The Low Anthem – Smart Flesh
Providence, Rhode Island indie-folksters The Low Anthem fail to im-press the smart flesh on their sophomore release.
The Hold Steady – Interview about Heaven Is Whenever (2010)
“Listening again to everything The Hold Steady recorded. Is this the greatest American band now? They just got me through a rough month.” Bret Easton Ellis, Twitter Nov 2009. Lauded by fans, critics and other creative minds for the scope, depth, truth and heart that they bring to chronicling the American rock myth, Craig Finn and Tad Kubler of The Hold Steady hold court to discuss (via impersonal record label Q&A) their forthcoming blue collar opus Heaven is Whenever, due for release on May 3.
Luke Haines – 21st Century Man
Luke Haines looks back at the 20th Century, and takes pop shots at the maligned and those who got left behind in typical Haines fashion.
Grand Atlantic / The Lovers of Modern Art / We All Want To – Brisbane – 26 June 2009
Not ones to throw angular shapes the boys here strive to find the right notes and the majority of the time they hit them.
Prefuse 73 – Everything She Touched Turned Ampexian
No we have no idea what Ampexian means, but globe trotting Scott Herren otherwise known as Prefuse 73 does on his fifth disc of beats and pieces.
Be Your Own Pet – Get Awkward
XL, 2008 [6/10] Junior Nashville punk rockers, Be Your Own Pet caused something of a stir at a show in London recently. Previewing tracks from their follow-up to 2006's self-titled debut, the band engaged in
Faker – Be the Twilight
Capitol/EMI, 2007 [9/10] There is a litany of bands that make the decision to pack their bags and move to Los Angeles to try and catch a spark of what makes the town such a
Jay Reatard – Australian Interview (Static, 2009)
Capping off an incredibly busy year with a singles compilation for 2008, Nashville native Jay Reatard has been relentlessly touring the globe and still hasn't stopped to catch his breath. Recently blowing away audiences in
Detektivbyrån – Hemvägen
Danarkia, 2006 [8/10] With glockenspiel, accordion and toy-piano Detektivbyrån (Dee-tek-teeve-bu-ron, "The Detective Agency") take their audience on an imaginative musical journey through the urban streets of Paris and the forests of Värmland, the Swedish province
Mumford & Sons – Copenhagen – 11 April 2010
A great band once sang “I’m beginning to like country music. They say that’s the first sign of age” and during the last few years I have seen more and more friends go over to the side of banjos, boots and beards. Maybe age is catching up with us but it could also be that country has sneaked its way into the indie scene more and more, being mixed with folk, rock and pop.
The Morning Benders – Big Echo
Oh, summery shimmery albums. Why must you hook us so? Berkeley, CA's, The Morning Benders serve up a treat.
Hoodoo Gurus – London – 4 July 2008
Hoodoo Gurus The Forum, London 4th July, 2008 Photo by Craig Smith. "I can still recall the time" began Dave Faulkner, as he stood in front of 1500 Australians (and some locals) at London's
Way Out West Festival – Gothenburg – 2010
As regular as clockwork, and now for the third year running, Webcuts returned to Slottsskogen in Gothenburg, Sweden for the annual Way Out West Festival. With so much eclectic talent spread across the three days it was impossible to walk away empty-handed. No matter what your taste in music were, all bases were covered. This year, Electro-wizards Chemical Brothers, alterna-rock heroes Pavement, living legends Iggy Pop & The Stooges, hometown boy Håkan Hellström, rap overlords the Wu-Tang Clan, and the mesmerizing M.I.A. were just a few of the acts to thrilled the sell-out audience, and to keep the photographers on their toes...
Simon Goddard – Mozipedia
The ultimate bible for Morrissey and Smiths fans, Mozipedia sorts the Suedehead from the Southpaw.
Windsor for the Derby – How We Lost
How did we lose this CD? Never mind, we finally give Austin's other post-rock band's eighth album a run through.
Atlas Sound – Sydney – 19 June 2009
I'd be surprised if the majority in attendance were familiar at all with Atlas Sound, but the crammed in masses of which Webcuts was one of the last to make the cut, were calling out requests that even Cox felt too obscure and unplayable.