Home
Home2021-03-15T09:32:21+00:00

The Cult – London – 21 January 2011

By |February 18th, 2011|Categories: Live Reviews|Tags: , , , , , , |

When you add up the years, you realise Ian Astbury and Billy Dully have been making music as The Cult for a long-ass time. Sitting in the rafters of the Hammersmith Apollo ("Hammersmith Odeon", Astbury demurs, referring to the venue's previous appellation), the debt paid to the excesses of rock n’ roll have more-or-less treated both kindly. Astbury, the once flower-child/wolf-child looks a little rough round the edges, but when you style yourself on Jim Morrisson and then suddenly become him, what can you expect. Duffy on the other hand, is ageless, looking more like David Beckham‘s older brother than a well-tooled guitar god.

The Monochrome Set – The Independent Singles Collection

By |April 12th, 2008|Categories: Album Reviews|Tags: , , , , , , , , , , |

Cherry Red, 2008 [7/10] England 1979 -- punk was morphing into the more experimental post-punk and saw landmark releases from PiL, Gang of Four, The Cure, Joy Division and The Pop Group. And then...then there

Destroyer – Dan Bejar talking about Kaputt (2011)

By |April 23rd, 2011|Categories: Interviews|Tags: , , , , , , , |

It's been said by Webcuts in the past that Destroyer's Dan Bejar is the Woody Allen of pop music. His idiosyncratic, poetic touch is less that of a lyricist but a storyteller with a revolving cast of characters (mostly women), and picking up on the ripples and waves they create to make them a part of his own interior monologue. An essential eighth of the mighty New Pornographers, Bejar has been recording as Destroyer since the 90's. Kaputt, his ninth album is a sumptious, rhapsodic slice of 80's melodrama, immersing itself entirely in the era from the vintage instrumentation to Bejar's own penchance for seeking the sublime out of what some might find the ridiculous.