Cold Cave – Of Dark Days and Light Years (2011)
Cold Cave's debut album of 2009 Love Comes Close was a unique display of synth-oriented mood disorder, venturing out from the bedroom to the dancefloor, filled with idealistic tales of romance and disillusionment. Band leader Wes Eisold’s spin on the world appeared to share a voice (in both dour baritone and content) with Magnetic Fields Stephin Merritt, if he'd spent his adolescence listening to The Cure and Depeche Mode instead of showtunes. On their second album, Eisold moved beyond the testing of the waters that was Love Comes Close and turned its successor, Cherish The Light Years into his dark dream made manifold.
Twin Shadow – London – 11 May 2011
Having to write a live review on the fly, almost two weeks after it happened, from notes hastily scribbled, while packing to go to a festival will show us this is not the way to be. There's no time to go into great detail, to labour the point, to draw comparisons between George Lewis Jr's physical appearance (a little bit Prince, a little bit Morrissey), or the sound (a little bit Prince, a little bit Morrissey, albeit on a synth-sprung landscape). Twin Shadow, at least from this writer's perspective, has adequately filled the gap that LCD Soundsystem left by their absence, in making music that moves and is moving, that is confident without being arrogant, and is just too perfect for words.
Who The Hell Is… Jonneine Zapata?
Interview with LA-based chanteuse Jonneine Zapata around the time of her debut album Cast the Demons Out.
Atlas Sound – Logos
Bradford Cox of Deerhunter makes us seem like we're slavishly supportive of everything his hand touches, but we mean every word. Honest.
Times New Viking – Australian Interview with Jared and Adam (2011)
Was there really once a musical sub-genre called 'Shitgaze'? I mean, somebody actually sat around, coined that term and then hoisted it on a few unsuspecting bands who by fate or ill-fortune found themselves trapped under its audiophile repelling umbrella? Think about it, shitgaze. Would you buy into that? Thankfully it's only a memory, but some of those bands still remain, including Columbus, Ohio's Times New Viking. On the eve of their first Australian tour Chris Berkley of Static spoke to Jared and Adam of Times New Viking, fresh off the plane to promote their most recent album, the discordant but progressively tuneful, Dancer Equired.
Wilco – Wilco (The Album)
Apparently Tweedy had been saving up his impetuousness for this, Wilco's seventh album, as his tongue has never been buried so deeply in his cheek.
Black Cab – Brisbane – 17 July 2010
It took eleven years, three albums and a European tour for Melbourne space rockers Black Cab to broach Brisbane but they did and yes, it was worth the wait. Even the prospect of a half empty venue, an OCD stricken punter and the one colour Hi-Fi lights were not enough to dissuade Black Cab in performing anything less than a mesmerising set of original material and two stunning encores that paid homage to the whole space/drone/shoegaze rock genre. Able support was provided by Brisbane alt.rock kings Grand Atlantic.
LCD Soundsystem – This Is Happening
"This is dance music that’s worth thinking about – or, more accurately, thoughtful music that’s worth dancing to". Agreed.
M83 – Interview with Anthony Gonzalez (Static, 2008)
Anthony Gonzalez is the driving force behind French band M83. Since 2001 M83 have released several albums of hypnotic electronica combined with effects laden guitars, and softly sung vocals. Static's Chris Berkley managed to track down Anthony
The Vines – Melodia
Cooking Vinyl, 2008 [5/10] How times and fortunes quickly change. Where once The Vines were heralded as being part of some new rock and roll explosion, they became its first liability and not even a
The Fall – London – 7 May 2010
I’m a band purist at heart. You can cut off all your fingers, but you’ve still got a hand. If you cut off all your band members and keep cutting and cutting and cutting, you can't expect your audience to comply with your decision or to even recognise the music you make. What was it John Peel said about The Fall? "always different, always the same". Well, yes, but... no. Mark E. Smith is The Fall, but The Fall isn't just Mark E. Smith.
Stereolab – Chemical Chords
4AD, 2008 [7/10] Stereolab were an essential part of the 90s and a flipside to the wave of angst-ridden guitar bands that characterised that decade. Influenced by obscure experimental and pop bands, Stereolab set about
Continuum Books 33 1/3 – Elliot Smith – XO, Big Star – Radio City
A look into Continuum's must-read 33 1/3 series of books that investigate the history and stories behind some of the greatest albums ever made, including reviews of the most recent releases in the series -- Big Star's Radio City and Elliott Smith's XO.
Who The Hell Are… Lion Island?
Lion Island were first encounted playing a free show in Brisbane's King George Square. Their ability to fill a large stage with eight members and the cavernous square full of wondrous music bolstered my mood and had casual passerby's on their way to the train, stop and listen. When seen again three months later at The Hi-Fi Bar a liking for the band was affirmed and proved that Lion Island are one of the city's most ambitious and talented acts. Here are a band able to switch from solo singer-songwriter folk, then become a Brisbane Beirut by adding brass and violin to the acoustic guitar and drums to full out orchestral rock, as if Finn Andrews was fronting The National.
The Pains of Being Pure at Heart – Australian Interview (Static, 2010)
A firm favourite last year with those of a pop persuasion was the debut album of Brooklyn four-piece, The Pains of Being Pure at Heart. An example of youthful exuberance and melodic indulgences, The Pains (is it ok to call them that?) were as easy to swallow as a chocolate sundae with all the toppings -- and just as addictive and in no way fattening. Recently on tour in Australia, we spoke with guitarist Kip Berman.
Fruit Bats – Tripper
Chicago's Fruit Bats return to their familiar "effortless and sweet" indie folk ways on their fifth album, Tripper.