Teenage Fanclub – Shadows
A band of such warmth and light, the only way you'd see a 'shadow' here is if you held this Teenage Fanclub CD up in front of you.
Cat Power – Jukebox
Matador, 2008 [rating:6.5/10] Chan Marshall walks into a Manhattan recording studio, one arm weighed down by a stack of vinyl and the other carrying a large Starbucks cappuccino. She sits down on a couch by
Splendour in the Grass 2009 (Day 1)
We give an in-depth rundown on 2009's Splendour in the Grass festival including the good - The Flaming Lips, Happy Mondays, Bloc Party, Doves, Sarah Blasko, Specials, You Am I, MGMT and the frankly rather appalling - Kram, Grinspoon.
Harlem – Hippies
Of Harlem, this brief explanation should suffice -- "those who don’t sicken quickly of energetic, repetitive three-chord rock will have a lot to love".
Fink – Sort of Revolution
You say you want a revolution? Well, Fink's folk-tinged Sort of Revolution falls sort of... short.
HTRK – London – 24 October 2011
HTRK The Garage, London October 24, 2011 HTRK have always been a difficult band to love. Once you got used to their narco-minimalism and faceless anonymity that pervaded their artwork, you realised they weren't a
HTRK, Ipso Facto, ROMANCE – London – 24 July 2009
Ipso Facto recently trimmed the fat, excising keyboardist Cherish Kaya in favour of the perfect rock triangle. The sound is now suitably streamlined, focussed and finessed -- the girls now move a like well-oiled, well-coiled machine.
Ramona – London – 17 April 2011
It's easy to love Ramona, even though everything about them is so flawless and en pointe, unheard for a scruffy bunch of Brighton by-way-of-New-York rockers. Picks in hand, they transform a handful of chords into polished punk perfection, fronted by the coquettish bleach-blonde tomboy Karen Anne, a second generation Edie and Debbie who knows how to hang from a mic stand like she was hanging from your shoulder. Absent from the stage this year so far, they cycle through their set in a brisk half hour, including encore, and you're crying out for a flubbed note, an unrehearsed run through a song they just wrote in the van, or general indifference to whether anybody is listening.
1990s – Interview with Jackie McKeown (2009)
Jackie McKeown enthusiastic front man with Glasgow's 1990s talks effortlessly about their sophomore effort Kicks which is being booted about, delving into the rigours of recording under Bernard Butler, sharing vocals duties, girlfriends and carrying
Dappled Cities – Zounds
The new album from Sydney art-pop five piece Dappled Cities reached forty eight on the Australian chart. Gold Zoundz indeed.
Miss Li – Late Night Heartbroken Blues
National, 2006 [8/10] With three albums within a twelve months period and a best of album summarising her first year released, Miss Li may be the most productive artist in Scandinavia today, if not ever.
Unknown Mortal Orchestra – Unknown Mortal Orchestra
Ex-New Zealander's Unnecessarily Long Band Name evoke retro 60's thrills on their self-titled debut.
M.Ward – Hold Time
As Conor Oberst once proclaimed, "M. Ward for President". As far-fetched as it sounds, Oberst may have a point.
Who The Hell Are… Villa Cola?
Having lived through the 80's, witnessed the birth of Wham!, the ascension of Kylie from Neighbours mechanic to pop princess and the rise and fall of the Stock, Aitken and Waterman (s)hit factory, intelligent, well-crafted synth-pop has had a tough (but not impossible) road to climb to redeem itself. It's easier done now for those with little memory of the 80's, who can mine the decade of its untapped wealth and pull influences from The Human League or Gary Numan or even further back without being mocked, all the while creating something new and exciting. Having a rough guess at their ages, London's Villa Cola could surely fill these shoes.
Destroyer – London – 28 June 2011
How strange to be more than fifteen years into a career and to finally achieve growing, and now glowing, recognition for the music you make. Bands today, the inverse applies, they learn to walk before they can crawl, record a debut they'll never repeat and disappear as if they never existed. Real artists will maintain and nurture their craft regardless of an audience, which more or less, is the story of Dan Bejar. Better known as the wild-card songwriter in Canadian power-pop supergroup The New Pornographers, Bejar's work as Destroyer is like mainlining into Bejar's psyche, which prior to you only got the briefest taste of.
The Cult – Love (Omnibus Edition)
Get out your eyeliner and your crushed velvet blouse as The Cult's Love is dusted down and dressed up in this sublime 4CD boxset.