Who The Hell Are… The Rassle?
When it comes to the mythical it-factor, New York's The Rassle by their own admission are “just rock and roll”. They understand that thousands of people have been there, done that. They're here to enjoy whatever the moment is right now, and it feels pretty damn great. Listen to The Rassle's first single, “Wild Ones” and you'll hear what they're talking about. It's a sound that's been done before. A little synthy, a little danceable. But by the time that kick drum chorus comes bellowing forward, it doesn't matter. You're bobbing your head like this is the first time you've heard indie rock before. It's fantastic.
Beach House – London – 2 December 2008
Beach House Cargo, London 2nd December 2008 Roughly a year since their last headline show at the Water Rat in Kings Cross, Baltimore’s Beach House have doubled their output and returned to London on the tail end
Luke Haines – Bad Vibes
A timely assault on the looming spectre of the Britpop revival, Luke Haines unleashes his arsenal and takes aim. Camden, look out.
Way Out West – Gothenburg – 8 August 2008
Webcuts brings you the lowdown from this year's Way Out West Festival held in Gothenburg, Sweden, including reviews, photos, and setlists from the first two days, Thursday 7 and Friday 8 August 2008. Bands reviewed:
Who The Hell Are… The Volcano Diary?
Sometimes a mood, feeling or memory can be condensed into a single album or song. It can be due to overexposure to that certain piece of music at the time of a memory being made, like, let's say, Christmas, or it can be the result of new music that already sounds familiar hitting on certain emotional chords, no pun intended. And new music that feels old, strange tunes that feel like a lifelong pal, is not necessarily an indictment of inherent quality, but it is certainly a step in the right direction. So goes with The Volcano Diary, a very new band that feels like they've been making music for decades.
R.E.M. – Collapse Into Now
With appearances from Peaches and Patti Smith, R.E.M. show no signs of wear and tear in their fourth decade of making music.