same heights. His solo career seemed to be in constant war of expectation over delivery. It's not Pavement. It's not a bunch of twenty-year-olds fighting their generation. But the louche stage prescence, that hazy cynical drawl, the greying hair framing the eyes in a semi-slacker curl, little has changed over the years.
Telekinesis – Telekinesis!
A protégé of Death Cab's Chris Walla, Telekinesis, certainly has the über producer's influence all over its thirteen power pop tracks.
The Organ – Thieves
Mint Records, 2008 [9/10] Vancouver's The Organ shared that same shadowy intellectual existence that made them sound like a darker version of The Smiths, without Johnny Marr's trademark flair and Morrissey's veiled humour. Helmed by