The White Stripes – Under Great White Northern Lights
Visual document of The White Stripes Canadian invasion of 2007. No Seven Nation Army required.
of Montreal – Brisbane – 4 March 2009
of Montreal The Zoo, Brisbane 4 March 2009 It's just before the encore that things start getting really weird: Two guys in animal masks start playing -- Mr Fish is on drums while Mr Lion
Neon Indian – Pills, Chills and Genre Ache (2010)
Astute music fans have probably heard of the genre chillwave – a blend of 80s synths, psychedelic pop and liberal amounts of distortion – put upon acts like Memory Tapes, Toro Y Moi and Nite Jewel. The band most closely associated with that word is Neon Indian whose main man Alan Palomo, who also has a solo project VEGA, had a chat to Chris Berkley recently in London about the c-word, the beginnings of Psychic Chasms, the Yacht remix, his collaborations with Australian dance merchants Miami Horror, how he loves to make music that messes with people’s heads and the forthcoming Australian tour for the Texan group.
Popaganda Festival – Stockholm – 27-28 August 2010
Webcuts turns its attention to Stockholm’s charming Popaganda festival to lift our post-festival blues. Swedish local acts such as the electro pop Navet, folk sisters First Aid Kit, Stockholm indie stalwarts Shout Out Louds, dance kings Familjen and pop sensation Robyn rub shoulder to shoulder with Scottish indie legends Belle & Sebastian, elegantly dressed UK synth-pop duo Hurts, London indie-soul act The Magic Numbers and reigning electro-geek heroes Hot Chip.
Wild Nothing – Nocturne
Bella Union, 2012 [rating:6.5/10] Jack Tatum thought he must've hit a goldmine when his 2010 debut album as Wild Nothing was so rapturously received with little to no preceding fanfare. This North Virginian native, and
Noah and the Whale – London – 16 May 2011
It’s a little known piece of Webcuts folklore that Noah And The Whale once played in my living room. Gladly, it was before my time, otherwise a compulsion to head downstairs and have words would‘ve been hard to resist. A sell-out show at the Camden Roundhouse is not to be sneered at, but if commercial success or the ability to fill a room is the barometer in which all great music is measured, we’re on (and have been for decades) very shaky ground, and when superlative-inducing American folk-rock act Okkervil River are playing across town, clearly in the wrong place.