MNDR – Feed Me Diamonds
Ultra, 2012 [rating:6/10] "Pop music is a platform to say something. You don't have to only talk about parties." Interesting quote from ex-noise artist now shiny electropop-idol-in-waiting, Amanda Warner. Pop music has always been a platform
Dappled Cities – Interview with Dave Rennick (Static, 2009)
Sydney art-pop quintet Dappled Cities have steadily grown in status in the last ten years with 2006’s Granddance and their most recent psyche-pop opus Zounds. Last year, we spoke to Dave Rennick, guitarist and vocalist of Dappled Cities about birthing and touring the album.
Shearwater – Rook
Matador, 2008[rating:9/10] There are musicians who would flinch when accused of doing it "for the birds", reducing the act of making music to a mating call, but Jonathan Meiburg and his band ornithologists in Austin,
The Honeys – Interview with Bruce Begley about Star Baby (2008)
All my favourite bands break up too soon. Some dissolve and leave no trace they ever existed, others leave behind a body of work, be it that beguiling debut or just one crucial single that
Bon Iver – Bon Iver
Can Bon Iver live up to expectation with his self-titled follow-up to the celebrated For Emma, Forever Ago?
The Low Anthem – Oh My God, Charlie Darwin
Oh my god! The third album from this Rhode Island folk trio proves to be a natural selection.
The Welcome Mat – Gram
In the annals of Australian music history, The Welcome Mat only succeeded in living up to their name, laid down at the gates of opportunity to watch in dismay as their more fated friends were
Who The Hell Are… Big Scary?
While on first glance Big Scary are neither that big or scary, listen to any of their EPs and the name starts to make sense. At the Mercy of the Elements released earlier this year gave us an idea of the versatility of this Australian band.
The Charlatans – Some Friendly (20th Anniversary Expanded Edition)
20th Anniversary? Seriously? You're twisting my melon, man! Wait, wrong band...
Who The Hell Were… Naomi Hates Humans?
This is a first for Webcuts, in the sense that between asking a band to appear in a future 'Who The Hell Are...?' and publishing said feature, the band broke up. Our recent hiatus, which
The National – High Violet
Riding high on the charts, The National have found a resounding voice where "High Violet’s loneliest, weightiest moments feel like shared sorrow."
Arcade Fire – The Suburbs
From a Funeral to a Neon Bible and now out to The Suburbs, the long-awaited third album from Arcade Fire has Webcuts feeling right at home.
Beach House – Devotion
Bella Union, 2008 [9/10] Baltimore's Beach House first appeared in 2006 with their self-titled debut, a gorgeous collection of dizzying songs built around Victoria Legrand's awash-with-reverb harmonies, church-style organ and Alex Scally's languidly strummed guitar.
Wire – Red Barked Tree / Gang of Four – Content
Wire and Gang of Four wrote the book for post-punk, kind of. Are they still innovators or merely curators with Red Barked Tree and Content?
Detektivbyrån – Copenhagen – 13 February 2009
Detektivbyrån Lille Vega, Copenhagen 13 February 2009 The other day a friend of mine came by and flicked through my records and asked "Don't you have any music that is not depressing?". I replied "I
Jacob Golden – Revenge Songs
Echo, 2007 [rating:9/10] Those lucky enough to catch Jacob Golden's live know just how extraordinary he can be armed with only an acoustic guitar and his angelic voice. His self titled debut EP in 2001