Helvelln – Interview with Jeremy Gronow – Part 1
It's ok for you to think "who? never heard of 'em". Honestly, you'd have to be aged 35+, Australian, and a regular listener of Triple J or Triple R. Maybe you watched Neighbours. In the finicky annals of Australian music history, and with no disrespect to Helvelln, they barely warrant a mention. To briefly summarise, Helvelln were an inspired pop/rock 3-piece formed in Melbourne in the late 80's, released two singles and one album and then broke up in the early 90's. Google them and you'll get pictures of mountains. Impressive and rocky, but hardly rock n' roll.
Splendour in the Grass 2009 (Day 1)
We give an in-depth rundown on 2009's Splendour in the Grass festival including the good - The Flaming Lips, Happy Mondays, Bloc Party, Doves, Sarah Blasko, Specials, You Am I, MGMT and the frankly rather appalling - Kram, Grinspoon.
Paul Westerberg – 49:00
Dry Wood Music, 2008 [rating:8/10] Paul Westerberg fronted one of the last truly great rock and roll bands with The Replacements. The entire Replacements oeuvre is currently being remastered and re-released for those who missed
MNDR – Feed Me Diamonds
Ultra, 2012 "Pop music is a platform to say something. You don't have to only talk about parties." Interesting quote from ex-noise artist now shiny electropop-idol-in-waiting, Amanda Warner. Pop music has always been
Camera Obscura – Interview with Carey Lander (Static, 2010)
With their fourth album My Maudlin Career Glasgow's Camera Obscura shifted further away from their indie pop origins to create their own take on Bacharachian orchestral pop and '60s soul contrasted against sparse country melancholy. Keyboardist and backing vocalist Carey Lander talks about joining the band, meeting Lloyd Cole, the orchestral and country elements in their sound and how they came to cover the Boss.
Who The Hell Are… KIDCITY?
Introducing KIDCITY. Two people, One word, uppercase for menacing effect. But really, aren't they just too cute for words? Which is apt, seeing as the music that these two Canadian 21-year-olds make is more like haunted voices leaking from an overloaded digital landscape. "Somewhere between Enya and Dr. Dre", someone said. Sure, why not. It might be simple enough to place them within the geographical radius of another glitchy electronic duo, Crystal Castles, but Kelly Ann's vocals soothe, rather than antagonise, as the cracked beats and blistered frequencies dial up the intensity. Significantly impressed, we had no choice but to ask 'Who the hell are... KIDCITY?"
Laetitia Sadier – The One Million Year Trip (2011)
Quietly released last year was the first proper solo album by Stereolab's Laetitia Sadier. A touching tribute to her sister, who in Sadier's words "went on a million year trip/and left everthing behind", The Trip saw Sadier step out from the shadow of Stereolab to make a very revealing album, not only in the way she dealt with her loss, but in how she paid tribute to artists that influenced and inspired her. An album that sparkled in its minimalist approach, The Trip showed a side of Sadier unseen, one that was filled with warmth and emotion, and those little philosophical quirks that you've come to expect.
Pernice Brothers – Goodbye, Killer
All killer, no filler, Joe Pernice and Co. turn up the volume and turn in one of their most enjoyable records to date.
Blood Orange – Coastal Grooves
Putting aside Lightspeed Champion, the chameleon musician/producer known as Dev Hynes unveils his latest project Blood Orange.
Stars – The Five Ghosts
Critic proof Canadian indie-poppers release their fifth disc of tunes but like its subject matter we find it lacks substance.
Neon Indian – Pills, Chills and Genre Ache (2010)
Astute music fans have probably heard of the genre chillwave – a blend of 80s synths, psychedelic pop and liberal amounts of distortion – put upon acts like Memory Tapes, Toro Y Moi and Nite Jewel. The band most closely associated with that word is Neon Indian whose main man Alan Palomo, who also has a solo project VEGA, had a chat to Chris Berkley recently in London about the c-word, the beginnings of Psychic Chasms, the Yacht remix, his collaborations with Australian dance merchants Miami Horror, how he loves to make music that messes with people’s heads and the forthcoming Australian tour for the Texan group.
Who The Hell Are… COOLRUNNINGS?
How Webcuts first encountered Knoxville, Tennessee's Coolrunnings could be best described as a lucky accident. And it's no surprise that the best way to get someone's attention is to slap a photo of some naked chicks skateboarding on the cover of your EP and let them sell it for you. The appropriately titled (and NSFW) Babes Forever was clearly the product of talented and warped minds. The creepy, schizoid mayhem of "Trippin' Balls at Der Wienerschnitzel" and the inspired, almost unabashed, synth-pop of "When I Got High With You" sounded like they were made by some slacker Bill & Teds who'd already embarked on their own excellent adventure.
Jacob Golden – Revenge Songs
Echo, 2007 [rating:9/10] Those lucky enough to catch Jacob Golden's live know just how extraordinary he can be armed with only an acoustic guitar and his angelic voice. His self titled debut EP in 2001
Arctic Monkeys – Humbug
Bah, it's the third Artic Monkeys album Humbug - which actually doesn't turn out to be half bad.
Dappled Cities – Zounds
The new album from Sydney art-pop five piece Dappled Cities reached forty eight on the Australian chart. Gold Zoundz indeed.
1990s – Kicks
Get your Kicks on route 1990. Jackie McKeown and the boys return with their second album of more of the same pop-punk.