Glasvegas – EUPHORIC /// HEARTBREAK \\\
The only euphoric heartbreak here is all expectations of Glasvegas trumping their debut going out the window.
Moonface – Organ Music Not Vibraphone Like I’d Hoped
...says Wolf Parade's Spencer Krug of his solo off-shoot project Moonface. Not as good as we'd hoped, either.
Telekinesis – Telekinesis!
A protégé of Death Cab's Chris Walla, Telekinesis, certainly has the über producer's influence all over its thirteen power pop tracks.
British Sea Power – Valhalla Dancehall
Hurrah for English music. Just when you think Webcuts panders almost exclusively to the Americans, British Sea Power save the day.
Exlovers – Moth
Young & Lost Club, 2012 When it came to making the kind of sweet and effervescent guitar pop that would chime and ring at your feet, London’s Exlovers were one of
The Screaming Tribesmen – Igloo
It should be obvious by now, but if you want to sell me your record, couple it with some chiming chords, a memorable lyric and a catchy hook, and I'm all yours for the
Stephen Malkmus and The Jicks – Mirror Traffic
Pavement reunion done and dusted, Stephen Malkmus and Co. get back to making adult indie rock on album number five.
Weezer – Death To False Metal
Just how many albums are Weezer going to release (or re-release) this year? What's one more for Christmas?
Simon Goddard – Mozipedia
The ultimate bible for Morrissey and Smiths fans, Mozipedia sorts the Suedehead from the Southpaw.
The Kills – Alison Mosshart talks Midnight Boom (2009)
Arriving on the scene way back in 2002 with the gritty Black Rooster EP, The Kills took the garage rock aesthetic and beat it down, creating a skin and bones strut that stank of sex
Atlas Sound – Logos
Bradford Cox of Deerhunter makes us seem like we're slavishly supportive of everything his hand touches, but we mean every word. Honest.
Black Cab – Brisbane – 17 July 2010
It took eleven years, three albums and a European tour for Melbourne space rockers Black Cab to broach Brisbane but they did and yes, it was worth the wait. Even the prospect of a half empty venue, an OCD stricken punter and the one colour Hi-Fi lights were not enough to dissuade Black Cab in performing anything less than a mesmerising set of original material and two stunning encores that paid homage to the whole space/drone/shoegaze rock genre. Able support was provided by Brisbane alt.rock kings Grand Atlantic.
Times New Viking – Australian Interview with Jared and Adam (2011)
Was there really once a musical sub-genre called 'Shitgaze'? I mean, somebody actually sat around, coined that term and then hoisted it on a few unsuspecting bands who by fate or ill-fortune found themselves trapped under its audiophile repelling umbrella? Think about it, shitgaze. Would you buy into that? Thankfully it's only a memory, but some of those bands still remain, including Columbus, Ohio's Times New Viking. On the eve of their first Australian tour Chris Berkley of Static spoke to Jared and Adam of Times New Viking, fresh off the plane to promote their most recent album, the discordant but progressively tuneful, Dancer Equired.
The Scare – The Final Interview, Sydney (2010)
Is there anything more cliched than the rock and roll break-up? Secret meetings in dark alleys. The guitarist that suddenly pops up on other people's records. The singer who doesn't return their calls. You either see it coming a mile away, or it creeps up on you like old age. It happens to the best and it happens to the worst, and eventually it will happen to them all. Piss and moan about it all you like, but what's done is done. The latest induction to the rock and roll hall of "fuck this shit for a laugh" are Webcuts' favourite punk sons, The Scare.
Pete Fijalkowski – Interview about Polak, Adorable and Broken Heart Surgery (2008)
Pete Fijalkowski former frontman for two of England's most criminally ignored bands, Adorable and Polak, talks about his solo album Broken Heart Surgery.
Chromatics – London – 6 November 2012
Chromatics Heaven, London 6th November 2012 On a night when everyone is locked in an US election day trance, American synth-noir act Chromatics were the alternative for those choosing pop over politics.