Grand Duchy – Petit Fours
Grand who? Just call them Mr. and Mrs. Frank Black and everything will be peachy, or desserty...
The Big Pink – London – 13 May 2010
An hour in the company of The Big Pink is a sensory distorting experiment, and one that also questions your sexuality. It’s not a glam/gay thing, but there is a certain amount of homoeroticism about The Big Pink. The obvious sexual nature of the band name notwithstanding, and their record sleeves are all chicks and tits, but I think that’s to throw off the thinly veiled man-love shared between guitarist/vocalist Robbie Furze and bassist Milo Cordell.
The Gaslight Anthem – The ’59 Sound
SideOneDummy, 2008 [9/10] The ’59 Sound starts, fittingly, with a sound of romance and antiquity -- a needle laid to vinyl. A spindly guitar riff echoes faintly in the distance, then suddenly erupts into an
Blue Roses – Blue Roses
Blue Roses may not exist in nature but there's nothing artificial about Yorkshire songsmith Laura Groves.
Wilco – The Whole Love
Wilco -- "They’ve solidified themselves as the greatest American band playing today, possibly of all time".
Love of Diagrams – Nowhere Forever
Our love for Love of Diagrams knows no bounds especially for the Melbourne noise merchants freshly minted third album.
Vivian Girls – Vivian Girls
Brooklyn twee-punksters the Vivian Girls hit the reverb heights in a hail of cartoon tattoos and converse on their debut album.
Projekt A-KO – Yoyodyne
From the ashes of the almighty Urusei Yatsura come Projekt A-KO, and the great guitar-led fuzzpop revolution begins anew.
Hatcham Social – You Dig The Tunnel, I’ll Hide The Soil
There's no hiding Hatcham Social. "You Dig The Tunnel" kicks the dirt long and high in a dazzling display of pop sensibility.
Destroyer – Kaputt
Lyrically and musically, simply one of the best records you'll hear all year. Dan Bejar -- Genius. Kaputt -- Divine.
Why? – Eskimo Snow
The unlikely paring of hip-hop and indie rock actual make for compatible bedfellows with Californian band Why?'s fourth full length album.
The Church – Untitled #23
Moving on from Uninvited, Like The Clouds to Untitled #23, The Church near the end of the alphabet but not the end of their career.
Shout Out Louds – Interview (2007)
Just call it the comeback. While the Shout Out Loud's debut album Howl Howl Gaff Gaff showed promise few could have predicated the seismic improvement for follow-up Our Ill Wills -- a veritable treasure chest
Who The Hell Are… Bleeding Knees Club?
There's not much point in asking where Bleeding Knees Club got their name. It's the kind of degenerate tag that you'd expect from a couple of Australian garage surf-punks, but for the innocent and curious alike the band spell it out below. If they happen to ask if you want to join their particular club, ladies just say 'no'. Hailing from Brisbane, where every home has its own swimming pool thanks to last year's insane floods, Alex and Jordan of Bleeding Knees Club have "won hearts and minds through a reckless live reputation and with a swag of super-catchy tunes on their debut EP Virginity".
Beach House – Australian Interview about Teen Dream (Static, 2011)
Baltimore's Beach House first appeared in 2006 with their self-titled debut, a gorgeous collection of dizzying songs built around Victoria Legrand's awash-with-reverb harmonies, church-style organ and Alex Scally's languidly strummed guitar. It was their style and approach, reminiscent of Mazzy Star, Yo La Tengo and This Mortal Coil, that found favour with a like-minded audience. Recently touring Australia and appearing as part of the travelling Laneway Festival, Chris Berkley caught up with Victoria and Alex of Beach House to talk about their gradual rise and amongst other things, how to keep cheese out of the live set.
The Besnard Lakes – On the Sydney Shores (2011)
The Besnard Lakes Are The Dark Horses. A fitting album title for these Montreal, Quebec, Canadians, as much as it was a challenge for a band who've skirted success but in turn garnered acclaim for their lush and psychedelic sound. Their most recent album The Besnard Lakes Are The Roaring Night appeared in early 2010, and once again it was that intimate and expansive sound, coupled with vocalist/guitarist Jace Lacek's Beach Boys-like falsetto that saw the band release their most definitive collection of songs yet. Touring Australia for the very first time, Chris Berkley of Static caught up with Lacek and drummer Kevin Laing of The Besnard Lakes to talk about the slow rise of the band and their move into film scores.