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Dappled Cities – Interview with Dave Rennick (Static, 2009)

By |January 24th, 2010|Categories: Interviews|Tags: , , , , , , |

Sydney art-pop quintet Dappled Cities have steadily grown in status in the last ten years with 2006’s Granddance and their most recent psyche-pop opus Zounds. Last year, we spoke to Dave Rennick, guitarist and vocalist of Dappled Cities about birthing and touring the album.

Who The Hell Are… Bleeding Knees Club?

By |May 4th, 2011|Categories: Features, Who the Hell Are|Tags: , , , |

There's not much point in asking where Bleeding Knees Club got their name. It's the kind of degenerate tag that you'd expect from a couple of Australian garage surf-punks, but for the innocent and curious alike the band spell it out below. If they happen to ask if you want to join their particular club, ladies just say 'no'. Hailing from Brisbane, where every home has its own swimming pool thanks to last year's insane floods, Alex and Jordan of Bleeding Knees Club have "won hearts and minds through a reckless live reputation and with a swag of super-catchy tunes on their debut EP Virginity".

The Veils – Finn Andrews talks about Troubles of the Brain (Static, 2011)

By |March 1st, 2011|Categories: Interviews|Tags: , , , |

Barely eighteen months since the release of one of 2009's dark delights, the epic Sun Gangs, Finn Andrews the New Zealand bred, England based leader of The Veils has released possibly one the highlights of 2011 with Troubles of the Brain. Over the course seven songs Finn and his band mates explore less grandiose and orchestral avenues than those on Sun Gangs favouring instead acoustic guitars, simpler arrangements and a lighter air in general. Chris Berkley tracked down Mr Andrews just before the release of Troubles of the Brain to talk about the differences in recording at home, going out on his own label and having a feverent fanbase to help that transition.

Noah and the Whale – London – 16 May 2011

By |June 18th, 2011|Categories: Live Reviews|Tags: , , , , |

It’s a little known piece of Webcuts folklore that Noah And The Whale once played in my living room. Gladly, it was before my time, otherwise a compulsion to head downstairs and have words would‘ve been hard to resist. A sell-out show at the Camden Roundhouse is not to be sneered at, but if commercial success or the ability to fill a room is the barometer in which all great music is measured, we’re on (and have been for decades) very shaky ground, and when superlative-inducing American folk-rock act Okkervil River are playing across town, clearly in the wrong place.

Laneway Festival – Brisbane – 4 February 2011

By |February 12th, 2011|Categories: Live Reviews|Tags: , , , , , , , , , , , , , , |

In complete contrast to a month ago when it was "precipitation nation" Brisbane’s fourth St. Jerome’s Laneway festival could've been subtitled "Boiling Brisvegas". Unlike many festivals Laneway 2011 had a remarkably consistent quality throughout the entire day, so regardless of the weather it was always destined to be a scorcher. We braved the extreme ultra violet index to report on Australia's Rat Vs Possum, Cloud Control and Cut Copy. While sampling UK's Foals and America's best of the best with Beach House, The Antlers, Warpaint, Blonde Redhead, Ariel Pink, Holy Fuck. Oh and LES SAVY FAV!.

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