Sunset Sounds Festival – Brisbane – 2009
We review Brisbane's inaugural Sunset Sounds Festival and see how the likes of The Hives, Santogold, The Kooks, Franz Ferdinand, Faker, The Grates, Tegan and Sara, I Heart Hiroshima and more measure up in the sweltering heat.
Who The Hell Are… COOLRUNNINGS?
How Webcuts first encountered Knoxville, Tennessee's Coolrunnings could be best described as a lucky accident. And it's no surprise that the best way to get someone's attention is to slap a photo of some naked chicks skateboarding on the cover of your EP and let them sell it for you. The appropriately titled (and NSFW) Babes Forever was clearly the product of talented and warped minds. The creepy, schizoid mayhem of "Trippin' Balls at Der Wienerschnitzel" and the inspired, almost unabashed, synth-pop of "When I Got High With You" sounded like they were made by some slacker Bill & Teds who'd already embarked on their own excellent adventure.
Splendour in the Grass 2009 (Day 2)
The second splendid day of Splendour in the Grass 2009. We catch Kram, Jack Ladder, Bob Evans, The Gutter Twins, White Lies, The Doves, The Flaming Lips and er, Grinspoon.
Who The Hell Are… The Rassle?
When it comes to the mythical it-factor, New York's The Rassle by their own admission are “just rock and roll”. They understand that thousands of people have been there, done that. They're here to enjoy whatever the moment is right now, and it feels pretty damn great. Listen to The Rassle's first single, “Wild Ones” and you'll hear what they're talking about. It's a sound that's been done before. A little synthy, a little danceable. But by the time that kick drum chorus comes bellowing forward, it doesn't matter. You're bobbing your head like this is the first time you've heard indie rock before. It's fantastic.
Beirut – The Rip Tide
With our review dispensing superlatives like "timeless" and "classic", Beirut's The Rip Tide is one of the must-listen albums of 2011.
Warpaint – The Fool (Deluxe Edition)
Reissue! Repackage! Warpaint's mesmerising debut gets a little dressing up as we wait for album #2.
The Church – Sydney – 6 December 2012
The Church Factory Theatre, Sydney 6th December 2012 The most remarkable thing about The Church, and there are many remarkable things about this enduring Australia band, is how better they get with
Windsor for the Derby – How We Lost
How did we lose this CD? Never mind, we finally give Austin's other post-rock band's eighth album a run through.
Who The Hell Are… Best Friends?
What to say about Sheffield's Best Friends... The name of the band is self-explanatory. The a-side of their debut single “Surf Bitches” could either be about the kinds of girls they like or things they
Faker – Be the Twilight
Capitol/EMI, 2007 [9/10] There is a litany of bands that make the decision to pack their bags and move to Los Angeles to try and catch a spark of what makes the town such a
MNDR – Feed Me Diamonds
Ultra, 2012 "Pop music is a platform to say something. You don't have to only talk about parties." Interesting quote from ex-noise artist now shiny electropop-idol-in-waiting, Amanda Warner. Pop music has always been
Exlovers – London – 28 February 2011
There really is something enthralling about watching a band not just perform music but energetically project themselves into it. It's akin to standing against a gale who's presence is to overpower you and anything in its way. That would in part, sum up the appeal of Exlovers -- they cut a forceful, harmony-fuelled rug. The other part is they're the most attractive bunch of tattooed scruffs that you'll ever encounter. Put all this in the context of their latest single "Blowing Kisses", a song that transcends simple indie guitar music and that gale hits like a perfumed fist that still makes you want to stand up and take more.
The Feelies – Glenn Mercer talks about Here Before (Static, 2011)
An act that many have been holding their breath for the return of for as long as they've been absent from the stage are Haledon, New Jersey's The Feelies. Arriving in the late 70's, and releasing one of the first great new wave/post-punk albums of the early 80's (truly. no hyperbole here) in Crazy Rhythms, The Feelies were the Velvet Underground and Television's geeky Jersey cousins. An enthralling percussive ride, full of jerky rhythms and wild, melodic guitar interplay, the sound of The Feelies would evolve over the years, drifitng away from the arty CBGB crowd toward a more refined pastoral 'college rock' sound that typified an era when bands like R.E.M. and Camper Van Beethoven loomed large.
Who The Hell Are… Civil Civic?
There aren't that many great instrumental duos in the history of rock and roll. I've thought about this for about 20 seconds or so and bored already. To arrive at that musical decision, and to arrive at that musical decision when your bandmate doesn't even live in the same country, is as perverse as it is stupid. Being as they are Australian, perverse stupidity is our calling, and it's why Civil Civic succeed where others have just gone "Dude, we need another member". With the title still up for grabs (or until some smart-ass avant-garde freak shoots me down), Civil Civic could turn out to be the greatest instrumental duo in the history of rock and roll. Wouldn't that be just dandy?
Joker’s Daughter – The Last Laugh
Producer Danger Mouse and vocalist Helena Costas come together as Joker's Daughter. It's a mixed deck by all accounts.
Jay Reatard – Matador Singles ’08
Matador, 2008[rating:7/10] Memphis native Jay Reatard (Jay Lindsey) has been making a name for himself since the late 90s, in bands like The Reatards and Lost Sounds, mixing up garage rock and synth punk. Recently