The Charlatans – Brisbane – 10 November 2010
It's been a long time time between drinks for The Charlatans and Australia. Fresh from playing their Some Friendly 20th Anniversary shows around the UK The Charlatans were down under recently with a more conventional touring schedule. It's certainly not the fan fest that they are used to back home but a rapturous welcome still greets the band. With a set drawn mostly from their very early material honed through recent tours, and the obligatory new songs that every band pulls out, it's a different set to what fans might expect but shows the depth of quality over their long career.
The Kills – Alison Mosshart talks Midnight Boom (2009)
Arriving on the scene way back in 2002 with the gritty Black Rooster EP, The Kills took the garage rock aesthetic and beat it down, creating a skin and bones strut that stank of sex
Tender Trap – Dansette Dansette
It's summertime twee pop hour and who better to soundtrack but ex-Heavenly and Talullah Gosh popsters back with their third album.
Elliott Smith – An Introduction To…
It's hard to believe that he's been gone 7 years now. This collection attempts to define one of last great songwriters of the 20th Century.
Castanets – Texas Rose Thaw & The Beasts
Every rose has a thorn and so too does the fifth album by Raymond Raposa's folk-beat one man band Castanets.
Zola Jesus – Her Dark Materials (2011)
From her isolated upbringing in rural Wisconsin, combined with a passion for opera, philosophy and industrial music, Nika Rosa Danilova aka Zola Jesus has created a name for herself as being a successor to the
fun. – Aim and Ignite
We take aim at the confusingly labelled American trio fun.'s first offering and find it's a fun album, period.
Bob Mould – Silver Age
Merge, 2012 Alterna-rock statesman hot from bringing a little 90's Sugar to the 10's masses returns with shit-hot album. If that's all the convincing you need, you might as well stop reading now
Robert Lurie – No Certainty Attached – Steve Kilbey and The Church
Slighty less than groundbreaking, but no less worthy, biography of Australian poet, musician and icon, Steve Kilbey of The Church.
M83 – Interview with Anthony Gonzalez (Static, 2008)
Anthony Gonzalez is the driving force behind French band M83. Since 2001 M83 have released several albums of hypnotic electronica combined with effects laden guitars, and softly sung vocals. Static's Chris Berkley managed to track down Anthony
The Darling Buds – London – 22 September 2010
You’d be forgiven for having a sense of déjà vu here. Is it 1989? Did The Primitives and The Darling Buds really both play London within a week of each other? Having been absent from the live scene for most of the '90s and all of the past decade, for both bands to surface at the same time is unthinkable. Unthinkable, but pretty damn cool. It brings back memories of a time when the music magazines invented a scene called ‘Blonde’, where bands were lumped together purely based on the colour of the lead singers hair. Which by their way of thinking meant you were either a Blonde, a Goth or in Fairground Attraction.
Kele – The Boxer
The (Bloc) Party is over. Now, it's a dance party and there's nobody here, except Kele and a few diehard Bloc Party fans looking bored.
Webcuts Top 20 Albums of 2007
We graze of the green pastures of 2007 and find the cream of the crop including Damn Arms, Grinderman, Spoon, The Concretes, Feist, Faker, John Doe, The Shins and more.
Eels – Hombre Lobo
America's rock werewolf Mark Oliver Everett otherwise known as Eels howls twelve songs of desire on his seventh studio disc.
The Morning Benders – Big Echo
Oh, summery shimmery albums. Why must you hook us so? Berkeley, CA's, The Morning Benders serve up a treat.
Who The Hell Are… We//Are//Animal?
The arrival of their four digit debut single "1268" caused seismic speaker-blowing waves in the Webcuts offices in 2010. It truly was, and still is, a "What the fuck was that?" moment. It was in essence, Gang of Four meets LCD Soundsystem in an abandoned factory in North Wales. An electro pulse and surging beat, sheet metal guitars, inimitable Welsh vocals, it had 'post-punk dancefloor smash' writ large all over it, and had We//Are//Animal been from London instead of Wales, everybody would've been knocking down their door, kneeling to kiss their cossetted behinds (cough The Vaccines).