Who The Hell Are… Pris?
Uh-oh, here comes trouble. Pris are a four piece from London featuring Cat on vocals, Agatha on guitar, Mary on bass and Sam on drums. Imagine Blondie with an attitude problem, Manics before the middle life spread and Kenickie without the big bones.
The Primitives – London – 29 April 2010
What a wonderful world we live in where The Primitives are able to tread the boards once more. A delightful, decorous blend of '60s op-shop pop fronted by the delectable Tracy Tracy. One certified chart smash with “Crash” and some near misses along the way, The Primitives were one of those bands that were championed and loved (the old chestnut about Morrissey being a big fan is worth repeating) but never fully met with pop's good graces.
Kele – The Boxer
The (Bloc) Party is over. Now, it's a dance party and there's nobody here, except Kele and a few diehard Bloc Party fans looking bored.
M83 – Saturdays = Youth
Virgin, 2008 [7/10] I have a very vivid memory of M83's previous album Before the Dawn Heals Us being played at a thunderous volume while sleeping at a friend's house early one morning, and it
The Loves – …Love You
The final bow from London’s The Loves balances its buoyant pop against a knowing end and comes up smelling of roses.
Fucked Up – David Comes To Life
Concept albums, rock operas, the artistic chasm of failure widens as Fucked Up take the challenge and make the album of their career.
The Drums – Interview with Johnny Pierce, Jacob Graham, Connor Hanwick (Static, 2010)
The cross overs. Every year has them; bands that get touched by the hand of hype and go from being blogged about to actually selling significant quantities of records/MP3s along with world wide tour schedules and high billed festival slots. This year one of those bands is Brooklyn’s The Drums who have certainly enjoyed a lot of column pixels and radio play on the strength of their back to basics c86 indie-pop as imagined by Phil Spector self titled debut album and its omnipresent lead single “Let’s Go Surfing”. Static’s Chris Berkley has a drink with three quarters of the band for a lesson in how to avoid being drowned by the waves of success.
The Pains of Being Pure at Heart – Australian Interview (Static, 2010)
A firm favourite last year with those of a pop persuasion was the debut album of Brooklyn four-piece, The Pains of Being Pure at Heart. An example of youthful exuberance and melodic indulgences, The Pains (is it ok to call them that?) were as easy to swallow as a chocolate sundae with all the toppings -- and just as addictive and in no way fattening. Recently on tour in Australia, we spoke with guitarist Kip Berman.
Faker – Be the Twilight
Capitol/EMI, 2007 [9/10] There is a litany of bands that make the decision to pack their bags and move to Los Angeles to try and catch a spark of what makes the town such a
Wild Nothing – Interview about Nocturne (2012)
Riding the crest of the dream-pop insurgence that brought with it bands like Beach Fossils, Twin Sister and Still Corners, was that of Jack Tatum and Wild Nothing, who' s debut album of 2010, Gemini
Stephin Merritt – Obscurities
Obscurities he called it, but more like a forgotten treasure trove from all chapters of the Stephin Merritt songbook.
Teenage Fanclub – Shadows
A band of such warmth and light, the only way you'd see a 'shadow' here is if you held this Teenage Fanclub CD up in front of you.
Rowland S. Howard – The Final Interview (Static, 2009)
Forever known as Nick Cave's red right hand in the Birthday Party, Rowland was the purveyor of that skeletal, metallic guitar style that along with the bass growl of Tracey Pew, defined the sound of the band. Speaking to Static's Chris Berkley, only a few weeks before his passing, Rowland S. Howard recounts his extensive career and his brief return to music with Pop Crimes.
The Drones – London – 8 June 2009
Watching Gareth Liddiard sing is like witnessing a drunk arguing with his own reflection. His posture is one of vexed irritation, his face is strained, the tendons on his neck bulge, his entire frame in spasm.
Hatcham Social – You Dig The Tunnel, I’ll Hide The Soil
There's no hiding Hatcham Social. "You Dig The Tunnel" kicks the dirt long and high in a dazzling display of pop sensibility.
Interpol – Our Love to Admire (Ltd Edition)
Capitol/EMI, 2008 [rating:7.5/10] Our Love to Admire was one of Webcuts' favourite albums of 2007. In fact we considered the third album by Brooklyn's Interpol as their most consistent and fully realised work to date.