Weezer – Death To False Metal
Just how many albums are Weezer going to release (or re-release) this year? What's one more for Christmas?
The Feelies – Glenn Mercer talks about Here Before (Static, 2011)
An act that many have been holding their breath for the return of for as long as they've been absent from the stage are Haledon, New Jersey's The Feelies. Arriving in the late 70's, and releasing one of the first great new wave/post-punk albums of the early 80's (truly. no hyperbole here) in Crazy Rhythms, The Feelies were the Velvet Underground and Television's geeky Jersey cousins. An enthralling percussive ride, full of jerky rhythms and wild, melodic guitar interplay, the sound of The Feelies would evolve over the years, drifitng away from the arty CBGB crowd toward a more refined pastoral 'college rock' sound that typified an era when bands like R.E.M. and Camper Van Beethoven loomed large.
Belle & Sebastian – Los Angeles – 8 October 2010
On an odd rainy night in downtown Hollywood, weather befit more for their homeland than ours, Belle and Sebastian, Glaswegian art school rockers of yore, played to a sold out crowd of mostly thirty-somethings, brave enough to stand outside...in not just any ordinary venue. Instead, they stylishly bowed and plucked their instruments amongst the mausoleums and graves of some of Los Angeles’ elite. Adding to the macabre setting was the screening of Danny Boyle’s Trainspotting that preceded the show. Taking the stage, B&S lead singer Stuart Murdoch asked “Did you see me? I was in the bar scene!”.
Who The Hell Are… Big Scary?
While on first glance Big Scary are neither that big or scary, listen to any of their EPs and the name starts to make sense. At the Mercy of the Elements released earlier this year gave us an idea of the versatility of this Australian band.
Continuum Books 33 1/3 – Elliot Smith – XO, Big Star – Radio City
A look into Continuum's must-read 33 1/3 series of books that investigate the history and stories behind some of the greatest albums ever made, including reviews of the most recent releases in the series -- Big Star's Radio City and Elliott Smith's XO.
Rowland S. Howard – The Final Interview (Static, 2009)
Forever known as Nick Cave's red right hand in the Birthday Party, Rowland was the purveyor of that skeletal, metallic guitar style that along with the bass growl of Tracey Pew, defined the sound of the band. Speaking to Static's Chris Berkley, only a few weeks before his passing, Rowland S. Howard recounts his extensive career and his brief return to music with Pop Crimes.
Versus – On the Ones and Threes
Out of nowhere comes a near perfect album by a near forgotten band that rewrites their own history in one superlative-inducing swoop.
Fruit Bats – Tripper
Chicago's Fruit Bats return to their familiar "effortless and sweet" indie folk ways on their fifth album, Tripper.
Divine Fits – A Thing Called Divine Fits
Merge, 2012 [rating:8.5/10] The concept of the ‘supergroup’ is relative and often abused. The formation itself is prone to suspicion, akin to selling out your bandmates in favour of some fresh thrills. Often it's the
British Sea Power – Valhalla Dancehall
Hurrah for English music. Just when you think Webcuts panders almost exclusively to the Americans, British Sea Power save the day.
Anni Rossi – Rockwell
How does Anni Rossi rock? Does she rock well? Well, no, not so much actually.
Bughouse – V For Vendetta
2018 Update: Bughouse released "V for Vendetta / Tax Stamp" on Bandcamp in 2017 with their second album from 2014 Fink Tank the following year: bughouse1.bandcamp.com Bughouse's classic debut single
Mental As Anything – Essential As Anything / Tents Up
Both mental and essential, Sydney's pop legends Mental as Anything return with a career-encompassing collection and a brand new studio album.
Lotus Plaza – The Floodlight Collective
The second solo project members of Deerhunter, Lotus Plaza is guitarist Lockett Pundt's self-fulfilling dreampop odyssey.
Stephen Malkmus and The Jicks – Mirror Traffic
Pavement reunion done and dusted, Stephen Malkmus and Co. get back to making adult indie rock on album number five.
Ramona – London – 17 April 2011
It's easy to love Ramona, even though everything about them is so flawless and en pointe, unheard for a scruffy bunch of Brighton by-way-of-New-York rockers. Picks in hand, they transform a handful of chords into polished punk perfection, fronted by the coquettish bleach-blonde tomboy Karen Anne, a second generation Edie and Debbie who knows how to hang from a mic stand like she was hanging from your shoulder. Absent from the stage this year so far, they cycle through their set in a brisk half hour, including encore, and you're crying out for a flubbed note, an unrehearsed run through a song they just wrote in the van, or general indifference to whether anybody is listening.