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The Big Pink – Interview with Robbie Furze (Static, 2009)

By |September 22nd, 2009|Categories: Interviews|Tags: , , , , , , , |

Recently setting the stereo at Webcuts HQ on fire with their debut release A Brief History of Love, we speak to Robbie Furze of The Big Pink as he explains the power of love and offers us a brief history of this incredible electronic/shoegaze duo.

Who The Hell Are… Zoo Animal?

By |December 21st, 2010|Categories: Features, Who the Hell Are|Tags: , , , |

Picture the scene... in a dark Minneapolis jazz club, three anonymous musicians take the stage. The usual rituals of tuning and testing, smiling and carrying on, and then the lead singer steps up to the microphone. It only takes a few songs to appreciate the underestimated prowess of the band; the churning bass, the precision in the drumming, and a fiesty singer whose melancholy adroitness shines through her toned-down Joplin-esque voice and ferocious, half-prostrated guitar solos. This is Holly Newsom and Zoo Animal, a band marked by a soulful yet minimal electrofolk sound and introspective, sometimes spiritual lyrics.

Cloud Control – Interview (Static, 2010)

By |June 24th, 2010|Categories: Interviews|Tags: , , , , , |

A Tale of Two Cities? Not bloody likely. While both appear on the forthcoming Laneway bill Cloud Control and Rat vs Possum are worlds apart and aren't harbingers of any Sydney or Melbourne scene. Although there are groups of like-minded musical acts in all Australian cities and towns they're is no discernible Sydney sound or Melbourne sound. Cloud Control's indie-folk rubs shoulders with Parades' and Jonathan Boulet's dense polyglot pop while Rat vs Possum's tribal skewed pop sounds share the same general geography as Love Connection's murky shoegaze and Super Wild Horses girl fronted garage. It's not where you come from, it's where you're at.

Who The Hell Are… Civil Civic?

By |November 16th, 2010|Categories: Features, Who the Hell Are|Tags: , , , |

There aren't that many great instrumental duos in the history of rock and roll. I've thought about this for about 20 seconds or so and bored already. To arrive at that musical decision, and to arrive at that musical decision when your bandmate doesn't even live in the same country, is as perverse as it is stupid. Being as they are Australian, perverse stupidity is our calling, and it's why Civil Civic succeed where others have just gone "Dude, we need another member". With the title still up for grabs (or until some smart-ass avant-garde freak shoots me down), Civil Civic could turn out to be the greatest instrumental duo in the history of rock and roll. Wouldn't that be just dandy?

Truck Festival – Steventon – 22-24 July 2011

By |July 28th, 2011|Categories: Live Reviews|Tags: |

Quietly, unassumingly, Truck Festival has become an annual celebration of all that is so very right about music. When the Bennett brothers witnessed the exploitative attitude of industrial sized events they didn’t just get mad they got even. Truck Festival was their baby and now in its fourteenth year it has blossomed into a rather lovely adolescent. Webcuts birthday boy Don Blandford was at Truck all weekend to report on the action, featuring appearances by: Graham Coxon, Lanterns On The Lake, Cashier No.9, Sarah Cracknell, Johnny Flynn, Edwyn Collins, Caitlin Rose, Mechanical Bride and Sea Of Bees.

Warpaint – London – 26 August 2010

By |September 7th, 2010|Categories: Live Reviews|Tags: , , , , , |

It’s shows like this which give birth to the very nature of rock and roll. The hip-swaying sounds of a band as they rock back and forth, eyes closed, mouths pressed against the microphone with their feet marking the beat. It’s an undeniably sexual thing. This isn't news. It’s why they tried to ban Elvis in the 50’s. He turned young girls on, and it wasn’t so much the man, but the music, the stage, the sweat, the motion -- the rock and roll of it all. Wedged together in this barely ventilated Old Street basement, Los Angeles' Warpaint are presiding over something that had this been the 50's, would've gotten them banned too.

Spiritualized – Interview with Jason Pierce about Songs in A&E (Static, 2008)

By |June 26th, 2008|Categories: Interviews|Tags: , , , , , , |

After a break of five years since their last album Amazing Grace, and a near crippling bout of double pneumonia, Spiritualized are back and in perfect health with their finest album to date with Songs

Who The Hell Are… Janus 4-14?

By |September 22nd, 2010|Categories: Features, Who the Hell Are|Tags: , , |

Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.

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