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Is Lady Gaga’s “Bad Romance” the Greatest Pop Song Ever?

By |September 12th, 2010|Categories: Features|Tags: , , |

Inescapable, inexplicable, infuriatingly addictive and an irrefutable pop phenomenon. She is Lady Gaga and she has come to take your children. If this were true, I'm sure it would be a fair trade but in reality, her goals are much, much higher. She is Lady Gaga and you know full well why she is here. A fashion and style icon, Gaga has made her two years in the public eye seem like a special kind of Chinese water torture. Chances are you’ve either succumbed to her spell, or fighting the effects with all the strength you can muster.

Who The Hell Are… The Capitalist Youth?

By |October 12th, 2010|Categories: Features, Who the Hell Are|Tags: , , , |

Consider The Capitalist Youth, a trio of former high school classmates who play “acoustic indie rock combining a living room full of misfit instruments with lyrically driven songs about summer camp, existential crises and gubernatorial indiscretions”. They don’t write and play the kind of music that will leave listeners dumbstruck over their redefinition of a genre, but they’re able to adeptly inject something into their music that only a handful of others have done well: humanity, with a laid back sense of humor, and without any of the awkward pauses that come from other bands who get lucky on a song or two and can’t maintain things the rest of the way.

Warpaint – London – 26 August 2010

By |September 7th, 2010|Categories: Live Reviews|Tags: , , , , , |

It’s shows like this which give birth to the very nature of rock and roll. The hip-swaying sounds of a band as they rock back and forth, eyes closed, mouths pressed against the microphone with their feet marking the beat. It’s an undeniably sexual thing. This isn't news. It’s why they tried to ban Elvis in the 50’s. He turned young girls on, and it wasn’t so much the man, but the music, the stage, the sweat, the motion -- the rock and roll of it all. Wedged together in this barely ventilated Old Street basement, Los Angeles' Warpaint are presiding over something that had this been the 50's, would've gotten them banned too.

Who The Hell Are… Villa Cola?

By |April 13th, 2011|Categories: Features, Who the Hell Are|Tags: , , , |

Having lived through the 80's, witnessed the birth of Wham!, the ascension of Kylie from Neighbours mechanic to pop princess and the rise and fall of the Stock, Aitken and Waterman (s)hit factory, intelligent, well-crafted synth-pop has had a tough (but not impossible) road to climb to redeem itself. It's easier done now for those with little memory of the 80's, who can mine the decade of its untapped wealth and pull influences from The Human League or Gary Numan or even further back without being mocked, all the while creating something new and exciting. Having a rough guess at their ages, London's Villa Cola could surely fill these shoes.

Alela Diane – Interview about To Be Still (2009)

By |August 31st, 2009|Categories: Interviews|Tags: , , , , |

Folk songstress Alela Diane having crafted one of the most delicate and beautiful albums of the year with To Be Still takes time out of a North American and European tour schedule to answer Webcuts' questions about the Newsom connection, the move from Cali to Portland and Saturday Night Live.

Twin Shadow – London – 11 May 2011

By |May 24th, 2011|Categories: Live Reviews|Tags: , , , , |

Having to write a live review on the fly, almost two weeks after it happened, from notes hastily scribbled, while packing to go to a festival will show us this is not the way to be. There's no time to go into great detail, to labour the point, to draw comparisons between George Lewis Jr's physical appearance (a little bit Prince, a little bit Morrissey), or the sound (a little bit Prince, a little bit Morrissey, albeit on a synth-sprung landscape). Twin Shadow, at least from this writer's perspective, has adequately filled the gap that LCD Soundsystem left by their absence, in making music that moves and is moving, that is confident without being arrogant, and is just too perfect for words.

The Feelies – Glenn Mercer talks about Here Before (Static, 2011)

By |May 12th, 2011|Categories: Interviews|Tags: , , , , |

An act that many have been holding their breath for the return of for as long as they've been absent from the stage are Haledon, New Jersey's The Feelies. Arriving in the late 70's, and releasing one of the first great new wave/post-punk albums of the early 80's (truly. no hyperbole here) in Crazy Rhythms, The Feelies were the Velvet Underground and Television's geeky Jersey cousins. An enthralling percussive ride, full of jerky rhythms and wild, melodic guitar interplay, the sound of The Feelies would evolve over the years, drifitng away from the arty CBGB crowd toward a more refined pastoral 'college rock' sound that typified an era when bands like R.E.M. and Camper Van Beethoven loomed large.

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