Who The Hell Are… Janus 4-14?
Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.
Lisa Mitchell – Wonder
Avoiding the solo artist's temptation of self-indulgence, Lisa Mitchell imparts some wide-eyed optimism on Wonder.
St. Vincent – Actor
The honeymoon of Marry Me is over for Annie Clark, aka St. Vincent, as she sets her gaze on the big stage in Actor.
Exlovers – Moth
Young & Lost Club, 2012 When it came to making the kind of sweet and effervescent guitar pop that would chime and ring at your feet, London’s Exlovers were one of
The Mountain Goats – The Life of the World to Come
Well versed in the Bible John Darnielle's Mountain Goats new album doesn't actually require a religious bone in your body to enjoy.
Various Artists – futurePOP 2.0
It's the future of pop... or is it? Featuring The Cardigans, Faker, The Ting Tings, The Presets, Ladytron, MGMT et al.
The Pains of Being Pure at Heart – Australian Interview (Static, 2010)
A firm favourite last year with those of a pop persuasion was the debut album of Brooklyn four-piece, The Pains of Being Pure at Heart. An example of youthful exuberance and melodic indulgences, The Pains (is it ok to call them that?) were as easy to swallow as a chocolate sundae with all the toppings -- and just as addictive and in no way fattening. Recently on tour in Australia, we spoke with guitarist Kip Berman.
Atlas Sound – Sydney – 19 June 2009
I'd be surprised if the majority in attendance were familiar at all with Atlas Sound, but the crammed in masses of which Webcuts was one of the last to make the cut, were calling out requests that even Cox felt too obscure and unplayable.
HTRK – London – 9 March 2009
HTRK Lexington, London 9th March 2009 I first witnessed Melbourne/Berlin noise-makers HTRK in action at a time where any favourable impression would not come forthwith. This was in a dingy low ceilinged East London venue
Wire – Red Barked Tree / Gang of Four – Content
Wire and Gang of Four wrote the book for post-punk, kind of. Are they still innovators or merely curators with Red Barked Tree and Content?
The Charlatans – Brisbane – 10 November 2010
It's been a long time time between drinks for The Charlatans and Australia. Fresh from playing their Some Friendly 20th Anniversary shows around the UK The Charlatans were down under recently with a more conventional touring schedule. It's certainly not the fan fest that they are used to back home but a rapturous welcome still greets the band. With a set drawn mostly from their very early material honed through recent tours, and the obligatory new songs that every band pulls out, it's a different set to what fans might expect but shows the depth of quality over their long career.
El Perro del Mar – Love Is Not Pop
While we love pop, Sweden's El Perro Del Mar remind us that pop is not love.
Steven Heath – The Airport Fire
Peak Plasma Conc., 2008 [6/10] "A soundtrack for driving around the city at night" is how Australia's Steven Heath depicts his latest release and it's not a far fetched description; the overall feeling that it
Deerhunter – Australian Interview with Bradford Cox (Static, 2009)
Deerhunter's willowy singer-guitarist and stand-up comic in the making Bradford Cox entered the 2Ser studios to trade words with Static's Chris Berkley about all things in the Deerhunter-verse.
Condo Fucks – Fuckbook
Who are the Condo Fucks? What is a Fuckbook and is it any good? So many questions, but are you prepared for the answers?
The Radio Dept. – Freddie and the Trojan Horse
Labrador, 2008 [8/10] It was not the lyrics that got me hooked on The Radio Dept but rather their gentle, dreamy melodies. The vocals of Johan Duncanson are an integral part of the band's sound