Windsor for the Derby – How We Lost
How did we lose this CD? Never mind, we finally give Austin's other post-rock band's eighth album a run through.
Luke Haines – 21st Century Man
Luke Haines looks back at the 20th Century, and takes pop shots at the maligned and those who got left behind in typical Haines fashion.
Who The Hell Are… The Capitalist Youth?
Consider The Capitalist Youth, a trio of former high school classmates who play “acoustic indie rock combining a living room full of misfit instruments with lyrically driven songs about summer camp, existential crises and gubernatorial indiscretions”. They don’t write and play the kind of music that will leave listeners dumbstruck over their redefinition of a genre, but they’re able to adeptly inject something into their music that only a handful of others have done well: humanity, with a laid back sense of humor, and without any of the awkward pauses that come from other bands who get lucky on a song or two and can’t maintain things the rest of the way.
The Bangles – All Over The Place / Different Light
The Bangles chart-conquering Different Light and their slighty less impressive debut album get the reissue treatment.
Lykke Li – Wounded Rhymes
A break-up album like no other, Sweden's pop princess Lykke Li hits an emotional core that has Webcuts in awe.
Pernice Brothers – Goodbye, Killer
All killer, no filler, Joe Pernice and Co. turn up the volume and turn in one of their most enjoyable records to date.
Beach House – London – 2 December 2008
Beach House Cargo, London 2nd December 2008 Roughly a year since their last headline show at the Water Rat in Kings Cross, Baltimore’s Beach House have doubled their output and returned to London on the tail end
Is Lady Gaga’s “Bad Romance” the Greatest Pop Song Ever?
Inescapable, inexplicable, infuriatingly addictive and an irrefutable pop phenomenon. She is Lady Gaga and she has come to take your children. If this were true, I'm sure it would be a fair trade but in reality, her goals are much, much higher. She is Lady Gaga and you know full well why she is here. A fashion and style icon, Gaga has made her two years in the public eye seem like a special kind of Chinese water torture. Chances are you’ve either succumbed to her spell, or fighting the effects with all the strength you can muster.
1990s – Interview with Jackie McKeown (2009)
Jackie McKeown enthusiastic front man with Glasgow's 1990s talks effortlessly about their sophomore effort Kicks which is being booted about, delving into the rigours of recording under Bernard Butler, sharing vocals duties, girlfriends and carrying
Adorable – Footnotes 92-94
Review of mid-90s band, Adorable, compilation album that combines singles, album tracks from their two LPs and b-sides.
Jonneine Zapata – Brisbane – 7 October 2010
Jonneine Zapata's Cast the Demons Out came out of nowhere and managed to do what it said on the tin. And all indications were that live was where she excelled. Comparisons were bandied around from PJ Harvey and Patti Smith for there strong vocal ranges to Jim Morrison and Mick Jagger for their bold sexual stage presence. Apart from the smoldering mic stand gripping, her onstage persona also alternates between standing still with an ice cold stare, holding her arms aloft swaying like an eagle, and my favourite, lurching around the stage like a drunken marionette. Unsettling? Maybe but never boring.
R.E.M. – Retracing The Maps & Legends
Could it be true that the end of a beloved and highly regarded band came down to a simple “a funny thing happened while putting together our career retrospective”? How many bands, when faced with
Stephen Malkmus & the Jicks – Los Angeles – 25 July 2009
Stephen Malkmus & The Jicks played to an audience brimming with the intoxicating scent of bearded, checked-shirt sporting aging rock dudes. Vanessa From Queens was missing but the gang was all there.
The Fauves – When Good Times Go Good
Melbourne's The Fauves prove to be remarkably prophetic with their ninth serve of twisted rock.
Who The Hell Are… The Fierce & The Dead?
With their debut album If It Carries On Like This We're Moving to Morecombe, London post-rock quartet The Fierce & The Dead left an indelible impression at Webcuts HQ. It was an album that defied categorisation and challenged perceptions of the post-rock genre, not only from the exceptionally long-winded and unselfconscious title, but in the way it fused elements of post-rock with hardcore, ambient soundscapes and jazz/funk experimentation. It was as if The Fierce & The Dead wanted to sound like all bands, and none, which intrigued us enough to want to find out more.
A Place to Bury Strangers – Interviw with Oliver, Jason, Jonathan (Static, 2010)
We trap the loudest band the land - A Place to Bury Strangers - in the Static studios to talk the good talk about their beginnings, effects pedals and not being labeled shoegaze, but are disappointed to learn that they aren't in fact the loudest band from New York -- "Jono: It was Time Out New York, they came to our rehearsal studio and had a decibel meter while we were rehearsing, but then they went to Music Hall of Williamsburg, which is this huge 500-capacity venue and then they recorded Black Dice and they were louder than us."