Howler – This One’s Different
From the label that gave you The Libertines and The Strokes, here's another young and disaffected indie guitar band.
Cat Power – Sun
Matador, 2012 [rating:7/10] Time and distance, be it geographical or emotional, have always been great assets to a songwriter. The ability to cease all activity, to step off the treadmill and get his/her shit straight,
Cold Cave – Of Dark Days and Light Years (2011)
Cold Cave's debut album of 2009 Love Comes Close was a unique display of synth-oriented mood disorder, venturing out from the bedroom to the dancefloor, filled with idealistic tales of romance and disillusionment. Band leader Wes Eisold’s spin on the world appeared to share a voice (in both dour baritone and content) with Magnetic Fields Stephin Merritt, if he'd spent his adolescence listening to The Cure and Depeche Mode instead of showtunes. On their second album, Eisold moved beyond the testing of the waters that was Love Comes Close and turned its successor, Cherish The Light Years into his dark dream made manifold.
Spiritualized – Interview with Jason Pierce about Songs in A&E (Static, 2008)
After a break of five years since their last album Amazing Grace, and a near crippling bout of double pneumonia, Spiritualized are back and in perfect health with their finest album to date with Songs
Braids – Native Speaker
Debut album from Montreal's Braids. Like a Canadian Animal Collective with female vocals? Read on and find out...
Dean Wareham – Black Postcards
Penguin Press, 2008 [rating:7/10] "I don't wanna stay at your party/I don't want talk to your friends/I don't wanna vote for your president/I just wanna be your tugboat captain." Over simple chords, and a shaky
Rowland S. Howard – The Final Interview (Static, 2009)
Forever known as Nick Cave's red right hand in the Birthday Party, Rowland was the purveyor of that skeletal, metallic guitar style that along with the bass growl of Tracey Pew, defined the sound of the band. Speaking to Static's Chris Berkley, only a few weeks before his passing, Rowland S. Howard recounts his extensive career and his brief return to music with Pop Crimes.
Savages – London – 11 October 2012
Savages Electrowerkz, London October 11, 2012 Does anyone remember the post-punk explosion of 2005 when every second band seemed to be cribbing off each other's influences sheets, and labels with derivative names like Angular and
Coco Electrik – Interview (2007)
Former Brisbanite Anne Booty is the leading force behind genre defying Brighton-London based act Coco Electrik. We grill Anne about debut LP Army Behind the Sun, performing live and receive an answer to the question: Are Friends Electrik?
TV on the Radio – Interview with Jaleel Bunton (Static, 2008)
Having just released one of the stand-out (and Webcuts approved) albums of 2008 with the awe-inspiring brilliance of Dear Science, Static's Chris Berkley spoke to Jaleel Bunton, drummer of Brooklyn's roof-raising TV On The Radio as
Who The Hell Are… Janus 4-14?
Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.
Beach House – London – 2 December 2008
Beach House Cargo, London 2nd December 2008 Roughly a year since their last headline show at the Water Rat in Kings Cross, Baltimore’s Beach House have doubled their output and returned to London on the tail end
Wilco – The Whole Love
Wilco -- "They’ve solidified themselves as the greatest American band playing today, possibly of all time".
Factory Floor – Interview (Static, 2010)
Part extreme noise terror, part euphoria, East London’s Factory Floor have made a name for themselves as being loud and uncompromising, or as they stress in the interview below "brutal". Having walked half-way in during their set supporting American synth act Cold Cave earlier this year, Factory Floor's performance was very much a "what the fuck?" moment, unsure as to either quickly vacate the room or take stock of the diffused electronic/industrial free-form concotions they were composing. We stayed, with reservations... Chris Berkley of Static caught up with Gabriel Gurnsey and Nik Colk from Factory Floor shortly after their appearance at the Offset Festival in London in September to find out more.
Dum Dum Girls – London – 28 September 2010
California girls. Beach Boys praised them, Katy Perry revived them, but Los Angeles' Dum Dum Girls are the kind of girls that either Brian Wilson or Katy Perry had in mind. Palm trees, bikinis and suntans aren’t their domain, in fact, it would be surprising if daylight ever graced their chalk-white skin, looking as they do Josie and The Pussycats meets Tim Burton. Making a return visit to London in the newly opened (and un-divey) East London venue XOYO, Dum Dum Girls are Dee Dee. The all-girl band she's assembled acts as both an extension of her psyche, and a mirror to how she dresses.
Moonface – Organ Music Not Vibraphone Like I’d Hoped
...says Wolf Parade's Spencer Krug of his solo off-shoot project Moonface. Not as good as we'd hoped, either.