Eleanor Friedberger – Last Summer
One half of the hyper-productive quirk-pop outfit Fiery Furnaces takes her first solo steps on Last Summer.
Ariel Pink’s Haunted Graffiti – Before Today
Sounding more like a theme park ride than a band, Ariel Pink pulls off both with a little 70's funk and 80's new wave self-exploration.
The Grates – Brisbane – 1 May 2009
The Grates/Children Collide Hi-Fi Bar, Brisbane 1 May 2009 It's not often that you have moments like this -- where you have to take a step back from your surroundings and fathom what is the hell
The Scare – The Final Interview, Sydney (2010)
Is there anything more cliched than the rock and roll break-up? Secret meetings in dark alleys. The guitarist that suddenly pops up on other people's records. The singer who doesn't return their calls. You either see it coming a mile away, or it creeps up on you like old age. It happens to the best and it happens to the worst, and eventually it will happen to them all. Piss and moan about it all you like, but what's done is done. The latest induction to the rock and roll hall of "fuck this shit for a laugh" are Webcuts' favourite punk sons, The Scare.
My Morning Jacket – Circuital
Album number six for these free-wheeling long-haired holdin' on to black metal giants of Southern Rock.
A Hawk and a Hacksaw – Délivrance
Business as usual for New Mexico's A Hawk And A Hacksaw? Just ask "The Man Who Sold His Beard".
Sunset Rubdown – Dragonslayer
Despite all the record's anomalisms, it's really gorgeous at its core, and there are more than enough enticing musical phrases to drive the listener back to wrestling with its eccentricities.
Summer Camp – Welcome To Condale
London, Paris, Condale, Munich. Everybody's talking about Summer Camp's pop music. Well, not everybody. But they should.
Anni Rossi – Rockwell
How does Anni Rossi rock? Does she rock well? Well, no, not so much actually.
William Fitzsimmons – The Sparrow and the Crow
William Fitzsimmons goes through the gamut of emotions on his new album - forgiveness, loss, optimism - but it still cannot save the effort from a terminal dullness.
Bughouse – V For Vendetta
2018 Update: Bughouse released "V for Vendetta / Tax Stamp" on Bandcamp in 2017 with their second album from 2014 Fink Tank the following year: bughouse1.bandcamp.com Bughouse's classic debut single
Who The Hell Are… Ramona?
It's not so much lurking in the 3 minute bluster of their debut single “How Long”, but a part of its DNA, where you quickly catch onto Ramona’s game. In the first 10 seconds
Jay Reatard – Matador Singles ’08
Matador, 2008[rating:7/10] Memphis native Jay Reatard (Jay Lindsey) has been making a name for himself since the late 90s, in bands like The Reatards and Lost Sounds, mixing up garage rock and synth punk. Recently
Odawas – Interview with Michael Tapscott (2009)
The Blue Depths which focussed on ambient old school synths and majestic, dreamy mood-scapes yielded great dividends resulting in Odawas' most cohesive album to date. We recently spoke to Michael Tapscott about the beautiful depths of The Blue Depths, the Odawa live experience including SXSW, soundtracks and the mystery of the sea.
Beach House – Teen Dream
Makers of mood music for moderns, Baltimore's daydream duo return with their sweet and sombre third album, Teen Dream.
The Church – Untitled #23
Moving on from Uninvited, Like The Clouds to Untitled #23, The Church near the end of the alphabet but not the end of their career.